"We have found that designers and specifiers worldwide are very pleased with the SL BAR 640 and SL BAR 660, yet they keep asking for a small product in the same range," said Brad Schiller, Showline product marketing manager. "By providing the same quality and features of the larger units in a more compact package, we are thrilled to be able
The complete A.C.T. booth will be controlled with 6 DMX universes running all Clay Paky fixtures. In addition, a complete setup of RDM Control with the W-DMX BlueBox RDM Controller will display the Clay Paky Glow Up with iPad control.
The W-DMX G4S platform is a step change in the popular G4 software, packing improvements across the board. From smarter Adaptive Frequency Hopping to greater resiliency, W-DMX G4S keeps even the most demanding show running.
G4S also brings new RDM functionality as standard in the entire trans
These three new products along with 30 more professional lighting fixtures will make their debut at the LDI 2013 Show, held at the Las Vegas Convention Centre this week (booth #725).
"We were so excited about our new wave of pro products that we wanted to start sharing them before the show. These new moving heads are aimed at lighting designers, night clubs and installers looking to make a big impact with a professional looking light show all on a real world budget," said Alfred Gonzales, national sales manager of ADJ. "We think these new quality-driven pro products will really 'turn heads' (pun intended). They fit perfectly into our range of qual
"We are very excited for LDI 2013 as we have something in store for show visitors that they have never seen before," said Brad Schiller, Philips Entertainment product marketing manager. "Wanting to make this one of the most memorable and talked about LDI shows in recent years, we have created an eye-catching and en
Marian Sandberg, Content Director of Live Design, explained the reasons for the award: "The B-Eye is an innovative LED fixture that works as a wash, beam and effect light. It can switch from a diffuse wash to parallel beams, and features individual LED control enabling controllable microbeams. Adding colors and moving patterns, it generates countless kaleidoscopic projections.&
PLASA Focus: Baltimore 2014 will be held in the Reitz Arena at Loyola University, Maryland, located just 10 minutes from downtown Baltimore and 30 minutes from BWI Airport. PLASA Focus: Austin 2014 will be returning to the Palmer Events Center in Austin following the success of two PLASA Focus events previously held at the venue.
Having made a name for itself during the past two years, the PLASA Focus series will continue to provide live production professionals with access to the very latest pro audio, lighting, AV and stage technolog
Following the HOG4 family of console products launch, High End Systems launched a new breed of Hog at LDI, the HedgeHog 4. Alongside the product launch came the announcement of a new type of partnership. Elation Professional will distribute the HedgeHog 4 in the US, Canada, Latin America, South East Asia and India. This agreement will enable Elation to offer its customer base a powerful and intuitive lighting console while offering High End Systems access to markets previously unreached.
Alongside the HedgeHog 4, High End Systems launched the SolaSpot Pro CMY and the new family of high definition media servers- Axon H
Designed for environments including theatres, houses of worship, hotels, convention centres, and stadiums, the MediorNet bidirectional video cards bring added flexibility to Riedel's MediorNet Modular system. Depending on which SFP transceivers are installed, the card can handle a combination of either four HD (1.5G) or two 1080p (3G) bidirectional video signals or analog video, HDMI, DVI, or optical SDI video I/Os. HDMI I/Os employ self-locking mini HDM
Stage Technologies' continued support of the event by taking the principal Platinum sponsorship role for the third consecutive conference, illustrates the tremendous reputation that ITEAC has established over the last 12 years.
The launch of ITEAC 2014 recognises the demand for this major event, which seeks to investigate the developments that have already been made, and the innovations that will be required, in the ever-changing world of live entertainment.
The quadrennial three-day event, which will take place from Sunday 8 June 2014 to Tuesday 10 June 2014, brings together the world's leading theatre technicians, architects, engineers, consultants, acousticians and production managers, plus theatre mak
Both shows were filmed at Berlin's largest TV studio, which, at around 3,000 square metres, has 1,100 seats for live audience members and enough space for a large stage set. The studio is owned and operated by technical production company Studio Berlin Adlershof (SBA). Exclusive audio supplier for The Voice of Germany is Werner Audio, whose owner, Fried Werner, provided the show with 10x Nexo PS15-R2 monitors and four NXAMP 4x4C amplified controllers in active biamp mode for stage monitoring.
"The Nexo speakers were specified by monitor e
The agreement, which allows Elation to distribute High End's new HedgeHog 4 and Nano Hog 4 lighting consoles in the US, Canada, Latin America, South East Asia and India, caused quite a stir on the show floor.
"The distribution announcement started things off with a bang and really set the tone for the rest of the show," said Eric Loader, director of sales at Elation Lighting. "This gives us a powerful and intuitive industry-standard lighting control platform and we're thrilled to be involved with it. Customers were equally excited and interest in it was g
Celebrating the versatility and dexterity of the British Army, the event is held to raise money for a number of praiseworthy charities, including the Royal Air Force Benevolent Fund, the Royal Navy and Royal Marines Charity, Walking With The Wounded and ABF the Soldiers Charity.
This year's event was commentated by British Actor Anthony Andrews and paid tribute to the Tournament's traditional aspects, including a field gun run, the White Helmets Motorcycle Display Team and perform
Kegan has designed, programmed and operated all of the popular Major Lazer's shows, tours and festival appearances worldwide since the middle of 2012.
This was his fourth experience working with Colour Sound in the last 18 months and he comments, "H (Haydn Cruickshank, Colour Sound's MD) always treats us great, and as a touring LD himself understands the importance of every detail being correct and all the aspects of what we need being in place."
The creative starting point for the lighting and visual design was the idea of a clean and simple style that could offer those big, beautiful iconic looks and y
For his first solo headline tour in almost four years, Jay-Z wanted to pull out all the stops, so his production team led by production manager Bobby Schneider enlisted LS-Live to design and build what was to become one of the company's biggest projects of 2013; an enormous set of internally lit cubes both on a rolling house stage and hung overhead, encompassing 17km of aluminium and 400 Pulsar LED ChromaPanels.
Schneider had worked with LS-Live on the successful production of Jay-Z's one-off show for the BBC Radio One Hackney Weekend in the summer of 2012, so he knew it would be an
Rat Sound's relationship with Pearl Jam goes back to the band's debut album, Ten (1991), when it opened for one of Rat's other longtime accounts, Red Hot Chili Peppers. Since then, the company has served as the group's primary live production provider.
According to Rat Sound's Kevin McKenzie, who has served as Pearl Jam's system tech for the past decade, the PA deployed at each stop typically featured 14 K1 plus six Kara down-fills per side with adjacent hangs of a dozen K1-SB. Additional left and right side hangs
Lighting designer Henrik 'Henke' Hjälm, who is also production and technical manager at Trädgår'n, was so impressed with SGM's SixPack LED blinder, demonstrated to him by SGM Sweden's Mikael Uddh, that he did not hesitate to add 12 units for the show Rock Around The Christmas Tree - from Elvis to Guns N Roses". This is playing for 15 sold out nights, and will be seen by almost 8,000 people during its run.
"I wanted to step away from the traditional 'blinder effects' for the rock parts of the show and use more stunning colour effects ... as well as brutal blinding in both warm and cold colours," explains Hjälm about his task to create the ideal setting for some
The tour is in support of Timberlake's third studio album. The singer will play dates in North America, Europe, Australia and South America.
Whitehouse programmed the tour on a grandMA2 full-size with Jason Gangi, who is also the lighting director. "I like using grandMA2 best," Whitehouse says.
"We did seven weeks of rehearsals," Whitehouse reports. "The gear really got a workout - 20 hours a day." On the tour "the whole rig is hidde
Titled Kick-Starting the Market for Building Automation, Schlesinger's speech will give attendees an exclusive insight into how a new cross-industry initiative set up by Cisco, ABB, Bosch and LG will transform the world of 'smart' building technology by offering a common standard for data exchange across multiple appliances and disciplines.
"In October 2013, Cisco, ABB, Bosch and LG signed a memorandum of understanding to explore the development of a common, open and discrimination-free platform to unite diverse services such as lighting control, energy management, security, healthcare and, not least, audiovisual entertainment and communication," Schlesinge
The tour's all-white stage and production design was created by will.i.am and is heavily video orientated with minimal lighting. The tech savvy artist is involved with all aspects of his visual presentation - overseen by production manager Neil Porter - as well as bringing his innovative musicology and techniques to the stage.
The set features three large inflatable heads - a larger central one which moves on and offstage throughout the show - flanked by two smaller ones. All three have a DJ set up on top and were constructed by All Access, together with three roll-down projection screens upstage of the heads.
The projection system design was crea
tn.jpg "The show has reached over 10m spectators and is described as the largest night-time show on earth")
This year, the historical theme park celebrates its 25th anniversary and Cinéscénie heads up a programme of live productions at the cultural attraction, which first opened in the heart of the Vendée region of Western France in 1989.
This summer, the show, which lasts 1hr 40 min, has reached over 10m spectators and is described as the largest night-time show on earth. Taking place every Friday and Saturday, the show featured 1,200 actors, 300 animals, 24,000 costumes, 1,000 fireworks, 3,000 projectors, and a 23-hectare stage.
The brief from Puy du Fou as
Lighting was designed by Ryan Dunbar from the Durban branch of Gearhouse South Africa, the country's largest technical production rental facility. It was his first time lighting the event for which he was also the set designer, and in another first, he decided to use 80% LED sources for the lighting rig.
These included 18 x Robe DLF Wash fixtures, six DLS Profiles, 30 x LEDWash 600s and 70 x LEDForce PRs.
He also used 24 of Robe's new Pointe multi-purpose moving lights for beam effects, which helped create the spectacular 'big room
"With a single show at the Blackpool Empress Ballroom as a warm up, the O2 presented me with all sorts of questions. This was the first time I'd done a show on this scale, certainly with video, and it was nice to have someone to turn to and say, what do you think about doing this?" Squib is nothing if not modest about his own abilities, the mentor to whom he refers, Alex Leinster of Chaos Visual UK, had only been introduced to him a few days before. "It was obvious to me straight away that Squib had some fresh and interesting ideas," said Leinster. "Fully formed, it only required us to marshal th
The latest exhibitors to sign up include AC Lighting, Apollo Design Technology, Doug Fleenor Design, ETC, LSC America, Philips Entertainment Lighting, Show Sage and Link. They will share the show floor with other industry leaders including; Aeson, ETC, Bandit Lites, Group One, Chauvet Professional, Lightronics, Elation Professional, Creative Stage Lighting, and Applied Electronics, to name a few.
Three new sessions have been added to the PLASA Focus: Nashville 2014 Professional Development Programme, a two-day programme of free educational seminars and workshops running alongside the event.
Ben Jumper, the owner of Soundcheck, will present After the Flood
In recognising his outstanding contribution to theatre - including work as both production and technical managers and service as vice-chairman of the ABTT, as well as an executive member of the Society of West End Theatre - Nimax Theatre chief executive, Nica Burns, praised the former chief executive of Sadler's Wells Theatre, acknowledging the importance of Albery in her own career.
The list of ABTT Fellows now reads as follows: David Adams, Ian Albery, Jason Barnes, Fred Bentham (deceased), Richard Brett, William Dudley, Tim Foster, Roger Fox, Roderick Ham, Chris Higgs, Ethel Langstreth (deceased), Iain Macki
