Heuvelman Open London Branch
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We all know that local licensing authorities impose technical requirements to ensure the safety of the public, staff and performers in places of entertainment such as theatres, cinemas, discotheques, nightclubs and concert halls. An overhaul of these requirements has been long overdue, largely because the regulations were too specific - with the result that the detailed technical requirements were out of date. Another cause for concern was that the expertise and resources available to individual licensing authorities varied enormously, resulting in inconsistencies between them and varying standards of enforcement.
The new publication incorporates a number of features specifically intended to address these problems. It provides f
The joint venture sees the creation of Adsworldwide China, an occasion enhanced by the official opening of the company’s new building in Shen Zhen. Amongst the 70 people present there was a large cross-section of representatives from Chinese television and press, as well as the newly selected distributors. After the official signing ceremony, a celebration cocktail party and dinner was held at a nearby hotel in Shen Zhen.
Simon Turtle, an experienced Barco sales manager, has been promoted to business development manager of Barco Projection Products. He is joined by Colin Dunne as customer services manager. Dunne, formerly with Christie UK and Dynamic Logic has more than 25 years' experience in engineering and customer service. Mark Anderson has been appointed to the newly created position of market development manager for Barco's rapidly-expanding Home Theatre product group. Previously with Pioneer and Sony, he brings nearly 20 years of sales expertise to develop the dealer networ
BECTU launched a legal challenge to the UK legislation and on 26 June 2001 the European Court of Justice (ECJ) accepted the opinion of the Advocate General of the ECJ, which stated that national governments may not exclude groups of workers from the rights that the directive gives them.
After having spent the weekend in Helensborough with friends, and undertaking several outdoor excursions immersed in Scottish mist, as opposed to Scotch mist which is something else entirely (and of which more later), it was quite a shock to wake up to unexpected and blazing heat for the first day of Showlight 2001. However, this weather was certainly appropriate as, in a very literal sense, the sun seemingly bathed this fourth quadrennial colloquium on entertainment lighting, in a golden glow throughout.
Huge credit has to go to the committee for the success that Showlight was once again. Some of the members of this panel will be mentioned in this article, some will not, if only because their roles were more behind the scenes, as it were, but all deserve fulsome praise for their contribution to a
During the AGM, both PLASA Chairman Mick Hannaford and Treasurer Sammy de Havilland reported a successful year for the Association, covering the wide range of initiatives that had been introduced in the past 12 months.
In his keynote speech, Chairman Mick Hannaford reflected on the changes taking place within the industry and the need for companies to equip themselves to cope with a rapidly changing world. He emphasized the role that PLASA had to play in this, and also stressed the need for more training, an ambition that the Association has given a further boost to with the recent establishment of its training and education steering
Lighting designer Patrick Woodroffe first visited the BouncE Streetdance Company in Sweden in 2000, with the troupe’s management and producers, to guage the potential for a major international production of the highly-rated company’s work. Woodroffe recalls: "We saw that we could translate what they were doing into something even more exciting. Les Brotherston became involved as designer and came up with this wonderful set design for the Roundhouse, on the understanding that Bounce would first do production rehearsals in Ealing, then a six-week run of the show in Sweden before moving to London."
Brotherston’s set has a wide central stage and two raised ‘satellite’ side stages
The report, jointly commissioned by Actors’ Equity Association and the League of American Theatres and Producers, concluded that Actors are at risk when exposed to "elevated or peak levels of glycol smoke and mineral oil." However, it also noted that if exposure levels are kept below the limits established in the study, actors should "not suffer adverse impacts to their health or their vocal abilities."
Further details of the report will appear in the July issue of Lighting&Sound International, being mailed on July 15. If you would like to receive a copy of the magazine, e-mail news@plasa.org
The co-ordination of the artists, venues and production of Keyfest was managed by the Event Associates team, with director Colin Sinclair overseeing the project. Manchester’s ‘street cred’ as one of the UK’s main cultural cities was once again underlined with the launch of Keyfest on Thursday 21st June at Loaf. Tom Hunter, managing director of Manchester’s radio station Key 103 welcomed a gathering of media and celebrities to the opening party. The festival programme includes a celebrity fashion show, performances from Ocean Colour Scene, Paul Weller and Da
The panel’s work is highly topical through recent developments in the music and festival culture, and its creation was spurred by a number of accidents and deaths at high profile events including Roskilde Festival 2000 in Denmark and other recent crowd tragedies in Australia and South America. An awareness campaign aimed at educating festival audiences across Europe about the seemingly innocent (but proven dangerous) practice of ‘crowd surfing
The Party Cannon is available in four sizes to suit all venues and operators: the 200mm cannons are particularly suitable for smaller indoor venues as they fire the confetti and streamers to a distance of up to 4 metres. The 300mm cannons are ideal for larger parties and venues as they will fire the contents up to a distance of l0 metres. The 500mm cannons are aimed at very large venues and outdoor parties as they can shoot confetti and streamers to a distance of up to 20 metres. The 800mm cannons need to be reserved for footb
The expansion allows for future growth and provides room for the development of a fully-equipped electrical and electronic workshop which will facilitate the wiring of equipment racks for MCC’s audio-visual equipment racks and custom panels. The workshop will be used for the prototyping and testing of control systems used in stage rigging, AV and show control. A dedicated QA area will ensure that equipment meets all necessary standards before dispatch.
To mark the opening, the company demonstrated a number of items of stage equipment, including two scissor lifts (one using Serapid link chains and the other a single spiral drive from GALA), two of the new super-silent
Jonathan’s own experience on large scale architectural and theming projects is vast and he has worked on a wide range of projects. He is currently working on the permanent location of the Olympic Cauldron at Homebush Bay involving over 20 Clay Paky Goldenscans. The installation of this project is by Beyond Audi
And if you don’t play, you are very welcome to come and enjoy the atmosphere and cheer on your industry colleagues as they demonstrate their complete lack of sporting prowess in the idyllic setting of Littlewick Green Cricket Club, Berkshire. This year’s three teams will consist of Clarion Events captained by James Brooks-Ward, the PLASA Lighting side captained by Paul De Ville of Lightfactor Sales, and the PLASA Audio side captained by Simon Curtis of Hayden Laboratories.<
The Skyhigh site was originally a World War II gun site. There are five old gun emplacements each surrounded by its own blast walls. Seventy five metres away from the emplacements is the main magazine where the Ack Ack shells were stored. Each emplacement has its own sub magazine, which supplied each individual gun. The arrangement is ideal for Skyhigh’s p
However, the Yugoslavian bulb has some way to go before it catches up with a feisty old lightbulb still serving duty in a fire station in the US city of Livermore. The 4W bulb recently celebrated its centenary.
Dave Cartwright and Richard Reed, both on temporary secondment from the Group’s Park Royal HQ, were more than happy to show us round. The new base, which features both a sales office and showroom area, is championing the promotion of Lighting Technology Projects’ specialist architectural lighting products portfolio, which incorporates product lines from manufacturers around the world, including Color Kinetics, ETC Irideon, TIR LightPipe, Astralux, Derksen and Phoenix - as well as numerous other architectural lighting and control products. Graham White, recently recruited from Absolute Action, heads up the new office with Clive Tallent and Sarah Davis joining him from P
Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.
One of the issues JBL was most keen to emphasize was that of weight, or rather lack of it, for each Vertec VT4889 enclosure weighs only 69kg, including rigging hardware. Each enclosure includes two lightweight 15" low frequency loudspeakers, four powerful 2250H 8" midrange frequency loudspeakers, coupled to RBIs (Radiation Boundary Integrators), and three compact 2435 high frequency drivers fitted to WaveFormers.
The system is already establishing a strong following, both in the US and Europe, where some of the key touring supply companies have systems out with a number of headlining bands.
Bryan Waters, MD and founder of Audace, explained that the HIC system required a larger number of output zones than A&H’s DR128 digital matrix could provide. "The first challenge was the need for a system of 16 zones. We wanted to provide the Centre with a single control system that would work with two of the Allen & Heath units." Waters, who professes a keen enthusiasm for the Cornish pro audio manufacturer’s products, set up Audace specifically to provide one-off solutions and off-the-shelf support products for the blossoming digital market. "When the DR128 was launched, there was nothing like it on the market for anything like the price - and there still isn’t," he enthused. "However, the software su
By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.
Online: Go direct to www.plasa.org/show/register to book online.
There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of