Paula J. Dinkel, Peggy Eisenhauer and John Rayment will be the keynote speakers heading a formidable array of 21 top-class speakers at Showlight 2001.

Paula J. Dinkel, principal lighting designer for Walt Disney Imagineering, is currently leading the lighting design teams at Walt Disney Studios in Paris. Her paper ‘Theatre to Theme Parks’ owes much to her 20 years’ experience with Disney theme parks and retail projects, amongst them DisneyQuest in both Orlando and Chicago, the Port Discovery Children’s Museum in Baltimore and Club Disney.

John Rayment, the man responsible for the exciting lighting design of the opening and closing ceremonies of the Sydney 2000 Olympic Games, will discuss this experience in his paper ‘Olympics’. Beginning his career in seventies London, Rayment went on to become associated with the Sydney Dance Company, and was also

Since the Government made the decision to remove preferred bidder status from Legacy plc, the battle for who gets to do what with the Dome has intensified. The Experience consortium, which includes promoter Harvey Goldsmith, has joined forces with the four-company consortium of Quintain, Lend Lease, Stanhope and Grosvenor. The latter has already been in talks with the BBC and the Tussauds Group, which may spur the revival of a 10-year-old plan for a giant theme park at Greenwich, first put forward by Tussauds long before the notion of a Millennium Dome was conceived. Any BBC involvement in the bid could involve turning the Dome into a theme park inspired by classic programmes such as EastEnders and Walking with Dinosaurs. This now places the consortium in a strong position to challenge the rival bid from the Dome’s former chief exec Pierre-Yves Gerbeau, whose bid is centred around

Directors of the newly-constituted Sound Department chose the Frankfurt Musikmesse this month to unveil their plans for the future.

Following the demise of the former Sound Dept, the new company will commence trading from an operating base in Banbury, Oxfordshire, at the beginning of April, under the executive management of Steve Smith (MD), Andy Simmons (sales and marketing director) and Peter Nicholls (FD).

The new company has consolidated its position with all the premier brands previously represented, and will act as exclusive UK distributor for Crest Audio, Community Professional Loudspeakers, Sound Advance, Level Control Systems (LCS) and Australian Monitor Industrial (formerly Audio Telex).

Other key members of The Sound Department team are technical support manager, Steve Badham, along with Bruce Francis, who will now run the service department from a self-contained unit in

Production Resource Group (PRG) has announced that it has established new credit totaling $125 million with GMAC Business Credit, to support its strategic plans. This refinancing was coupled with the sale of PRG's Systems Group consisting of Signal Perfection Ltd and the Ancha and SPL-Integrated Solutions divisions, to a newly-formed entity controlled by shareholders of PRG and Systems Group management. "With such rapid expansion, there have been obstacles and growing pains. None the less, the hard work of the talented people that make up PRG and the new management we've implemented has significantly reduced our debt from $190 million to $110 million," says Jere Harris, chairman and CEO. "I attribute these achievements to the continual efforts of our employees. It's their diligence, dedication and teamwork that has directly resulted in improved performance."

PRG ant

The UK’s first ever grouping of crowd management companies took place recently, at the International Live Music Conference (ILMC The 13th) in London.

The UKCMA aims to raise standards within the industry and promote awareness of crowd safety issues among legislative bodies in the UK, as well as to foster co-ordination of training and operational standards. The lead is being taken by the inaugural members of the UKCMA, which represents the major players in crowd management. The need for recognised industry standards and a responsible approach to training has been a subject of much discussion within the security and crowd management industry. Whereas currently companies can provide personnel not trained in crowd management, whether it be pit work, minimum force, or response work, the recognition and call from the industry for nationally-accredited standards is one that can no longe

London’s Mermaid Theatre, at Blackfriars, is appealing for support after being threatened with demolition by the site’s owners, Blackfriars Development Limited. The current owners plan to raze the building and replace it with an office block which will include a “conference-style” theatre, which will be barely a quarter of the present venue’s size, with minimal backstage facilities. The Theatre Trust and the organisers of the Mermaid Theatre Appeal are asking for support to prevent the Corporation of the City of London from accepting the application. More information is available from campaign coordinator Maggie Sutton at the ‘Save The Mermaid Theatre’ Appeal.

PLASA Media has learned that Home nightclub in Leicester Square, London, has been closed after an undercover police investigation showed there was open and serious Class A drug dealing and usage at the venue. Westminster Council made the decision to revoke the club’s entertainment licence with immediate effect, at an emergency meeting following police advice. Chief Inspector Chris Bradford, of the Metropolitan Police Clubs and Vice Unit, said: "We felt it was necessary to take the unusual course of action in a bid to try and eradicate this serious and open problem from the premises.

"A full investigation has been carried out by my officers and we have explored many other courses of action to avoid having to make this application. Our actions in this case should act as a warning to other premises where there is a serious drug problem that we are prepared to take every st

The ABTT Show is proving to be one of the best networking events for the theatre industry. L&SI was at London’s Horticultural Halls . . .

The show consolidated its core theatre roots, firstly by changing its name to the ABTT Theatre Show 2001, and secondly by widening its appeal to complementary sectors and actively targeting architects, consultants and specifiers of front-of-house services. This inevitably led to a broader range of products on the show floor and alongside the lighting, audio, AV and staging equipment, came front of house goods and services - principally seating, but also training, recruitment and licensing. This, in turn, led to more visitors and first indications are that the visitor figure was up a massive 72% over last year’s registered numbers . . .

The talk on the AC stand was of the company’s new HQ, the finishing touches to which, are being

The first meeting of PLASA’s newly established Education and Training Steering Group took place in March.

Chaired by Dave Ward of the Gateway School of Recording, members of the Group include some of the key training providers in the industry, together with representatives of the trade press and the PLASA head office team.

The intention is that the Group will make recommendations to the PLASA committee on the way forward for training and education initiatives for this industry. Part of its remit will be to review ways in which PLASA can create a coherent and sustainable training structure which addresses not only those coming into the industry, but also those already in it. Issues such as accreditation, new technologies, health & safety and good training practice will all be addressed as part of PLASA’s training strategy.

In the first instance, PLASA is looking to ident

The countdown to the PLASA Show 2001 has begun! The entertainment technology industry’s leading event will run from 9-12 September at Earls Court Exhibition Centre, London.

With over 89% of the available stand space already sold and all the leading manufacturers booked into the show, PLASA 2001 promises to live up to its reputation as the showcase event that launches the entertainment technology year. Venue improvements have continued, with over £500,000 invested in the last 12 months to improve comfort cooling at the Show. Furthermore, an overall investment of £6million will ensure that Earls Court is a fully air-conditioned exhibition centre by 2002.

Over 400 exhibitors and 14,000 UK and international visitors are expected to attend. Manufacturers, suppliers and distributors of professional lighting, sound and AV equipment will descend upon Earls Court to unveil their lates

Stage Technologies in London has joined forces with Jands Electronics in Sydney to supply high tech stage machinery and equipment to the region’s staging industry.

The agreement allows Australian customers access to Stage Technologies’ products through Jands Electronics. "We will be pooling our expertise, experience and knowledge," said Jands’ managing director Paul Mulholland. "Stage Technologies has excellent credentials and is a worldwide leader in stage control systems. Coupled with our mechanical expertise and ability to source local materials, this will prove to be a very strong alliance." Stage Technologies’ marketing director John Hastie added: "Together with Jands, the complete range of Stage Technologies equipment and solutions will be supplied and well supported in Australia."

Media Control (Europe) Ltd (MCL) is a new company set up by Avesco Group plc to provide full AV staging services to the UK and European corporate presentations market. The company officially began its operation on April 2. Based in Chessington, Surrey, MCL is headed by Mike Bell, who has worked for rental, conference production and support companies in the corporate presentations market for over 20 years. MCL will offer a wide range of services, from dry hire packages to complex presentation solutions. The company will also offer a ‘cloaked’ service to agencies and freelance producers: to protect agency brands, equipment can be provided in unmarked boxes.

MCL will offer a complete inventory of audio, lighting, staging and AV equipment. Mike Bell told us: "We are intent on changing current conceptions about AV staging - often referred to as ‘One Stop Shops’.

In a ruling handed down by the US District Court, Southern District of New York, Switchcraft, a leading manufacturer of audio connectors, was granted summary judgment in the patent lawsuit filed by Neutrik Inc, in regards to Switchcraft’s HPC connector series. The Courts ruled that Switchcraft Inc has not violated Neutrik’s US Patent No. 5205749 on the Speakon connector. The Court also ruled that Switchcraft is not in violation of trade dress infringement, unfair competition, or unlawful use of a trademark, the other aspects of the lawsuit filed by Neutrik Inc. Keith Bandolik, president of Switchcraft Inc said: "We obviously are very happy with the court’s ruling, and look forward to continued success with the HPC Series." A complete copy of the summary judgment can be reviewed at www.switchcraft.com. The HPC Series, a complete line of panel mount and cord plu

The countdown to the PLASA Show 2001 has begun! The entertainment technology industry’s leading event will run from 9 - 12 September at Earls Court Exhibition Centre, London. With over 89% of the available stand space already sold and all the leading manufacturers booked into the show, PLASA 2001 promises to live up to its reputation as the showcase event that launches the entertainment technology year. Venue improvements have continued, with over £500,000 invested in the last 12 months to improve comfort cooling at the Show. Furthermore, an overall investment of £6million will ensure that Earls Court is a fully air-conditioned exhibition centre by 2002. Over 400 exhibitors and 14,000 UK and international visitors are expected to attend and experience the sound and lighting extravaganza that has become synonymous with PLASA. Manufacturers, suppliers and distributors of professio

We have heard much, over the last few years, of theatres being given large sums of lottery cash to undertake major improvements. But what of the poor souls left behind without major injections of cash?

The Hazlitt Theatre in Maidstone is owned by Maidstone Borough Council and, like all other departments of the council, has to take its place in a long queue for what small amount of money is available. A general re-fit was accomplished 20 years ago, but since then there has been no major injection of cash available to it.

Theatre manager, Mandy Hare, took the reins just over three years ago and set about raising the profile of the venue, putting in more events, a wider artistic base, a thriving youth theatre, a regular programme of workshops and a selection of outside events. Production and operations manager, Eric Lund, joined the team just over two years ago and soon realised that th

The UK’s annual pop music back-slapping gala event, The Brits, was recorded live, in spectacular style, on February 26th at Earls Court 2, London. The live production was managed by Brit regular MJK Productions.

Another regular, Vari-Lite Europe provided the complete lighting system - featuring more than 500 luminaires - as well as providing the rig for the After Show Party. Lighting designer for the event was Al Gurdon. With the ceremony designed to look spectacular both for the live audience and a massive worldwide broadcast audience, the lighting design encompassed the entire space within Earl’s Court 2, both on and around the huge stage and the specially-constructed auditorium.

The large-scale lighting rig included 40 VL2416s, 54 VL5 Arcs, 81 VL5Bs, 76 VL5s, 24 VL6 wash luminaires, 38 VL6Cs, six VL7s and 130 VL2C spot luminaires, with control from two Virtuoso consol

Effective Productions, the company owned by entertainer Jim Davidson, has gone into liquidation owing £640,000, according to a report in The Stage newspaper. The company’s problems have been largely blamed on last year’s £4million Dick Whittington pantomime at London's Hammersmith Apollo, which failed to attract the expected audience. The planned production of Peter Pan starring Brian Blessed at the Hammersmith Apollo this Christmas is now expected not to take place.

Point Promotions have announced a 72% increase in attendance at last week’s ABTT Theatre Show. The show this year expanded into both of the Royal Horticultural Halls, and had widened its remit to attract 30 new exhibitors. The initial un-audited visitor attendance figures show an increase of 72% over last year’s registered numbers. Point Promotions was appointed by the Association of British Theatre Technicians (ABTT) to administer the change from the ABTT Trade Show to the bigger and improved ABTT Theatre Show. The expanded show featured on-stage technology such as lighting, rigging, drapes and sound and also many exhibitors with front-of-house technology including seating and staging.

An Italian manufacturer is doing its bit for 21st century religion with the invention of a smoke machine for priests, which will allow them to deliver clouds of incense smoke at the touch of a button. The company, Belltron, says the machine will put an end to the difficult job of lighting incense during Mass. They say the battery-powered machine is very easy to use, and is environmentally friendly because it uses less incense. Belltron specialises in high-tech solutions for the church: among its other products are loudspeakers and microphones, as well as solid-state digital storage units which can faithfully reproduce organ music (with speed control) and church bells (software complete with Ecclesiastical Almanac of Holy Days).

Spanish loudspeaker manufacturer DAS Audio recently hosted a dealer and press visit to its premises in Valencia, during the final days of the city’s world-famous Fallas Festival.

The Festival provided the perfect backdrop for a visit to the company’s manufacturing facilities in both Valencia and Barcelona, where dealers got the opportunity to take a closer look at a number of new speakers recently launched by the company, and first seen just a few weeks earlier at the Frankfurt MusikMesse.

Key amongst these is the Compact 1. Self-powered, it is a three-way, bi-amplified system that can be used as a full-range stand-alone unit or as a mid-high cabinet with bass reinforcement. It features a 1000W ‘Class D’ switching amplifier, which delivers 500W to the low frequency transducer and 300W to the mid/high section. The low frequency section has a G-354, 15" low

The 2001 PLASA AGM, along with the popular AGM Dinner, will take place on Thursday 14 June in the historic setting of Coombe Abbey, near Coventry. Set in 500 acres of parkland and dating back to 1150, this former Cistercian Abbey is now a thriving hotel and conference centre. In a slightly revised format for 2001, the day will include an opportunity for members to meet with key representatives of PLASA’s various operations in a number of small, hour-long ‘break-out sessions’. These will be organised as follows:

- PLASA Show - members of the Clarion Events show management team and members of the PLASA Exhibitor Forum will be on hand to discuss PLASA Show-related issues.
- Membership Services - PLASA’s head office staff dealing with membership services will be joined by consultants from certain of our service providers and members of the PLASA Executive Commi

The well-appointed showroom at Dial HQ was packed. No less than three PAs - Bose, Martin Audio and ASS - stood arrayed before us at the far end; above, hung from Tri-lite trussing, were the latest lamps from Abstract, Clay Paky and Opti. Was this to be a light and sound shoot-out?

Well, no - and the clue to why lay in the neat little Sanyo video projector (700 lumens yet barely bigger than a desk diary) tucked neatly in amongst the lighting gear. "This is to witness the birth of a new AV control," Andy Blackwell of Dial Sound and Lighting confided.

None-the-wiser, we settled in as the presentation began; music played and lights began to dance in harmony. We are informed that all the elements of light and sound were being controlled by a single piece of software. Nothing revolutionary there, but then the screen rolled sedately down from the trussing. It wasn’t so much

At the end of February, Stage Electrics completed the final phase of its move into a brand new purpose-designed building in the Avonmouth area of Bristol. L&SI was one of the first to visit the new facilities . . .

For the company, a major player in the theatre, leisure, conference and presentation markets, the move to a new 60,000sq.ft headquarters is a fitting way to mark 21 years in the business.

For the last three of those, the move to a new facility has been part of MD David Whitehead’s daily agenda. One which he has worked towards ever since he identified the site on the Avonmouth industrial estate, close to the M5 access routes, as being ideal for his purposes. It has been well worth the wait; at last, under one roof, come all the personnel and all the products that were previously spread across six separate facilities. And it doesn’t take a genius to understand w

If you use radio mics or radio talkback systems, you should be aware of the Radiocommunications Agency’s (RA) latest consultation document on Spectrum Pricing.

For most in the industry, there’s good news in that the cost of licensing is to be reduced - a result that didn’t seem likely when the first consultation document was released. A study published by Smith Nera on spectrum pricing, based on its calculation of the value of radio spectrum, would have made one radio mic channel worth about £80,000. However, following reaction from contractor JFMG and several users at the earlier stage, another round of consultation was announced. If all goes to plan, the technicalities of licensing will be simplified too.

Once the policy is adopted, a block of frequencies, such as UHF Channel 69 frequencies, would cost £75.00 per year. JFMG hopes that the price reduction will in

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