UK - Christian band '100 hours' have put their faith in professional audio developer Mackie Designs with a recent investment in brand new equipment to help bring their blend of music and praise to live audiences across the UK. "When we decided to do the live record, we knew we needed a few things from the gear we chose for the project," says band front man, Tré Sheppard. "Quality was paramount because the recordings are for commercial release and it had to be easy to use in a festival situation, there is so little time to set up gear, and the various FOH guys we work with don't need another complicated piece of gear to figure out in the midst of sound check madness! It also had to be reliable because we don't have time to check everything twice, we just want to hit record and capture the live magic without having to think too much about it. If any of those factors were missing, we knew we would be making our lives difficult with our heavy touring schedule, but the Mackie gear hit the nail on the head. It has all of the qualities we were looking for and more."

The band has purchased a Mackie SDR 24/96 Hard Disk Recorder, a Mackie Control for ProTools, an HDR Pro Firewire Interface and an M90 drive cartridge and drive tray, which they have used to do multi-track recordings, over the past two months, at all their live gigs.

Sheppard went on to say: "Basically, we record directly to the SDR and then pull the removable M90 drive out and load it into the HDR Pro Firewire interface. We then move the audio files over to another hard disk where they are flown into ProTools and then edited using the Mackie Control as an interface for ProTools. It's a really fast way to move files and allows us to edit and record at the same time. Fantastic! With the SDR we get the incredible ease of a tape machine and the convenience of digital. By flying the tracks into ProTools we can do rough edits for the record company on our mobile ProTools system; made up of a Powerbook G4 and an M-Box. The tracks can then be tweaked later on a full size ProTools system for the commercial release of the live tracks. The SDR really is incredibly intuitive and easy to use, we simply show up and hand it to the FOH guys with our wiring looms and they patch it into the desk's direct outputs, check levels during sound check and then hit record before the gig starts. In fact, most of our FOH guys ask us all sorts of questions about the SDR as they are usually interested in getting one themselves. They are all amazed at how easy it is to use and the quality of the recorded sound."

(Lee Baldock)


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