UK - The Piccadilly Theatre in London’s West End opened in 1928 as one of the largest theatres in London. In 2017, it underwent a major refurbishment, aimed at enhancing many of its original features using modern technology, as well as meeting modern sustainability targets.
Theatre owners Ambassador Theatre Group (ATG) wanted to completely replace the Piccadilly Theatre’s existing house light system with low-energy LED lighting, without detracting in any way from the theatre’s Art Deco heritage. This was to include emergency lighting throughout as well as provision for the recently restored dome ceiling, including new centre-piece chandelier. Integrator White Light was engaged to install the new system.
GDS supplied products from across its entire range to meet this extensive brief, including a number of bespoke special project items that avoided any compromise w

UK - De Montfort University in Leicester has recently undergone a major investment in their lighting and staging capabilities for one of their largest on-site facilities, The Venue. With the help of Stage Electrics, the university now possesses more trussing and some of the most up-to-date lighting kit available.
Created to host a wide range of events, The Venue is often used for music events, conference work, performances, and celebrations. As the university hold all their graduation ceremonies here, they can now give each graduate the moment in the spotlight they deserve.
The university has invested £5 into transforming the building. After installing a number of improvements including retractable bleacher-style seating and a full sound rig, they have now added the lighting equipment to truly showcase the capabilities of this space.
Stage Electrics were appr

UK - Unique Venues of London has announced Borough Market as the newest member to join the association that this year sees it celebrating its 25th anniversary.
Borough Market is London’s oldest food market. The venue spaces are situated within the market itself, with the Market Hall and Three Crown Square offering event environments that can hold between 300 and 350 guests. Additionally, the Cookhouse offers delegates an open plan kitchen and dining space for intimate gatherings of up to 10 people, suitable for sit down evening events and photoshoots.
Rachel Pickles, events manager at Borough Market explains: “It’s not just the sheer quality of the food on offer that makes Borough Market special – it’s also about the place itself. As an iconic central London location and a distinctive venue space, Borough Market is thrilled to become members of UVL. We’re h

UK - Inspiring the Future of Theatre is a Society of London Theatres and UK Theatre campaign in partnership with Education & Employers, to showcase the range of careers available in theatre to young people, and encourage and strengthen connections between schools and their local theatres.
A drive was launched in April to recruit industry ambassadors (particularly from off-stage roles) who will be matched with schools across the UK, taking part in events to lay the groundwork for young people to make informed and ambitious career decisions.
Industry professionals (no matter the job type or level) can sign up to be an ambassador. It is a straightforward process, and you will receive guidance and support from the campaign ahead of your school visit.
Already around 600 theatre professionals from artistic directors, costume cutters and lighting designers

UK - HSL, technical partner for Hope Mill Theatre, has updated the lighting rig of the Manchester production space with a number of profile, Fresnel and flood fixtures.
Hope Mill Theatre, an alternative arts production space based at a former Victorian cotton mill in Ancoats, partnered with HSL two years ago. HSL undertook a structural survey followed by the design and installation of a trussing mother grid in the roof.
While an assortment of lighting kit has been supplied over the last two years, this this has now been reviewed and updated to include a standard rig of ETC Source Four profiles, 1K Fresnels, and Acclaim Fresnels together with a variety of floods.
Moving lights and other specials will be supplied as required by the individual productions. The original mothergrid has also just been extended with some new sections, giving more capacity for the quick

UK - The PLASA 2018 Members’ Day and AGM took place on Thursday 31 May at the Royal College of Physicians in Regent’s Park, London to reflect upon a year of specialist projects, industry collaboration and growth.
Members and guests enjoyed a productive day with an insightful AGM, followed by a networking afternoon in the venue’s unique ‘physic’ garden. The lively guest speaker, Caroline Russell from The Ideas Centre Group, encouraged audience participation with her creative approach to problem-solving, then attendees were invited to stay for drinks into the evening.
PLASA Treasurer Mark Surtees presented the 2017 accounts and announced that PLASA is in a place of financial stability, highlighting an increase in profits due to commercial growth within Events and Media. Newly elected Chair, Adam Blaxill, added later that all profits funnel back int

Germany - Christian von Kaphengst, Till Brönner, Wolfgang Haffner, Torsten Goods, Bruno Müller and Ida Nielsen are just some of the well-known German and international artists to have graced the stage at Musik Kontor in Herford – a high-profile club that has been making waves on the Nordrhein-Westfalen music scene since opening its doors in 2012.
Looking to stay on the cutting edge of entertainment, the club recently updated its visual presentation with a collection of Chauvet Professional fixtures. Emphasising movement, intensity and vivid colours, the new lighting package includes Rogue R1 Spot fixtures, with Amhaze Whisper foggers added for atmospherics.
“We arrived at a point earlier this year when we decided it was time to inject more feeling into live performances with a set of dedicated moving heads,” said Musik Kontor’s Christian Eder. “The combina

Australia - The first in Australia and one of the most spectacular border lighting shows in the southern hemisphere has been launched by Twin Towns as they unveil their new dynamic digital media facade.
The exterior of the Twin Towns Club’s main building in Wharf Street, Tweed Heads, has been transformed into a huge digital canvas, creating a dazzling attraction for both locals and tourists crossing the Queensland and New South Wales border.
The ULA Group was engaged in this project from the early concepts, working close together with the team at Twin Towns, managed by CEO Rob Smith.
Smith has said he and the Board are extremely excited to see the project come to fruition. “It’s been over five years in the planning and we believe the end result is truly spectacular, not just for Twin Towns, but for the entire community.”
“We’re thrilled, we’

Japan - Having expanded from its flagship venue in New York City, 1Oak, which stands for 1 Of A Kind, has recently opened a three-floor, 1000-capacity venue at the base of Roppongi Hills in Tokyo.
Sacha Robertson reports, “At the heart of the 1Oak approach is a focus on differentiation through design and function, capturing and curating the energy in each club. Interior design and lighting combine to play a major part, but ultimately that energy has its origin in sound.”
When it came to choices for the Tokyo venue, the interior design process was led by New York-based contemporary artist Roy Nachum, who was Grammy-nominated in 2016 for his cover artwork on Rihanna’s Anti album. With the club interior complete and the opening date fast approaching, 1Oak engaged the local d&b team to design and implement the all-important sound system.
1Oak owner S

Europe - In the field of outdoor event and broadcast production, adverse climate and other environmental conditions can impact negatively on the performance of equipment and the ultimate quality of production work.
Environmentally sealed connectors are in great demand for heavy-duty and harsh environment applications with entertainment equipment like PA systems, lighting, signage and LED screens. So, for critical production applications, in the most challenging conditions, there is now a range of resilient and reliable solutions, in the shape of Neutrik’s new TOP product range.
The new series includes the powerCON TRUE1, etherCON and XLR products, which have been certified in accordance with IEC 61076-2-103, IEC 60320, UL 1977 and UL 498, and which now also meet the requirements for outdoor use and UV resistance as laid out in UL50E.
“It is now possible to


UK - PLASA has been invited as one of six European Associations to attend the upcoming EU Commission meeting to address the proposed updates to the Eco-Design Working Plan 2016-2019 that would require all stage lighting to meet efficiency targets in line with domestic and office lighting. The proposed changes to the Eco-Design lighting regulations would have a commercially devastating effect on the industry should it become legislation in 2020.
“The impact this law would have on the whole entertainment industry is huge: venues, manufacturers, rental companies, and indeed lighting designers would be greatly affected,” says PLASA's MD, Peter Heath. “Video projection has been granted an exemption - this is what we and other trade bodies are now pushing for - the same exemption for stage lighting.”
Adam Bennette of ETC will represent the interest of PLASA m

UK - The transformation of the vacant former Bradford Odeon cinema into a 4,000-capacity live music, entertainment and events venue has been further bolstered with an extra £4m confirmed from the Government’s Northern Cultural Regeneration Fund. The funding has been secured by the Leeds City Region Enterprise Partnership.
The 1930s cinema has been vacant since 2000. The redevelopment will be one of the biggest of its type in the country outside of London and will bring Bradford back on the national touring circuit.
The venue, due to be run by NEC Group International, will aim to put on around 225 events to more than 270,000 people every year, creating 50 jobs in the city. The project is being led by a not-for-profit social enterprise, Bradford Live, assisted by Bradford Council.
Programme manager, Kirsten Branston from Bradford Live, said: “We would like t

UK - Yamaha Commercial Audio UK has a key commitment to training the sound engineers of the future. One of the ways that the company achieves this is through taking training ‘on the road’ to education facilities around the UK. BA (Hons) Live Sound degree students at the Plymouth campus of dBs Music have been the latest to benefit from a session, provided by Yamaha’s Tom Rundle and Chris Irvine.
Founded in 1998, dBs Music provides a range of professional sound courses, aimed at students who want to be a DJ, composer, performer, producer, a live or studio engineer. The Live Sound degree course started in September 2017, with the emphasis very much on practical experience.
dBs has invested in a Yamaha CL5 digital console, plus Rio3224-D and Rio1608-D I/O units, for the course. To give the Live Sound degree students a more comprehensive rundown on Yamaha’s digital

Creative Funding - Arts Council England has launched a £14.4m fund for research and development projects. The money will be made available to individual artists and practitioners, “without the immediate pressure of showing their work publicly”. Recipients of the Developing Your Creative Practice fund will be able to use the grants – of between £2,000 and £10,000 each – to support periods of research, develop new ideas, international work and training, networking or mentoring.
Arts Council chair Nicholas Serota comments: “Every creative person needs time to breathe, to broaden their experience and to develop their ideas. We want all our arts organisations to continue to commission and present new work from a diverse range of artists but we also need to invest in the future. This fund will give creative talent of different ages from different backgrounds th

UK - Planning permission has been granted for the £48.8m transformation of Bristol’s Colston Hall.
The redevelopment of the venue includes refurbishing its historic facade, remodelling and upgrading the Main Hall and The Lantern, and utilising the Victorian cellars as a third performance space and education suite with classrooms and a technology lab.
Bristol Music Trust, the organisation that runs Colston Hall, and Bristol City Council have selected construction company Willmott Dixon as preferred contractor. Work will start in June and the new Hall is expected to re-open in 2020, with the Foyer set to stay open throughout the transformation.
Louise Mitchell, chief executive of Bristol Music Trust, comments: “Now our plans have been approved we’ve reached the final milestone as we approach the start of the Hall’s transformation. We are incredibly gratef

Turkey - J&C Joel, in conjunction with their regional distributor Eramita, received the Turkish President’s seal of approval when they were commissioned to fit the stage engineering solutions at TCCB National Congress and Cultural Centre.
The Congress and Cultural Centre is one of the largest multi-purpose halls in Turkey and is located within the grounds of the Presidential Palace Complex in Ankara. The venue will be home to several types of performances ranging from concerts, operas, theatres, musicals to congresses or big meetings.
J&C Joel’s engineers took on one of the company’s biggest ever installations despite being caught in the middle of an attempted military coup in the country’s capital city. The installation in the 2,042-seat theatre took around seven months to complete with a team comprising a site project manager, four UK fitters and thre

UK - As the want of returning sound designers has become more adventurous by the visit, and sound designs and PA systems have grown in complexity, so Manchester’s Royal Exchange theatre has stepped up to match the requirement by expanding its existing TiMax SoundHub to provide an impressive 48 x 48 analogue and MADI inputs/outputs. The upgrade also included a new Digico SD10T main console and QLab over MADI.
TiMax has been integral to the theatre’s sound control for just over two decades and the main productions appearing at the Royal Exchange have long benefitted from the advanced spatial programming that can be achieved effortlessly in TiMax. Head of sound, Sorcha Williams, who oversaw the last upgrade in 2014 to TiMax2 SoundHub, when the theatre’s original system came to its end of life after 16 years, notes that sound designers accompanying productions from elsewh

UK - With a prime site off London’s Leicester Square, Studio 88 has opened as a new concept in entertainment, billed as “a non-stop, audience requested, live music experience”.
The brainchild of Alan Lorrimer, founder of The House of Song, the venue features a stage that has been equipped with a premium Martin Audio sound system by W1 Productions, using a variety of the company’s components and control.
Every night, two piano vocalists and accompanying musicians form a six-piece band who play a non-stop repertoire of music through the Martin Audio system - decided only by the customers themselves who populate the 350-seat restaurant.
Both W1 Productions MD, Stuart Turvill, and operations manager, Alan Beck, have wide experience in using Martin Audio systems in their various guises, the latter having first encountered the legendary Philishaves and split b

UK - In one of the company’s biggest ever projects in the UK, J&C Joel, helped keep sound in check by installing their acoustic solutions in the Royal Birmingham Conservatoire’s performance spaces.
The £57m facility is an international music and drama academy, which is part of Birmingham City University. It has over 500 students on undergraduate, postgraduate and research programmes, as well as a junior department of over 200 students. In 2015, renowned cellist and conductor Julian Lloyd Webber was named as Principal.
The Conservatoire has moved to a new building adjacent to Millennium Point, where Birmingham City University already has a campus. The new building includes The Concert Hall – a 500-seat concert hall with a large stage, to accommodate a symphony orchestra. Other venues include The Recital Hall with retractable seating, The Lab, a cutting edge,

France - Green Hippo announces the appointment of ESL France as its French distributor. The agreement will see ESL France exclusively distribute Green Hippo’s line of cutting-edge hardware and software throughout France’s hugely significant economy.
Founded in 1992 by Alain Cornevaux and Olivier Verlet – with Serge Thiriot joining the duo shortly after launch – ESL has since added Paris premises to its Montpellier headquarters. In 2013 the company launched its Architectural Lighting Service, and today’s ESL France continues to offer a global service in the field of stage lighting.
Commenting on the new partnership James Roth, head of sales and marketing at Green Hippo, said: “France is a crucial market for Green Hippo. We fully recognise not only the size of the French economy, but also its population’s enduring love of live events. ESL France brings the

UK - Rose Bruford College of Theatre and Performance has announced the appointment of Clarie Middleton, currently chief executive of the Hackney Empire, as its new principal and chief executive officer.
The appointment of the eighth principal of the college was made by the governing body of the College. Clarie Middleton will take up her new post in February 2018. She is the first woman since Rose Bruford to be appointed to the role.
Clarie has over 25 years’ experience as an arts and cultural leader. She began her career working for Welsh National Opera before joining the Arts Council’s Touring Department. This was followed by the formation of Clear Day Productions which commissioned and staged co-productions with Bristol Old Vic and Plymouth Theatre Royal. She went on to work with Thelma Holt Ltd for five years, touring large scale theatre productions and working

USA - CrossRoad Baptist Church in Ames, Iowa was at a crossroads. The sound system it had relied on to deliver spirited services in its 450-seat auditorium had never possessed the kind of intelligibility the church members and staff had hoped for and age wasn't helping matters.
Originally called in with the hope that improved acoustics could do the job by itself, A/V integration firm Communication Innovators (Des Moines, Iowa) diagnosed the larger and deeper issues that were preventing congregants from fully immersing themselves in CrossRoad's services. The church's new Dante-connected digital system relies on a bank of high-value, high-reliability Ashly Audio nX-Series multi-channel amplifiers with optional Dante I/O.
"CrossRoad Baptist Church already had some acoustic treatment to deal with the reflective surfaces and they hoped they could address complaints by getti

Russia - When Moscow’s original Luzhniki Stadium was demolished in 2013 to give way for the construction of a new stadium, it was with the 2018 FIFA World Cup in mind.
At the end of 2015, a new tender document was drawn up on behalf of the principals, The Big Sport Arena Luzhniki, for the 81,000 seat stadium, with the technological requirements detailed by Moscow integration specialists S-Pro Systems, together with the German company Broadcast Solution.
Selected by the Russia 2018 FIFA World Cup bid as the venue for the Final, the Stadium will also be used as a heritage venue after the Championship.
At the heart of the new network broadcast transmission are some 57 Optocore and BroaMan fibre interfaces, designed in a fibre ‘star’ out of the ring topology, and supplied by Moscow-based distributor Audio Solutions. After the bid was accepted they became involv

Denmark - Aalborg Theatre is in the heart of Denmark’s attractive fourth largest city’s old town area. Established in 1878, it has a rich and colourful history and is known as a ‘heavyweight’ on the Danish theatre scene. This long standing critical fortitude was further advanced with the arrival of Hans Henriksen as artistic director in 2015, who had several key objectives including one to make the production programme more dynamic, cutting-edge and accessible.
One of the ways in which he’s achieving this is by changing the scheduling to repertory style, with several productions running simultaneously in rotation over several weeks, and this fundamental shift in turn demanded a different approach to lighting.
The installation of Robe DL series moving lights has helped complex shows to be quickly and efficiently turned around - de-rigged, re-rigged and re-lit

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