GDS SM Console - performing on the world stage
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Rather than a climatic connection, what is common to every one of thes
Rather than a climatic connection, what is common to every one of thes
The multi-tasking system was specified by Kunio Watanabe, manager of the NNTT's audio division, who contacted SCA Sound Solutions in search of effective and natural vocal tracking and immersive audio spatialisation.
Watanabe commented, "We now have a very natural and smooth sound imaging for the actors' voices, without the feeling of it being a sound 'effect', by which I mean, the audience could feel the individual voice at the exact position of the individual singer, not from left, right and centre speakers. This may sound obvious, but other systems do not give thi
Run by the Institute of Competitive Socialising (ICS), it not only hosts corporate crazy golf sessions for the business world - bringing the outside indoors - but then transforms the 16,000sq.ft of space into a more upbeat vibe after dark, with nightly DJs. It is described as an environment of "competitive socialising".
MSL are just one of a number of integrators who have made the CDD their 'go to' solution since its launch in Frankfurt 15 months ago. Director Darrel Olivier says that a
With music being a key factor in the overall customer experience, the system was installed by Bose pro partner Tateside to offer managers on each of the floors overall control of the source music and volume. There are four iPads, each loaded with the Bose ControlSpace Remote app, which is designed specifically to give intuitive wireless control across multiple devices to end users wherever networked Bose system electronics are installed.
At The Lighterman, a Bose ControlSp
PLASA Show's first year at Olympia sees the show showcasing the latest technology in Olympia's National Hall and the Gallery floor above, with the two seminar theatres, product demos and interactive showcases also situated on the Gallery floor.
As always, every session at the PLASA 2016 Seminar Programme is free-to-attend, with subjects including audio, lighting, AV, staging and business skills being covered. The first 15 have been confirmed and include the return of LSI journalist Phil Ward's popular panel
From the outset, the clergy at St Mary's requested a solution that moved towards more fixed, hard-wired microphones for ease of use, with six Audio-Technica ES195S cardioid condenser gooseneck microphones and a pair of U891RX cardioid condenser boundary mics employed to enable the clergy to conduct services from a number of different locations, with each microphone having a simple, illuminated on/off switch.
Wi
The new auditorium at Glasgow's Royal Concert Hall exhibits a number of design features implemented to optimise the acoustic qualities of the venue, for both rehearsal and performance situations. Fixed sound absorption is distributed throughout the hall, controlling excessive loudness whilst also reducing reverberance. The large scale (risers, ceiling and upper wall elements) and small scale (lower side walls) articulation throughout the hall scatters sound at different fre
On the theatre lighting side, DWR Distribution was responsible for the supply of all the cabling and the data network for the equipment which includes an MA Lighting dot2 console, Philips Strand Lighting 6 Pack dimmer, two Strand Relay Racks and 10 Robe Robin DLX Spots. Further, DWR's Rob Young and his team designed and installed a flying system, retractable seating for the Orchestra Pit and two hand operated curtain tracks.
Whilst in the United States on another project, Denis came across something that triggered the idea of making the theatre a completely LED lighting ins
The famous play, directed by Trevor Nunn, was performed during a three-week run at the theatre. It required an elaborate set that included a large raised floor with an automated lift, two 9m-high towers and three platforms connected via numerous staircases and walkways. Any remaining empty space between those towers and walkways was finished with wooden cladding. Elsewhere on set, two large sliders concealed a throne.
Wayne Parry, head of production at the Rose Theatre Kingston, explained that the load cells were used only for set installation, not during performances. He said: "Large steel sections were lifted using several motors
Wioletta Ziemba joined the team earlier this year to replace Paul Connolly who is now managing the Theatreplan's Hong Kong office. An experienced office manager and passionate about the performing arts, Ziemba is also a gifted linguist fluent in six languages. Her enthusiasm and attention to detail are much appreciated in the London office which is home to the biggest of Theatreplan's three teams.
"Keeping track of all the projects we have on the go at any one time and providing the necessary support to our consultants out
Dongshin Church celebrated its 60th anniversary this year, and the building was named as a 'Seoul Legacy for the Future' by the city in 2014.
Comprising a S5000 Control Surface and a DM48 MixRack, the new system replaces the incumbent GL3800 analogue mixer.
"The relationship between A&H and Dongshin Church started with the GL3800, and we also installed a Qu-32 in the Education Centre last year. Migrating from analogue to digital is a big step but we knew we could trust A&H products," said Seongyeon Won, who is in charge of A/V system at the church.
"We did evaluate other brands for the main FOH console but dLive won hands down on product specifications, such as th
This breezy configuration makes for good times, but it also creates a challenging environment for a lighting system. Aside from contending with wind and sand, any fixtures installed at this club have to stand up to the rain. (Averaging 69 inches of precipitation a year, Fort Walden is the rainiest city in Florida.).
Sohail e. Najafi and his team at Najafi Design Group (Los Angeles, Las Vegas) were well aware of this challenge, which is why they designed the lighting rig at Al's around a collection of IP-rated
The installation entailed delivering all the multicores, cables, stage boxes, patch bays, wall racks plus associated metalwork, and was overseen by Penn's Leon Whipp who heads the company's specialist wiring division.
Every centimetre of space in the characterful building has been utilised meaningfully in the conversion to serve as a busy and proactive recording environment offering a large control room, main space and mezzanine floor chamber.
Cat 5 connectors have been used throughout. A 48-way line system from the control room connects the recording spaces
As a Universal Parks & Resorts corporate partner, Christie will be the preferred partner for projectors ordered, purchased, and installed by Universal Parks & Resorts at all domestic controlled venues. Christie will also supply software and professional services in addition to projection technology to Universal Parks & Resorts, helping create customized projection solutions for future attractions.
"Universal Parks & Resorts continues to push the limits of technology and innovation, and Christie is honoured to have this long
The expansion - which comprises of 50 sun loungers, 30 x 3m diameter day beds, changing facilities, bar and stage - represents a new instalment in the evolution of Dubai's most-talked-about beach-side spot. "Everything has been custom-made to ensure it fitted our very specific brief," says general manager Peter Skudutis. From top-of-the-range Spanish marble, to the 60cm x 60cm rain showers in ou
The purchase is part of the plan for the anticipated mid-2017 opening of their new Plenary Building, a multi-purpose venue built on the site of the original 1987 Convention Centre, with a capacity of up to 3,500 seats. Local production and installation company AJS were selected to fulfil this government tender, and have developed a close working relationship with the ACC.
"This was all part of the Convention Centre's tender process for stock replenishment and the new Plenary Building," relates AJS's Luke Hattam. "We contacted Australian High End Systems distributor Lexair Entertainment for guidance. We were successful in our
JEWEL opened in May with a superstar-studded launch hosted by Oscar-winner Jamie Foxx, hip-hop heavyweight Drake, electro turntable stars The Chainsmokers and reality television sensation Kourtney Kardashian. To reinforce the luxury party vibe, Hakkasan Group commissioned international sound, lighting and visual design company AudioTek to "push the boundaries of technology" and create the ultimate nightclub environment for Sin City's elite.
The result is a high-impact, multi-sourced display based around the DJ's moving back wall of Ayrton Dream Panels, with both video and DMX surfaces, and Magic Dot fixt
"You would have had a hard time recognizing the rotunda if you saw it during filming; the transformation was amazing," said Noah Hammer, owner of Full Circle Lighting & Productions (Atlanta), which supplied the club lighting for the Ice Cube and Kevin Hart comedy. "The colourizing that was done with the Freedom Par Quad-5s was instrumental in creating the scene."
Hammer, who has supplied lighting for numerous movie and TV projects, got involved in Ride Along 2 after receiving a phone call from the film's gaffer. "We're known for the work we've done on film, so w
Hancher Auditorium was one of the most popular venues for touring groups in the region, and the flood forced the student and traveling groups that normally used the venue to move into nearby facilities.
But this week, with the grand opening of the new Hancher Auditorium, the University of Iowa and the people of Iowa City once again have a magnetic cultural centre to call their own.
Only months after the flood, Theatre Projects began working with the university to determine how they would recover, rebuild, and move forward - not only regarding the 40-plus-year-old Hancher Auditorium, but also the Voxman School of Music and Clapp Recital Hall, which were attached
The venue has been running for 26 years and recently invested in new Robe moving lights, with four DLS Profiles, eight DL4X Spots, and 16 x LEDBeam 100s, all supplied by Robe's Danish distributor, Light Partner.
Currently one of the top music venues in the country for technical production, Fermaten has also built a reputation as a training ground and inspirational stepping-stone for future industry professionals.
Technical manager Daniel Friis specified the Robe kit together with Light Partner's technical sales specialist Johan Kvartborg, himself an ex-Fermaten volunteer. Dan and venue manager
Old Fort Church holds two worship services each Sunday. The first is a "blended experience" with a mix of traditional and contemporary worship styles. The second is a "modern experience" featuring videos and contemporary Christian music led by a praise band.
According to worship arts leader Mike Sooy, music plays a very important part in both services, and great sound was therefore a priority for the new facility. "We wanted to take things to the next level," he said. Sooy also emphasized the importance of speech clarity. "If they can't hear the message," he continue
At 397,000sq.ft, the Distribution Centre presented an interesting acoustic challenge for the paging system, which covers both warehousing and offices. Now complete, the system was designed by Don Friesen of Stantec and installed by Genesis Integration.
Stantec chose Community R SeriesS to meet its criteria for a robust loudspeaker that could be implemented both indoors and out, providing high intellig
The Shelford Channel is built around Rupert Neve's first new transformer-gain, class A mic preamp in over 40 years. This new preamp design is complemented by the "best-of-the-classics" 1073- and 1064-inspired inductor EQ section from Rupert Neve Designs' existing Shelford 5051 and 5052 modules, a bold and powerful new diode bridge compressor inspired by the 2254 with additional functionality, a new dual-tap transformer output with high- and low-headroom outputs, variable Silk/Texture transformer saturation, and twice the operating voltage of Rupert Neve's vintage modules.
Says the company, "For decades, Rupert has often been asked to create a new design based around the same mic pre, EQ and compressor technologies that comprised his classic console modules. With the Shelford Channel, he and his