Mannie Manim, executive director at The Fugard and formerly the CEO at the Baxter Theatre, says that the building construction took just a week beyond six months to complete, where three buildings were made into one unit. "It was an enormous labour but we had a fantastic building team," said Mannie.
Thanks to UK-based producer Eric Abraham, who established Isango Portobello in 2006, The Fugard Theatre is equipped w
The new system was designed by Mick O'Gorman of Dublin-based Mosco Sound Design and Recording, working closely with the venue's technical and facilities manager Ollie Dempsey.
"The existing system we had was becoming unreliable, and I spent half my life patching up and adding on to meet the increasing demands of artists," says Dempsey. "It was also a bit of a nightmare for anyone who was not 100% familiar with sound. They could operate the old mixing console, but the slightest problem would
Purchased through Allen & Heath's distributor, Music Center Pro, installer Eventech managed the complete sound and light installation project, selecting an iDR system to manage audio distribution, control and zoning across the venue's many areas surrounding the concert hall, including foyers, artist rooms, backstage and stage managers' area.
The system comprised an iDR-8 16x16 matrix mixer, an iDR-in and an iDR-out expander unit, and an iDR-switch to enable the connection of external equipment, such as room dividers and relays. In addi
Part of the newly-completed Wells Fargo Cultural Campus that also houses the 55-story Duke Energy Centre, the Mint Museum and the Bechtler Museum of Modern Art, the 1200-seat Knight Theatre is home to the North Carolina Dance Theatre, the Charlotte Symphony, and a wide variety of music, comedy and touring productions.
The diverse roster of performances was one reason for the selection of the Renkus-Heinz systems, says project manager Robert Delaney of Raleigh-based Strategic Connections. "The Knight Theatre is a very well designed space, with diffusers that can be rearranged to adapt its acoustics to different types of program material," he explains. "To make the most of this flexibilit
When it opened its doors in 1981, the Dedmon Center was among the first venues in the United States to boast a then-futuristic air-supported roof. The Centre recently underwent a major renovation that included a new steel-reinforced roof, new basketball court, new LED video scoreboards and broadcast capabilities, and an audio system utilising Community Professional Loudspeakers' Solutions Series loudspeakers.
"It's a great place to see a game, but the sound system was always something of an afterthough
"As a world-class conference facility, we want to ensure that we use only the best products and services. So when it came to choosing a partner for our mobile lighting needs, we went straight to the best in the industry - Martin Professional - who have an outstanding track record in providing quality and reliable lighting to the entire events industry," said Lee Forde, head of technical at The Convention Centre Dublin.
"In keeping with our goal of running The CCD as a sustainable business, we are delighted to be able to use Martin Pr
At the heart of each Community Campus is a new school (in most cases more than one), but each also has facilities for much wider community use. Thus, the assembly hall of each school is also designed for use as a community cinema, theatre, live music venue and space for a range of other events. To facilitate this multi-purpose use, a Yamaha system has been installed at North Inch (Perth), Loch Leven (Kinross) and Strathearn (Crieff) Community Campuses, with Breadalbane (Aberfeldy) due for completion later this year.
Designed and s
The first six-part series, produced by independent company Gallowgate, has just finished and proved a prime time Saturday night hit for ITV. Lighting designer was Tom Kinane, with whom HSL has worked on many previous projects. The programme was directed by Nikki Parsons and recorded at Pinewood Studios' S-Stage. HSL's project manager was Sean McGlone.
McGlone comments, "It's always good to work with Tom. His shows are imaginative and interestingly lit, he chooses his lighting instruments judiciously and gets the very best out of all them."
The set was designed by Dominic Tolfts. It was very wide with a series of gently curved lycra fins which also served as light-boxes around the sid
The Sheldonian was built in 1664-68 for the University of Oxford, based on a design by Sir Christopher Wren. It is acknowledged as significantly important in terms of the classical influence it had upon other Oxford buildings, and as well as being a functional space for the University, it's also used for music recitals and other events and is available for private hires.
Cover It Up's Elliot Stennett says, "It's a great tribute to the skills and dexterity of our crew to be asked back for the third year to help prepare this very special building for the conference section of the event. It takes a good deal of patience
Sales of CD albums continued to fall in 2009, dropping by 6.1%. Digital income now represents over 20% of overall recorded music revenues, taking into account earnings from online downloads alongside mobile, subscriptions and advertising-supported services. An unprecedented 4.22 m
A key development for PLASA 2010 has been the enthusiastic return of major brands in both the pro audio and AV sectors, with a marked increase in the number of pro audio companies committing to stands.
One such company is Electro-Voice, exhibiting again after a one-year absence. Sean Maxwell, sales director at Shuttlesound, commented, "It's fantastic to be returning to the PLASA Show, a major international event where we see a huge number of our distributors
ETC's Polish distributor Prolight installed a Congo jr control desk and 144 channels of SmartPack dimming in the theatre, which, according to its founder and director, Micha? ?ebrowski, promises to be a 'theatre without exclusion'. Unusually for Poland, the theatre is privately owned and run - in this case, its founder is also a famous Polish actor.
Prolight's sales director Rados?aw Zacheja says, "Congo is the most popular control desk in Poland, not just because it is easy to learn and use, but also because we translated the interface into Polish, making it the
The fixtures are truss mounted over the stage and dancefloor in this privately owned, 110-capacity venue to meet a design by Dmitri Volovik, Broadway's technical director.
PR Lighting heads were chosen for their reliability, since they would be operating seven days a week, and the fact that they met all the requirements to enrich a wide range of shows.
According to distributor Rostislav Serishev of Asia Trade Company the client liked their price/quality ratio and was impressed by the excellent flood effect of the XLED590 - which provides an extremely powerful wash under the command of a Martin Pro Light Jockey.
The distributors firs
To transmit feeds wirelessly during the weekly events taking place at the Meydan horse racetrack the company used the combination of receivers and transmitters from the UHF-R series. Together with additional directional paddle antennas, the technical team transmitted feeds over a range of 300m between the grand stand area and the makeshift towers that were housing the PA system beside the large LED screen.
"Almoe Rentals have been a regular user of Shure wireless systems over the years," commented Richie Hiranandani, marketing manager. "The additional UHF-R systems purchased together with the Wireless Wor
KORA Awards is the manifestation of an all-encompassing vision for Africa of the executive producer for the event, Ernest Adjovi and his dedication to overcoming the logistical demands of bringing a show of this scale to Burkina Faso.
It was the first time that the colourful K event had been staged outside South Africa. The show was directed for TV by Clive Morris and distributed via CFI (Canal France International) across Africa, France and parts of the US via 100 TV channels, as well as being enjoyed live by 3000 guests. David Bloch was stage director.
The Gearhouse team of 28 was project managed by Eyal Y
Moto Audio Sales, which has worked with DR on sound design for the concert hall since 2004, initially delivered and installed an L-Acoustics announcement system of Kudo line source and 12XT and 115XT HiQ coaxial speakers, as the venue was designed first and foremost for acoustic classical music. After completion of the concert hall, it became clear that there was a requirement to stage other styles of musical events. Last autumn, Moto Audio Sales was asked to redesign and extend the PA system to make it suitable for amplified music.
The new speaker system consists of six Kudo large format and 32 Kiva ultra compact line source cabinets with 12 Kilo low frequency extension bo
The £12.5m project includes the refurbishment of the existing Pump House and the construction of a four storey extension alongside it, with old and new buildings joined together by a spectacular glass walkway.
Event producers Walk The Plank commissioned DBN's Stephen Page to produce the concept and the work, which involved more than 80 individual LED lighting fixtures. These were strategically positioned in various locations inside the building, to be viewed externally by the public via a patchwork of windows on the river side of the building.
Walk the Plank completed the launch week's visual picture with the installation of a flame jet system on top of the roof, which work
Liz Berry and the students were delighted with this new collaboration. "The students were very surprised at the brightness of both the fixtures and learned a lot from using them in their shows," says Berry. "They were especially impressed by the I
Developed in conjunction with Sony Australia, Dubology owner Ivan Ordenes has created a comprehensive facility in a vehicle measuring just 5.8m long by 2.8m high, making it suitable to work in the most restricted of spaces.
"The DubMobile was the culmination of a long term plan to create a multi-purpose mobile control room and recording rig," says Ordenes who has worked with top bands including Oasis and Metallica. "We chose the DS-00 for its power and performance to handle complicated audio situations.
"Another advantage is that DiG
The 2.8 acre waterfront park was recently regenerated by the City of Norfolk in a project aimed at enhancing the experience of visitors and residents choosing to spend their leisure time downtown. Norfolk is replete with a selection of restaurants, vibrant night life, aesthetically appealing residential and commercial buildings, historical landmarks and museums, with Town Point Park right at its core.
It is located right in Chesapeake Bay on the Elizabeth River with panoramic views of the surrounding cities, and is also the home of frequent festivals, events and concerts produced by the city's busy event planning organisation, Norfolk FestEvents.
The City of Norfolk called in Blue Steel Lighting Design from Virginia
Liberty Acoustics was entrusted with the task of performing the installation. Supported by Dynacord's's partners in the region, AVL, the team from Liberty Acoustics installed, for the first time in any Dubai club, a fully digital control platform. Its nerve centre is a P 64 Digital Audio Matrix Manager.
This network-capable and freely configurable audio system controller offers not only the live bands but also the DJs making guest appearances in the club a wide range of possibilities: the entire audio system is configurable, remote controlled and also supervised remotely by means of the IRIS-Net software. "It's the P 64 and IRIS-Net that does all the work in the club," says Liberty Acoustics MD Mark Legaspi. "The DSP system spares those responsible a great deal of time a
Mike Phillips, project manager and audio engineer at Fidelity, which did the system design and integration at the sports bar, chose the Xantech LM110RP Smartpad3 Single Gang Keypad Controller to enable the system to allow patrons at each booth in the lounge to control their own A/V content. In addition, the Xantech CSPLCD64 Commercial Touchscreen Display was also integrated into the system.
Fidelity Sound Reinforcement installed a dozen LM110 push-button controllers in the lounge, one at every booth. The LM110 offers those seated in the booth the ability to call up any ch
Contestants for the 2009 awards showcased a wide variety of new products and product applications from the simplest problem solver to complex uses of technology that extended the boundaries of the entertainment technology field. Project nominations showcased everything from the lighting of the Grand Mosque to the staging of the Democratic National Convention and highlighted the collaborative nature of our industry.
Nominations may be made by anyone in the industry, but an ESTA member must be involved as the de
Refurbished and modernised, the facility consists of Mixing Studios One, Two and Three, Studio Four an ADR studio, Studio Five, the TV Mixing Studio and Studio Six which is another ADR Studio.
At the heart of the facility is the flagship Studio One. Originally designed by Munro Acoustics, the Munro team as re-called after the fire to re-design and re-fit the facility.
Munro Acoustics director Andy Munro says, "Although the circumstances were unfortunate, this has been a great opportunity to bring the largest mixing theatre in Soho up to the highest standards with the acoustic modifications resulting in a tighter, more focused sound. This is one of
