Kinesys – a modular summing array with a self-contained rigging system

Spain - Void Acoustics revealed three new products at ISE 2025: Kinesys – a modular summing array with a self-contained rigging system; Arclite15B – a mutually coupling 15” enclosure designed to extend an Arclite system's performance; and Air 12 – a compact, high-output coaxial loudspeaker addition to the Air series.

Kinesys is billed as the first internally rigged modular and scalable system featuring total summation via a cylindrical radiation pattern. It is designed for mid-to-large-size clubs and live venues but can also deliver for live outside festivals in a flown configuration. ISE attendees were the first to see this new series from Void, which will be launched later this year.

The Air 12 was also previewed on Void’s stand and is the latest versatile addition to the popular ‘Air’ series. The Air 12 is a compact, high-output coaxial loudspeaker that combines exceptional performance with visually impactful design, making it ideal for indoor and outdoor hospitality venues. Constructed from low-resonance fibreglass, it is designed for versatility and is supplied with a low-profile adjustable tilt bracket and fixed-angle flush wall mount bracket.

The Arclite 15B, part of the Arcline touring series, extends the performance of existing Arclite products. It can also be used as a stand-alone mid-bass solution with satellite loudspeakers to form a full-range system.

Creative director and co-founder of Void Acoustics, Rog Mogale said: “We’re extremely happy to unleash Void's first modular loudspeaker that can be grouped to form a super array of any scale, with sound and visuals designed to stun audiences. A Kinesys summing array’s versatility is boundless and will grace any club, live venue or festival with its phenomenal capabilities.

“Alongside Kinesys, the Air 12 brings unmatched fidelity for both indoor and outdoor venues, whilst the Arclite 15B takes our live sound systems to new heights. These products represent our drive to push the limits of sound and design.”


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