JoeCo Blackbox captures TCT concerts
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Befitting its 18th birthday celebrations, the 2018 series showcased one of the strongest line-ups to date, with UB40 (featuring Ali, Astro and Mickey), Nile Rodgers & CHIC, The Courteneers, Kasabian, Def Leppard, comedian Russell Howard and Daltrey himself as headliners.
In previous years, performances by artists including Noel Gallagher and The Who have gone on to yield acclaimed live album and DVD/Blu-ray releases, so recording shows for posterity in the highest-possible audio quality has always been important. Given the charitable nature of the concert series, and the fact that shows are often recorded in a speculative manner with no confirmed release or platform in mind, being able to capture shows cost-effectively is also critical.
In the run-up to this year's TCT events, Gareth Johnson from music production company Stand Alone Productions undertook the search for a portable recording system that would be able to record the shows for possible stereo and surround mixing, broadcast and commercial release – meaning that 48kHz/24-bit audio capability was essential. The system also needed to be conducive to quick-learning by individual acts' FOH engineers, and hence incorporation into their favoured workflows.
Johnson was already aware of the JoeCo brand when his search commenced, but when he took a closer look at the Blackbox recorders it soon became evident that he had arrived at a potential solution. The mission-critical-ready multi-track recorders "certainly seemed to be saying the right things, so it was really a matter of being certain of their reliability. JoeCo were confident in their products, and a week before the shows we sent them some drives to test. They ran them full on for a couple of days and there were no problems at all, which reassured us."
Consultation with JoeCo led Johnson to determine that a pair of Blackbox BBR64-MADI recorders - each of which can record and replay up to 64 channels of MADI data in a unit occupying just one unit of rack space - would get the job done with capacity to spare. "Shortly before the concerts everything was shipped down to the Royal Albert Hall, we pressed record, and I am glad to say that everything worked out well. I am very happy with the quality of these recordings."
(Jim Evans)
