OPTI, the lighting effects and trussing supplier, has appointed Idunn Rodziewicz to its domestic sales team as regional sales manager. Rodziewicz brings with her 17 years of experience in the retail and exhibition market with Marler Haley. OPTI chairman Neil Rice told PLASA Media: "We're very pleased to have her on board. She has a great track record with clients here in the UK and internationally, as well as the experience to identify what they need and how to provide it."

Rodziewicz will initially concentrate on the OPTI Trilite side of the business, cementing links with clients across the retail and exhibition markets. She commented: "I'm really looking forward to it. OPTI is a leader in its field, and has great products as well as a fantastic range of support services. I think a lot of our clients, new and existing, are going to be pleasantly surprised at what OPTI c

Vari-Lite Inc has announced it has discontinued selling the Virtuoso DX control system, with immediate effect. However, the company will continue to rent the desks and to provide customer support for units already in the field. "This was a tough and emotional decision," said Rusty Brutsché, chairman and CEO at Vari-Lite. "But in the end, sales of the Virtuoso DX console just weren't profitable for Vari-Lite. And therefore the decision was made to concentrate all our manufacturing and sales efforts on the luminaire market, which has greater potential for profitable growth. The overwhelming and positive response to Vari-Lite's newest automated luminaire, the VL1000 ERS, combined with the success of the Series 2000 luminaires - reinforced our decision."

Vari-Lite will support all Virtuoso DX consoles sold to date. "The goal is to provide the same quality service

Le Mark Group, the specialist provider of adhesive tapes and labels and lighting accessories, and the UK distributor for Great American Market (GAM) and City Theatrical Inc, has announced that it is to become the UK distributor for the Apollo Design range of gobos and lighting accessories from the US.

Apollo Design offers a wide range of glass and steel gobos, including the SuperResolution and ColourScenic ranges which feature an exceptionally high printing quality of 20,000dpi resolution. Le Mark will also offer Apollo's Roto-Q single gobo rotator, which comes ready to use, complete with built-in speed and directional control.

Julies nightclub is a well-known Newcastle landmark. Like most clubs, it’s had its fair share of small upgrades over the years, but owner Keith Gibbon, of Lazi Leisure, felt the time had come for a major renovation - hence Julies 2.To effect the refurbishment, the venue was closed at the end of January to allow for major structural alterations to increase its size. Keith Gibbon came up with the design concept and called in the team at Lighting Technology Projects - Craig Grieveson, Dave Philips and Ray Scott - to undertake the installation. The effects lighting rig centres around Martin Professional’s MAC 250s, MiniMACs, Mx4s and CX2 colour changers, with Abstract Moonrays, Pulsar Demon Strobe units and shed loads of neon providing further punctuation. Controlling all this, and the Jem ZR12 Smoke machine, is a Pulsar Masterpiece 216. A Sony-led, four-screen video system is al

Richard Martin Lighting has announced another new addition to the company - Michael Stevens, who joins the company as technical manager. Stevens leaves behind his former position as senior engineer at Martin Professional UK, where he had spent the last seven years. RML is a specialist rental supplier of intelligent lighting and control systems to the film and television industry. The company's clients have included Top of the Pops, The Spice Girls, SMTV Live, BBC Studios, Comic Relief and The Brit Awards.

Melbourne’s exciting new A$290m (£105m) museum in the Carlton Gardens is as thoroughly a 21st century museum as its predecessor had been a thoroughly Victorian natural history museum.

The wooden-framed glass cases of mineral samples, stuffed animals and neatly-pinned insects, have been replaced by interactive exhibits that recount the history of Australia, its peoples and its region, using the entire panoply of contemporary display and production technologies. Museum operations manager Craig Gamble (who started life in technical production for the performing arts), considers the museum spaces to be of three types.

There are the circulation and orientation spaces, which include the foyers that house permanent displays of iconic objects such as a whale skeleton and a tram. There are permanent exhibitions (5-10 year lifespans), and finally, there are temporary exhibition spaces

Harry Potter & The Philosopher’s Stone has already received great critical and popular acclaim and is expected to become the biggest grossing film ever for Time Warner. Vertigo Rigging, Spirit Design and Fourth Phase were amongst those who helped supply the magic for the recent World Première at London’s famous Odeon Cinema, Leicester Square.

Vertigo, working for production company West Design, show producer Lucy Smail and production manager Andy Cheesman, transformed the front of the building into Hogwarts School of Wizardry & Witchcraft for the evening of 4 November.

With a seven-day get in, the event required over 22 tonnes of equipment, 12 tonnes of which was hung off the side of the building - representing a huge logistical and practical challenge for Vertigo. Work began on 29 October, when project manager Paddy Burnside and his team of riggers supervised a 60 tonne

The Entech 2002 Conference program features workshops and seminars in areas of lighting, design, rigging, audio, projection and even the business needs of a DJ. Sessions includeIntroducing the Line Array; The Future of Systems Integration and ProAV Technology; Venue Design Forum; Digital Live Sound Mixing; Lighting Designer Forum; Rigging Workshop; Stacks and Racks; Motor Training School; Location Sound Recording; Trends in Facilities; The Art of Designing with Moving Lights; We Are Surrounded (Surround Sound); and The Changing Face of Post Production.

Entech 2002, Australasia’s leading entertainment technology trade show, will be held in Sydney’s Darling Harbour from 4-6 February 2002. For further details on the conference programme and exhibits, visit the web address below:

Luminar plc, the name behind numerous bars, restaurants and nightclubs across the UK, has recently released details of its interim financial results for 2001.

The figures make impressive reading and indicate that there is still much to be positive about in the night sector. Company turnover is up 116% from £77.2million last year to £166.4m this year. The company’s pre-tax profit has more than doubled to £29.5m.

Underpinning the financial success has been an aggressive growth strategy, which has seen Luminar acquire 10 venues from Scottish and Newcastle plc (making it the largest operator of late night venues in Scotland) and also the Life Limited brand from Whitbread. It has also continued to roll out its own brands, including Chicago Rock Cafe, Jumpin’ Jaks and Liquid, together with the development of ukclubculture - a relatively recent initiative which is aimed at

Visitors to the Serpentine Gallery might have wondered what was going on when LA-based artist Doug Aitken brought his New Ocean exhibition to Kensington Gardens, London Crowning the mixed media installation, which included 20 video projectors supplied by DVS, and audio throughout the building supplied by Total Audio, were two Coef Show 250 scanners (programmed on a Compulite Spark console) - supplied by i-Vision in conjunction with Fentura Productions.

Although a variety of daytime and late night talk shows have debuted since the mid-1980s, after nearly 50 years of TV broadcasting, The Tonight Show remains the gauge by which contemporary televised culture is measured.Taped from Studio 3 at NBC Studios in Burbank, California, a newly installed Martin lighting system, supplied by Production Lighting Systems (Fourth Phase), is adding even more colour to America’s classic late night show. NBC lighting designer Gary Thorns is using Martin MAC 2000, 300, 250 and MiniMAC automated lights on several aspects of the Studio 3 stage.

Placed behind host Jay Leno’s desk and guest seating area, a row of MAC 300 wash lights bathe a line of wooden columns in various shades and provide colour washes for the ceiling and beams above the set. Above the band area where Kevin Eubanks directs The Tonight Show band, MAC 300 wash lights add colour

As tribute bands go, the Australian Pink Floyd are a touch different: for a start they imitate a band that, on stage at least, have virtually no physical presence, so they are relieved the task of attempting to look like them.

Lead guitarist Steve McElroy - the David Gilmour of the band - does make some small gestures towards his cipher, the mic stand arrangement is identical, with the tuner strapped just so off a separate stalk. He even manages those strange facial gestures during the guitar solos that I remember so well from my time working with Gilmour in the early eighties. But essentially this is all about the music, and they don’t make a bad fist of it - indeed The Times is quoted on the band’s flyer as saying: "Probably the greatest tribute band in the world," which, in the wider scheme of things, places them on a par with Carlsberg Lager, entirely appropri

CP Sound has just completed phase one in a major new club sound and lighting installation, in the Cellar Club at Reynolds nightclub in Stafford, West Midlands. The intimate 150-capacity space has vaulted ceilings, with arched passages snaking mysteriously below ground level. Above are two additional floors which are currently being developed and which will soon to become an integral part of what will be a much larger venue.

The sound system is all JBL, supplied by JBL's UK distributors Arbiter Pro Audio. The Cellar's dancefloor area features four JBL MS112 top speakers and two MS125S subs. The bar is serviced with four of the new JBL Control 29s, with Control 24 speakers also in the toilets. For the DJ booth, CP Sound supplied Technics SL1210 turntables and an Allen & Heath Xone:464 mixer, complete with a Denon DN-1800 twin CD player. The mixer was chosen to provide the facility of liv

Sarner and ESP have combined resources to provide a creative solution for Liverpool’s new multi-million pound International Astronomy and Space Centre (IASC). Sarner, which has recently been bought-out by two of its directors, Michael Bennett and Ross Magri, is thrilled to have such an innovative and important project under its creative direction. "This is a great win, not just for us but for the team at Sarner and for all our clients and colleagues," comments Bennett. "Sarner has been highly successful for over 30 years and we intend to build on that reputation and drive the company forward with new commitment to delivering innovative design solutions that have so often won clients’ belief in our skills, quality and service."

Sarner will be responsible for the design and production of special effects for the new visitor attraction, while ESP will projec

South London-based exhibition and corporate creative lighting specialists Stage Light Design produced a simple but effective lighting design for Microsoft TV's stand at IBC, as well as supplying all lighting equipment and crew for the event. Lighting designer Alastair Crooks lit the double deck stand inventively, using Source Four profiles to project ripples, wind, sky and other effects onto a series of crescent-shaped canopies that curled round and descended from the top of the stand in a corkscrew effect.

Crooks also used Source Four profile lanterns generally around the stand to produce break-up and texturing effects. Par cans were then employed for a crisp daylight blue wash across the two decks and the various banners and graphic displays around the stand. The short set-up time meant Crook took full advantage of Stage Light Design's WYSIWYG facilities. The complex stand design dic

The new FiberSource CMY 150 from Martin Professional is a fibre illuminator for permanent outdoor and indoor installations. The fixture's full CMY colour mixing capability and unprecedented brightness for a fibre optic source open up new possibilities for fibre optic applications, say Martin. Intended for permanent installations, the FiberSource CMY 150 is designed around a robust IP44-rated housing. It is based on a very efficient 150W lamp giving 6000 hours of lamp life.

The FiberSource CMY 150 features an extremely broad color spectrum achievable from a full CMY color mixing system. Additionally, a full range dimmer gives the user an added effect dimension. The large fiber port accepts up to 800 pieces of 1mm fiber optic cable. The fixture features DMX control and a very comprehensive stand-alone operation including real-time clock activation.

‘Let There be Light’ was conceived to celebrate the 50th anniversary of the creation of the Lansbury Estate - a key ‘Living Architecture’ project of the 1951 Festival of Britain.

Situated in the Tower Hamlets docklands area of the old East End of London, the estate with its balconies, roof gardens, courtyards and traffic-free areas combined with new shops, schools, churches, community halls and a central market, was welcomed in this socially deprived area of London.

In September this year, an architectural conference was held at the Lansbury Estate to discuss the continuing need for urban regeneration. Jonathan Park and Max Maxwell from Studio Park were called in to light the estate and to end the Conference with a surprise event - ‘Let There be Light’ to show the 1951 architecture, faded by time and declining social conditions, in a ‘new li

A flamboyant interior and exterior lighting scheme has marked the recent opening of Marks & Spencer’s store in Fenchurch Street - a project requiring DMX signals to be sent to both sides of a busy road in the heart of the City of London.

The project was produced for Marks & Spencer by consultancy Hotcakes and designed by Darren Parker of DPL Production Lighting, who worked closely with High Wycombe-based AC Lighting and Avolites to achieve the desired effect.

The external scheme included six Studio Due CityColor architectural luminaires. These dramatically illuminated the neo-deco façade of the M&S building - itself a particularly striking piece of modern architecture surrounded by office buildings on all sides - and provided contrasting and complementing colours to those utilized inside.With weight restrictions preventing any lights being located on the actual M&S building, a

The combination of Wybron's award-winning Eclipse II and TMB's PowerPAR attracted a great deal of attention from New York's professional lighting community at ETC's very successful New York Open House, held on Thursday 6 December. The Eclipse II is an innovative dimming shutter that works like an iris, giving smooth even light output and consistent colour temperature at all intensities. The PowerPAR combines the convenience and optics of ETC's Source 4 Par with a high-output HMI source. Brian Dowd, TMB NY general manager says: "Many lighting designers are interested in the PowerPAR, because it is incredibly bright. They've been asking us if it is dimmable. Now we can tell them yes!"

The Eclipse II received top honors for "Major Technical Advancement in the Field of Professional Lighting" from the 2001 EDDY Awards the following evening. TMB is a value-added distribut

Artistic Licence has concluded a new phase of sales expansion with the addition of no less than seven companies to its list of national and international dealers. In the UK, two companies join the dealer list: Northern Light joins as a mainstream dealer, while Lightfactor Sales has also joined, the Artistic Licence product range providing and excellent complement to the company's existing brands which include LightProcessor and High End Systems.

In Austria, Technik Design will now represent Artistic Licence products in addition to established dealer, Leman. Technik Design has a wealth of practical experience in all aspects of entertainment technology, and Artistic say that their consultancy and sales divisions provide a perfect complement for the Artistic Licence projects and products portfolio. In Finland, two new dealers add to the company's extensive coverage: Studiotec represents o

AC Lighting Ltd has announced that the first sale has been made in the UK of an MA Lighting grandMA ultra-light console. The console was specified by Andy Mahaffey, technical manager at Watermans, a multi-purpose entertainment complex in Brentford, West London. The venue is undergoing a complete refurbishment and is scheduled to re-open in Spring 2002. Watermans incorporates a theatre, cinema and 500-capacity multi-function café/bar area as well as a studio and gallery exhibition space.

Following an extensive evaluation at AC Lighting’s demonstration facilities in High Wycombe, Andy Mahaffey found many attributes of the compact grandMA ultra-light to his liking. He commented: "I love the ease of accessibility to functions and adaptability offered by this console," adding: "It’s amazing to have this level of functionality in a console that occupies so little

The Event Lighting & Design Company was asked by Charlotte Wolseley Brinton to design the lighting for the launch of the revamped Royal Exchange in London, and to provide the party with two completely different looks, as well as highlighting the beautiful architectural features of the building. The event aimed to put the Royal Exchange back on the map since its transformation into a luxury retail environment. Filled with exclusive stores such as Hermes and Tiffany's, the Royal Exchange is now one of the city's smartest shopping venues.

Outside, each of the front colonnades was uplit in strong red, the central colonnades in magenta and those at the rear of the portico in contrasting royal blue. The archways at the back were highlighted, with the crest of at the top picked out in open white light. Lamps on the first floor balconies were used to light up the first and second floor facades

Martin Professional A/S has entered into an agreement with Chako and Hiroshi Yoshida, long-time distributors of automated lighting in Japan, to establish a joint company, Martin Professional Japan Ltd. The new company, located in Tokyo and consisting of eight employees, will handle distribution and service of Martin, Jem and Mach products throughout the country.

The establishment of a single professional distributor in Japan, which had previously been covered through three separate companies, is an important step in Martin’s goal of increasing focus on the Asian market. Martin Professional president and CEO Kristian Kolding has assumed the position of chairman of the new company. Other board members include Mr. And Mrs. Yoshida and Martin’s area sales manager Jonas Eisenhardt. The official opening of the new company is expected sometime in February.

High End Systems' Catalyst recently received a top honour for lighting products at the 10th Anniversary of the EDDY Awards in New York, hosted by Entertainment Design magazine. High End's Al Ridella and Brad Schiller accepted the award during the ceremony, which took place on December 7, at John Jay College Theatre.

This is the fourth award for Catalyst. It won two top awards at PLASA in September for Design Excellence and Technical Innovation, and Product of the Year for Lighting/Entertainment at LDI 2001 in November. Catalyst is currently making its splashy debut at New York's Madison Square Garden for the New York Knicks and the New York Rangers games.

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