Crooks also used Source Four profile lanterns generally around the stand to produce break-up and texturing effects. Par cans were then employed for a crisp daylight blue wash across the two decks and the various banners and graphic displays around the stand. The short set-up time meant Crook took full advantage of Stage Light Design's WYSIWYG facilities. The complex stand design dictated that lighting instruments had to be extremely precisely positioned - to reach the canopies - which would have been near impossible task without using WYSIWYG. WYSIWYG also proved useful as a means of providing both stand designers and client with visualizations of the lighting design before the event.
Stage Light Design on TV
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