Chris Curran Joins TMB UK
- Details
"TMB has always been rampantly anti-Australian, even before last year’s
"TMB has always been rampantly anti-Australian, even before last year’s
The ship’s on-board theatre has a seating capacity of 650. Every evening the theatre offers 12 shows and professional entertainment running every hour. Hilton Jones was responsible for the theatre lighting design and grandMA provided the control. Altogether, console operator Joe Gruber programmed over 1,800 cues, 80 sequences, and 120 macros. The grandMA - supplied by Amptown Hamburg - runs 46 moving lights, 132 channels for conventional lighting and 54 non-dim circuits.
This was th
As part of the Forester Health Cash Plan offered to PLASA members, which was launched at PLASA 2001, £1 is donated to Light Relief for every new member of the scheme. The scheme, which is being continued at this year's show, offers members a range of cash refunds for basic healthcare needs not funded by the NHS, such as dental treatment, eyesight tests, physiotherapy and reflexology. It also provides much-needed financial help in the event of hospitalisation, an accident or the birth of a child. Whereas private medical insurance is basic
The response from the beta test program led to the release of Wholehog III software version 1.0. As Robert Mokry, Wholehog III product launch manager, told us: "The beta test program yielded great results. The idea behind V1.0 software is to release a reliable build that offers the core features users must have to do a show, with features such as XYZ positioning and Hog II show import s
Opened on its present site in 1982, The Albany established a formidable reputation for itself in the 1980s as a thriving community theatre with the backing of some big names. But as the years passed, lack of funding took its toll and the theatre fell into disrepair, its equipment failed or was removed, and eventually, in 2000, it succumbed to darkness.
Since then, an energetic campaign to bring it back to life has seen the birth of a three-phase refurbishment programme, most of which is now complete. Thus, the Albany opened its doors again in March, boasting a fully refurbished interior, revamped flying grid and brand new sound, lighting, comms and patching systems with names such as Meyer Sound, XTA Electronics, MC2, Yamaha, ETC and Strand in the rig.
The team re
With almost every weapon in the British Army’s inventory taking part, tanks, artillery and infantry, supported by attack helicopters, transport aircraft and fast jet bombers, the audience saw, and very definitely heard, one of the largest demonstrations of military might ever seen in Europe. The ‘Live Fire’ demonstration took on the scenario of three enemy encampments located 6, 7 and 8km away with units from the Royal Artillery, Army Air Corp a
And not just any solo, this was raunchy, rocky, postured and powerful. Frankly, this caught the crowd completely unawares, even though there had been a clue it was coming: the opening number Sparkle was similarly endowed with a power pop melody and a thickly textured rhythm section, more Sweet’s Suicide than Siren of Style. What to think?
The audience didn’t seem to mind: here we had a mixture of sub-teens, mainly self-conscious girls still wearing LED flashing antenna from the S Club gig a fortnight earlier (these disappeared very quickly once the grown up audience arrived and they realised how uncool this made them look); a fair contingency o
(Lee Baldock)
Eclipse II is a DMX-controlled system that does mechanically what can’t be done electronically - it mechanically dims HMI and other ‘non-dimmable’ lights. The Eclipse II Iris douses the light while the power stays on using fins in an aperture-like configuration to provide dimming with no loss of light. The award-winning Moiré is Wybron’s first dual gobo rotator, enabling users to rotate and change two B-sized glass or metal gobos. Controlled by a simple toggle switch, the two gobos are operated independently and can be rotated together, in opposite directions or with one static and the other moving.
Wybron’s CXI colour changer uses two colour scrolls, made up of graduated frames of cyan, yellow and magenta, to create virtually every colour o
Note the word ‘destination’, because it’s entirely appropriate for the modern retail experience. And the Designer Outlet - a project undertaken by Orbit Developments (Manchester) Ltd - is as much a destination as it’s possible to be, as witness its recent opening marked by the imaginative use of exterior colour changers.
Both the exterior and interior lighting scheme for the project was devised by Into Lighting Design’s Northern Studio in Nottingham, and supplied and installed by A.C. Lighting.
The exterior
What's more, US glass-gobo manufacturer, Apollo, has offered to make any number and size of gobos featuring the Light Relief logo, the idea being that as many exhibitors as possible will use them in their on-stand demos.
New features on ColorPlay 1.8 include:
- Show Simulation feature incorporated on the Mapping screen so designers can get a feel for how the show will look in its intended layout, without having to physically be there;
- Seek Slider in
Bringing the Sensor-dimming level of technology to portable dimmer packs, SmartPack is a thyristor-based, professional-quality dimmer that can go anywhere. Very compact (19-inch 2U rack mount), SmartPack is available with either six 15A dimmers or 12 10A dimmers and is ideal for smaller studios and theatres, touring companies, small road shows and band gigs.
The Source Four MultiPAR combines the unsurpassed optics and energy-savings of the acclaimed Source Four PAR (EA) with the functionality and flexibility of the classic batten. It is available in 3-, 4- or 12-lamp strips, as well as a 3x3 version with in-line switches. For lighting venues with unique needs, ETC also offers the Sou
The Moving Light Company have been closely involved with the Royal Opera House since its refurbishment, supplying automated lighting equipment ranging from the first City Theatrical Autoyokes in the UK to custom tungsten and HMI moving fresnels created from Light Technik yokes. The Moving Light Company also provide service and support for all of the House's automated lighting equipment.
With the Opera House now extending its use of automated lighting equipment beyond the theatre itself, the ROH's David Harvey turned to The Moving Light Company again. This time, the request was for moving lights to be used as part of the architectural lighting system for the Floral Hall, next door to the Opera House. The complic
In his new role, Oberman will join the senior management team, and will focus on developing strategic relationships and exploring new markets for all the companies within the PRG Group. "We're very excited about David coming on board," says Jere Harris, Chairman and CEO of Production Resource Group. "His experience and reputation in our industry is a complementary addition to PRG."
(Ruth Ross
Stand C32
The bulk of these have gone to the National Theatre, where lighting project manager Mike Atkinson and Lyttelton Theatre head of lighting Paul McLeish specified 76 Juliat 710SX 2000W 10/25 degree zoom profiles as part of the reworking of the lighting rig made necessary by the Lyttelton Theatre's change of format for the National's current Transformation season. The 710SXs have replaced many of the theatre's older Strand Cadenza lanterns, and have already been put to use in shows including The PowerBook, A Prayer for Owen Meany and The Adventures of the Stoneheads.
Elsewhere the baby Foxie 700W MSD followspot has proved popular wit
Kino Proekt's Alexander Rubin timed his first ASC Technician training visit to ETC in London so that he could also see the London production of Chicago and meet with the show's lighting designer Ken Billington to discuss the lighting rig for the Moscow production. Ken (pictured with Alexander, left, on the set of Chicago at the Adelphi Theatre) has lit every production of Chicago since it opened on Broadway in 1996, and his compelling design won him both a Tony and a Drama Desk award in 1997.
When Chicago lea
LDPS NZ will concentrate on the company’s core business as a performance venue technical consultancy. The team specialises in all aspects of design including sound, lighting, multi and mixed media facilities, audio-visual and stage technology. Working in the Southern Hemisphere will also give LDPS the opportunity to expand it's service to sports facilities, in particular the design of public
Stand F14
(Lee Baldock)
The first - ‘Gobos for Light Relief’ - is encouraging as many PLASA exhibitors as possible to use Light Relief coloured glass gobos as part of their on-stand demonstrations. "Visitors will be confronted by a large projection of the logo at the front of the hall as they arrive", explained Tony Gottelier, co-founder of Light Relief. "The idea is that by encouraging exhibitors to participate, visitors will see the same image repeated all over the exhibition - we need to raise awareness of Light Relief and this is set to make a huge impact."
The idea is sponsored by Apollo Design Technology, the Indiana-based manu