Light Me A Little Bit More
- Details
Forty years later, Pilbrow returned to LAMDA to help celebrate the course's anniversary, with an afternoon's conversation with the college's current students, a selection of alumni and a variety of other industry practitioners. Entitled 'Two Conversations', the afternoon firstly saw Richard describe the conversation with Michael MacOwan that led to the formation of the c
The technical specification was prepared by Jerry Godden and his team at Theatre Projects Consultants. The brief was to provide conference and theatre facilities that would enable large corporate clients to stage international conferences, product launches as well as providing local facilitie
Aiming to fill the gaps in the existing catalogue, DHA's creative team has put together a collection of new images from pantomime phrases to exotic breakups. Each design has been carefully tailored to meet designers' expectations then projected, evaluated, tweaked and remade. The end result is a range of gobos that DHA is understandably proud of. As Diane Grant, MD for DHA commented, "DHA is known throughout the world as the place to come for gobos. It is our responsibility to keep applying a fresh approach to the catalogue and to reinvest in its development. Even as a non-lighting designer, I know that some of these designs are beautiful and I can't wait for people to start us
"It's time to move lighting into the digital age in the Asian market," says Tan. "It's a good time for me to follow the technology. Digital lighting has become a main attraction for me, and I'm excited to be 'home' at High End again."
Tan will soon be scheduling Open House and demo events at the HES facility, and will represent HES at upcoming trade shows such as CALME in May and PALA in July.
Bill Morris, VP of Sales, said "We're excited to have Stephen return. We have experienced a tremendous am
ABTT Summer School 2005 will be held at Warwick Arts Centre, Coventry. Four Awards are being offered this summer. In addition to its Bronze for Stage Technicians, this year sees the launch of a Silver Award for Stage Technicians, a Silver Award for Sound Technicians and a Silver Award for Stage Electricians. For the first time, these Awards will have full accreditation from the Royal Scottish Academy of Music and Drama, making the ABTT Awards the first accredited courses for technical and production practitioners in theatre.
The Bronze Award is five intensive days taking the following subjects: Electrical Fundamentals, Portable Appliance Testing, Knots & Spl
With such considerations in mind, Selecon's Pacific 80V Power System is the result of over three years' R&D aimed at developing better solutions for the entertainment lighting industry. Combining a quality light output (the 80V 1200W lamp delivers as much light on to the stage as a traditional 2.0/2.5kW luminaire, say Selecon) with significant energy savings (as much as 40-50%), the fixture offers an important new tool for designers and venues, say the company. For example, a front-of-house lighting bridge equipped with 40 2.5kW profiles will consum
"We continue to advance and develop solid-state lighting technology that address the needs of a wide variety of markets," said Jason Posselt, Lumileds director of product marketing. "Our Luxeon I LEDs are broadly used in applications ranging from LCD television and monitors to architectural,
A total of 20 vehicles had to be put in to perspective in only 2000sq.m. "Presenting so many different models on the stand provided a challenge as we had to define the separate identity of each model," said chief lighting designer Richard Profe. To maintain this distinction, a huge architectu
"Mark's extremely specific about what he likes and dislikes," says Tutchener. "Any distractions to him and his music are a definite no-no!", so that ruled out a whole raft of lighting staples including gobo projections onto the backdrop, rotating gobos, etc. Needless to say, when light
Superstar is broadcast live each Friday night from the National Tennis Centre arena in Slovakian capital, Bratislava, staged in front of 1,500 highly vocal fans. STV has put 2.6 million Euros into producing the series, making it the country's largest TV project to date, and very much a matter of National pride. The live show tickets are allocated as give-aways for various competitions and about half via the show's main sponsors, including Nestlé.
Naturally, production values are right at the top of the agenda, with STV seeking the best technical and crea
Installed by contractors Alstom Australia, the LED Wall is one of the most ambitious feature lighti
"The lighting community looks for white-point consistency whether viewing the light source directly or the effect that's being created," said Keith Scott, market development manager. "Uniform white light is essential in luminaires, but achieving a consistent colour temperature with LEDs has been a major challenge because of the wide colour variations inherent in the LED manufacturing process, "Our Luxeon Lamps offer the first practical solution to the problem by supplying pre-matched, pre-mounted LEDs that not only provide the desired colour consis
With a low ceiling height and no provision for rigging Hawthorn decided to make a bold feature of the truss and created a ground support structure with lots of long spokes covering both the stage and the rest of the room. As UK dealers, Hawthorn used Prolyte's X30V truss due to its lightweight but superior strength, allowing large spans of truss with the minimum number of truss legs.
With only a 3m clearance, Hawthorn specified Mac 250's and Mac 300's - due to their small size, uplit with Thomas PIXELline battens. Working in conjunction with Mask Event Design and Production, Hawthorn sponsored the Event Talks area. Hawthorn draped the room in its white Expo Cloth, a fabric it imports for its light reflective abilities. These dra
(Sarah Rushton-Read)
Lighting director Bernie Davis used his own Vector Green control system to control a discreet rig of conventional lighting, supplied by ELP, as the aim was for an unobtrusive installation and a natural look. Console operator Roy Adcock was using a Compulite desk for the first time, but reported no problems getting the hang of the Vector's versatile graphic user interface.
Davis comments: "While the effects engine and sixteen DMX universes were not used to their full potential on this occasion, the easy to read touch screen controlled groups made programming extremely quick and easy. The lighting control position was from the world's smallest Portakabin - only 12'
Briefed to create a signature stage piece for Westlife's recent No1s tour, it soon became apparent that neon lettering wouldn't be practical, because it's made of glass, but then Mark remembered seeing Neonflex at PLASA. Marketed by Batmink, Neonflex is a flexible PVC light tube which closely replicates real neon, but uses LEDs as a light source. Much more rugged and roadworthy than neon, it was the obvious choice. LiteStructures made up an individual Neonflex letter, which Production North and the band agreed was just what they wanted.
Although the original design, a 20x10ft Perspex signature, was intended to be invisible when not lit, it was then decided, by the band and Production North's S
"The response to our upgrade promotion was tremendous! Our customers have been asking us to entertain a further promotional period. It only makes sense for us to re-introduce this promotion ", says Gil Densham, president & CEO of Cast Software. "We've made the best lighting design package in the industry and are allowing our users to upgrade for the great price of only $639 US. Plus, these upgrades include a
Together with Ben van Berkel of UN Studio in Amsterdam, van der Heide and his team developed a lighting scheme for the building skin that changes, chameleon-like, at night, and during the day reflects the subtleties of natural light on the opalescent façade of dichroic glass discs. At night, the discs are individual
Pyro for the two-hour extravaganza titled Once Upon A Time, enjoyed in real time by 35,000 people and broadcast live on Danish TV and across Europe by the European Broadcasting Union, was designed by Paul Mann from Machine Shop. He collaborated on the task with whom HSL's Tom Owen: the two have enjoyed a long and fruitful working relationship. The overall Once Upon A Time show design team and production included some of the best names, suppliers and rental operations in the UK production industry. The special effects all had to be very big and v
A ground-supported truss was used to form the basis of the stand, before Lycra sails were stretched over the back wall and used as projection surfaces for the vehicle branding. Par 64s and ETC Source Fours were used to highlight the cars. Embee lighting's Mark Bailey used the cubes and spheres to attract people on to the stand. He explained: "The built-in effects were used to play random colour patterns and made a visual work of art for people to look at as they visited the show."
The feedback from Proton was extremely good, Bailey
Like all members of the SharXS family, the metal halide lamp is compact and double-ended. Its key features are a short arc and eXtreme Seal (XS) technology, which makes the lamps capable of withstanding thermal stress (up to 450°C). Its main areas of application, say Osram, include stage, film and television, and its improved heat handling offers benefits in terms of reduced cooling, smaller housing requirements and quieter operation in the luminaire, say Osram.
The company has also introduced a new version of the SharXS HTI 400 W/D3/75 - which now boasts 30% longer life, of up to 1000 hours.
(Lee Baldock)
Staged at the Impact Arena in Bangkok in front of a live audience of 10,000 people and a TV audience of several million, the lighting design/direction team from the UK was headed by DOP Eugene O'Connor who also operated the key lighting console. Main stage LD was Theo Cox and Mikey Howard looked after stages B and C plus the extensive audience lighting. All were working with The Show Company from Singapore, MTV Asia's principal technical production contractor, and headed by Joseph Gan. In addition to supplying all lighting, the company also provided two Catalyst digital media servers for the video clips, and both high resolution and 'break-up' LED screens for the event.
T
(Lee Baldock)