Lighting

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14 March 2016

With Clapham's existing library facilities due to relocate to a new building, part of a leisure and residential complex, in 2012, future plans for the traditional library building have been uncertain. Omnibus is a group of local people determined to see the building retained and transformed into a vibrant local arts centre.

To support their campaign, Omnibus is running a series of events in the library featuring famous local residents -so far, acclaimed actress Miriam Margolyes and author and broadcaster John O'Farrell.

To help transform the library into a makeshift performance space, Omnibus' George Owen turned to another local resident, lighting designer Rob Halliday, who

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14 March 2016

The lighting design, co-conceived with Bryan Leitch, was inspired by the rustic gold colour artwork of last year's Science & Faith album - and heavy usage of GLP's impression 90 and impression Zoom has helped him to recreate that feel - with more than 100 of the GLP impression wash lights used on the overhead trusses and under the floor grilles as uplighters.

Thompson has been working with the band for almost three years. "I was asked to cover a few shows and ended up getting on really well with the band. They have a lot of ballads and big tracks and they trus

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14 March 2016

"It was be our fifth season using Robert Juliat spots," says Jamie Burnett, who serves as lighting designer, production manager, resident set designer and master electrician for the Company. "We used the Super Korrigan [1200-watt HMI] and Topaze [1200-watt MSD] fixtures for the play, and their light output is great."

Previously, Burnett tapped Robert Juliat followspots for The Three Musketeers where the fixtures were placed in towers in a downstage side light position. He says the production was "one of our most elaborate to date

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14 March 2016

The high profile twice yearly TGC event has grown to epic proportions since its beginnings in 2005 - "bringing Japan's 'real clothes' to the world" - and is a big hit on the fashion calendar, showcasing streetwear by domestic designers. This year over 30,000 people enjoyed the five-hour live stage show, where the designer collections were interspersed with bands, music and other entertainment.

Yoichi Ashikawa of M Tech Style has worked on many previous shows and projects using Robe. The latest TGC show was particularly challenging to light from many different aspects. Not least be

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14 March 2016

Media Resource Group (MRG) delivered, installed and are now supporting the sound, lighting, rigging and communication services to the production. MRG supplied High End Systems gear from Preworks Austria: 54 intellaspot automated luminaires, two Road Hog Full Boar consoles, two Road Hog Playback Wings and four DMX Processor 8000s.

Preworks' general manager Andreas Reinbacher said, "Ben Hur Live has raised the bar of live spectacles so high, it requires creating a new word for its classification in the production industry: monu-tainment. Monumental entertainment."

Live chariot races are just one part of the production - with 100 performers and 100 animals, specially trained horses, an

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14 March 2016

Despite measuring only 235mm / 9.25" in length, the Color Force Compact produces a powerful 1700 lumens output - making it suitable for lighting areas with a very small footprint.

Up to five fixtures can be daisy-chained from each 15-way Compact PSU output, eliminating the need to home-run a cable from each fixture back to the PSU. In addition, up to four fixtures per output can be daisy-chained on a Chroma-Q Color Block PSU (PSU-05B, PSU530).

T

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14 March 2016

ZerOS 7.0 is the most substantial update to the ZerOS software platform to date, incorporating over 30 new features including: a completely redesigned look and style for an enhanced, clearer user interface; Colour Filter lookup - match your moving lights to any Lee, Rosco or Apollo filter using on-screen palette keys or syntax; A new 'Fixture Levels' window to provide instant view and modification of tracking data for the entire cue stack.

"The launch of ZerOS 7.0 is a testament to the investment Cooper has made in Zero 88 over the last four years. During this time our software capability has been growing and growing, and the launch of ZerOS 7.0 is the latest addition to this powerful platform" commented Peter Kirkup,

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14 March 2016

dbn's Nick Buckley designed a lighting scheme for the show which was produced by Walk The Plank - a regular dbn arts based client renowned for their innovative and entertaining large scale shows. Says Buckley: "We are very proud to have been involved in this event. Working with Walk The Plank and their creative director Liz Pugh is always interesting, challenging and engaging, and this was no exception".

Walk The Plank's 30 minute theatrical element of the two hour long Opening Ceremony show - which also featured the Athletes Parade - was divided into three dance-orientated sections. An intro spectacular was followed by a tribute to the Isle of Man's culture including

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14 March 2016

Kimple used a fan of angled trusses running up to down stage covered in Thomas 2 Lite Units, VL 3000 Spots, VL 3500 Washes, Pixelines, and GRN Moving Washes. Kimple's console of choice was the HES Road Hog with a wing. The rich, vivid wash provided by the battery of LED based fixtures provided Kimple a broad pallet on which to work the hard edge lights throughout the event. His art was nothing short of amazing.

Artists of note that appeared at Moogfes

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14 March 2016

Felix Peralta, who shares lighting director duties with Kevin Lawson on The Sing Off used a pair of grandMA2 light consoles for show. "We made the jump to grandMA2 with the Miss America pageant this year," Peralta reports. "I haven't gone back since. I'm a big fan of the grandMA2 and all the new software features. We used 48 universes of DMX to accommodate the gear-heavy music series. The show file gets bigger and bigger with each episode; we've compiled hundreds of effects."

Twenty seven Clay Paky Alpha Profile 700 and 30 Sharpy fixtures were used for the

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14 March 2016

Chroma-Q's Color Force and Studio Force LED battens and fixtures will be highlighted - specifically the new Studio Force LED range - which has been designed for TV, film, studio and touring applications as well as exhibitions, corporate events and theatre shows.

Studio Force is available in 12" (300mm), 48" (1.2m) and 72" (1.8m) versions, and the range features a choice of 6,100K CCT, daylight white (Studio Force D) and 3,000K - 6,100K CCT, variable white (Studio Force V) models - between them providing an extreme output ranging from 5,300 up to 28,000 lumens.

AC-ET carries one of the largest stocks of Manfrotto and Avenger stands and grip in Europe, an

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14 March 2016

Adding amber to the LED mix gives the colours a deeper, more zesty glow, making the Opti RGBA suitable choice for a wide variety of stage, theatrical, concert, video and display applications, where a warmer-toned wash is desired, says the company.

"We developed the Opti RGBA as an updated model to our popular Opti RGB with improvements for lighting pros who want the same great features but more colour range as well as power con i

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14 March 2016

An incendiary gig at Brixton Academy, The Mission XXV- sold out months in advance - saw the Mission back in their original line up - all apart from the drummer, and this was followed by a club tour around Europe.

Stevenson was asked by lead singer Wayne Hussey amd manager George Allen to design a special show for Brixton, and leapt at the opportunity. "It was a real honour - the band have been such an important part of my life and I still think of them as friends and family first and employers second after all these years". He was also the only original crew member to clock t

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14 March 2016

Functioning as a 3D pre-visualiser, real-time sequencer and output tool, d3 has for the first time been successfully integrated with the GrandMA lighting console for the most flexible live show operation. During show time the GrandMA sends Art-Net commands to d3, which triggers the chosen track and specific cue, as well a

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14 March 2016

With its eye-catching display, Clay Paky won the LDI Booth Award for 'Most Creative Use of Light' at a ceremony on the show floor on Saturday, 29 October. The award was accepted by Clay Paky chief commercial officer Pio Nahum, who thanked Parasol for their involvement in making the Clay Paky booth the talk of the show.

Nahum says, "The Parasol system made a spectacular contribution to our booth, and is an ideal partner to our Sharpy spotlight. Apart from being unique on the market, the KLR system is standardised and completely market-ready. I feel sure that the Parasol system will be widely adopted and initiate an entirely new approach to designing with automat

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14 March 2016

The roadshow is designed to give everyone a chance to take a look for themselves at the next generation Vista v2 software for the Jands Vista lighting and media control range.

Events in Norway, Sweden and Switzerland have proven to be a major success, with much positive feedback received afterwards from attendees, says the company.

Jands Europe's Neil Vann says, "If you haven't taken a look at Vista v2 for yourself yet, the roadshow gives you a great opportunity to see just how fantastic it really is. We have heard back from many visitors that have expressed how impressed they are with Vista v2, as well as how they wished they had taken a look earl

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14 March 2016

This follows on from also being the first company in the region to purchase Robe's Robin 600 LEDWash fixtures at the start of the year, where their first show was the highly anticipated 2011 Hong Kong Fashion Week.

Internationally renowned lighting designer and technical director Troy Daniel had initially been reluctant to use any LED fixtures on the HKFW show at Hong Kong Convention and Exhibition Centre's Grand Hall. However he now reports, "Let's get serious, nothing beats Robe's Robin 600 LEDWash."

Fellow Australian and now Hong Kong based Luke Hall, who is production manager and lighting designer for Untitled Entertainment Asia, one of the A Team's top partners adds, "Our company prides i

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14 March 2016

The fixtures were specified by lighting designer Mark Kenyon and supplied by TMB, a production and services company for professionals in the entertainment production and architectural lighting industry.

The richly appointed set was a feast for the audience's eyes - both in the studio and for those at home. The woven textured walls were uplit in saturated washes by COLORado 1 Tour fixtures discreetly lining the staircases contestants descended to reach the stage.

"The COLORado 1 Tour performed amazingly well," said Mark Kenyon. "They are tremendously bright, with an even field of rich colour and convenient dimming curves for smooth uplighting. They allowed me to create a visual im

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14 March 2016

Providing the central visual focus of the production, the stage-wide LED video curtain, using 100m² of panels for a screen size of 14 x 7m, showed the work of video director John Minton and video content designers As Described, an hallucinatory smorgasbord of grungy imagery and deliberately lo-fi, distorted i-mag work.

Stage Electrics was brought in by As Described, and flew the screen from four 1 ton Lodestars and 14m of Prolyte Truss, as well as supplying mains distro and a portable production unit consisting of two Analog Way Tetra-VIO scalers, preview monitors and a 32x32 Composite Matrix Switcher. For the final two IBYM shows at Alexandr

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14 March 2016

Salvatore Grillo is a 37-year old entrepreneur who, after accumulating his professional experience in a wide variety of companies in Germany and the United Kingdom, has decided to undertake a new challenge at the head of Coemar, alongside the renewed commitment of MML Capital Partners, which remain as minority shareholders.

"After nearly 15 years abroad, I'm very pleased to be able to sustain an Italian firm that is a real ambassador of the 'Made in Italy' in over 70 countries&quo

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14 March 2016

PR was working for production company Limited Edition, for whom they are a frequent supplier of technical production design and services.

Outside, across the street from the entrance of Freemason's Hall, the PR crew built a scaffolding tower, and onto this was positioned two Panasonic 10K projectors, double stacked and fitted with .8 lenses.

The venue is an imposing Art Deco building dating back to 1933, now Grade II listed inside and out, and one of the finest examples of this architecture in the UK. The throw distance was 10m and the projection area about 45ft wide,

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14 March 2016

A new energy efficient lighting scheme has been installed, replacing 28 recessed 500W PAR 56 halogen fittings with the new Anolis ArcSource 48 MultiChip (MC) fixture, specially designed by Anolis for this project.

The Anolis ArcSource 48 MC consists of twelve 10W Cree MCE RGBW LED chips, which enable full and seamless RGB colour mixing plus an excellent selection of 'real' whites in a variety of colour temperatures.

NIDA's lighting supervisor Adrian Wright explains that top of their brief for the new lighting was to make a significant reduction in electricity consumption across NIDA's public areas. They al

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14 March 2016

"It is a fantastic festival to be involved with, especially in terms of the obscure and eclectic styles of music and highly skilled entertainers we get to work with on our stages," commented Barton. "This year they ranged from magicians, comedians and burlesque dancers to Pirate, Gypsy, Balkan and Mediterranean surf rock style bands."

This is the sixth year of the show and Hellfire have been involved since its second year. They provided the Nu World beat ring and Lemontree stage with all technical crew such as sound engineers, lighting designe

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14 March 2016

The lighting for the original show in the West End was designed in 1986 by Andrew Bridge, with associates working on it throughout the show's life. Designing for the Royal Albert Hall, Bridge worked with Patrick Woodroffe to create a production with only three performances. TV cameras were brought in to transmit the final show to thousands of cinemas and theatres worldwide.

Bridge says: "The lighting rig was quite different to the theatre version of Phantom. It was far bigger, and a different shape.

"As a part of the design team, we had a clear idea of what we wanted to achieve; anyone who has been to see the original show would have recognised it, but with the lighting coming from very di