Lotto Money - A former Sunderland fire station will be transformed into a performing arts hub after being granted £2.4m from the Heritage Lottery Fund. The conversion of the building, which has been derelict for 22 years
Thus, they were able to present not only a new portfolio of ETL-certified, IP65 LED products but also the new Technical Support Team and established sales force. At the same time, well known Spanish lighting designer Ben Díaz, has been appointed SGM's new area manager for South America, and he will also be handling product training.
As a result, the SGM booth proved to be one of the hottest destinations at this premier expo. The show floor was permanently busy and they reported great interest in both the now-established G-Spot and new G-Profile (with framing shutters), billed as the world
The venue, once the largest sorting office for the Royal Mail in London, now serves as an events space hosting private events, fashion shows, and exhibitions. For Here Today... the space was completely transformed with additional walls, scenic pieces, and lighting. Made up of eight distinct chapters, the exhibit's path takes visitors on a multi-media journey which includes paintings, sculptur
The unfortunate event was sparked when an intruder broke into the theatre, breaking a drencher pipe in the process. This resulted in the release of 80 000 litres of water into the auditorium, damaging the MA2 Ultra Light in the process.
A replacement console was purchased from Dave Whitehouse of DWR. Nomvulu Malpo, head of lighting at the Market, and her team received training on the desk's latest software and features, presented by Gareth Chambers.
(Jim Evans)
Blackout will be donating up to £1,000 to support the charity initiative which aims to Make the World Better with a Sweater. The team got together for a festive-themed photo shoot, featuring Christmas jumpers, props, and a festive star cloth backdrop. The photos are currently being shared on Twitter and Facebook, with £2 donated for every re-tweet, like or share.
Louise Nomes, marketing manager from Blackout explains all: "We always donate to charity at Christmas time but this year we were feeling particularly in the Christmas spirit and wanted to do something a bit different.
"In addition to donating money to a good cause the
The Clay Paky Roadshow, put together and run by DWR's Robert Izzett was a wonderful success. Instead of having a central venue where clients were invited to see the products, The Projectors consisting of SuperSharpy, Mythos and Stormy were taken to rental companies and theatres in Johannesburg, Durban and Cape Town.
"This has been an amazing experience for the Clay Paky team," commented Massimo who loved meeting old and new friends and sharing interesting talks about lights and life. &q
"The Marvel Experience has evolved into an amazing, premier touring experience, complete with unique technical elements such as 3D 360° video projection, first-person 'live' interactive gaming and a dynamic 4D motion ride. It became apparent early on that we needed an elite team of seasoned professionals in entertainment production that could offer us real solutions to help execute our complex vision - that's why we went to PRG," said Hero Ventures' chief production officer, Jason Rosen.
The t
The event attracted considerable interest from sector professionals all around Turkey. All day long, brands' representatives continuously showcased their latest technological developments and products.
Clay Paky introduced the brand new masters of light 'The Projectors': SuperSharpy - a powerful beam light for long throw applications, Mythos - the most advanced combined spot light and beam light and Stormy - a strobe that uses ultra-modern LEDs, but still offers classic strobe effects as wel
Walter also utilised 16 x Pointes, 12 x MMX Spots and 12 x LEDWash 600s on his versatile and spectacular design, which had to be flexible enough to deal with an action-packed line-up of DJs and artists, all requiring their own distinctive visual styling and settings.
It was Walter's second year lighting the main stage at the multi-venue event which was again set in an atmospheric disused former industrial plant in the Lingotto area of the city.
As well as offering the best in Italian and international electronic and experimental music with over 48 si
Mushroom's managing director Paul Butler was contacted by the Debenhams team at the beginning of September and asked to come up with some ideas that were worthy of a flagship store, particularly as the Oxford Street Debenhams had recently undergone a complete modernisation - including the exterior - which was designed by Ned Kahn.
"I met with Ian Dorsett, creative windows designer at Debenhams to show him some lighting products," says Paul. "One of things I took with me was LED fluorescent tubes. I suggested that we could do something similar to a sculpture I had seen that had a seemingly random design.
"We played around with the idea and I ordered
Church personnel were looking to replace a pair of 10,000 lumen projectors whose optics were going bad and initially looked at two 15,000 lumen projectors as replacements. "The church was ready to go with projectors and they seemed to have already had their mind set on it," states Agility's Kevin Hill, account manager on the project. "They had a few companies come in with projectors but there were issues with the ambient light that comes in from some windows overhead that can wash out the screens. Although the new projectors looked good they just weren't bright enough. They
The newest addition to the Titan Mobile family, Quartz was the "star of the show" on stand as it made its US debut at the tradeshow, showing off its on-board processing and bright, vibrant 12.1" screen.
"Quartz is super compact, measuring only 16.7" wide, and is positioned as the ideal companion for lighting projects ranging from touring and festivals to clubs and one-offs," says Avolites Sales Manager, Stephen Baird Smith, who was on-stand at LDI. "It is Avolites' smallest fully-featured console, featuring the same high quality faders and hardware you've come to expect from Avolites, and is ide
Held annually, the RTS Awards recognise the creativity and talent of the many individuals working behind the scenes in programme production. Spread over 25 categories, the 2013/14 awards were chaired by CBBC Controller, Cheryl Taylor and covered a host of skills from costume design and editing to digital effects and lighting.
Commenting on Chris's work, the jury said: "The jury were impressed by the quality of the music numbers in the winning show. The lighting gave the numbers an edgy quality which made the winner stand out from the rest."
The awards were held on 1st December at the London Hilton, Park Lane and were hosted by Jennifer Saunde
"For three straight exhibition days we were overwhelmed with the response to new Series 3 technology. Costumers, Music Tour Designers, Light Artists, and OEM customers all saw the versatility of our new equipment and immediately knew that it solved their problems," says Sean Dane, sales director and application specialist for RC4 Wireless.
RC4 Series 3 Harmonized Design provides integration of numerous ground-breaking R
Campbell's budget defying rig comprises his own floor package, however he also has to rely on venue house rigs for the overheads. This means he chooses his floor package carefully and works it hard to bring the signature look he wants to every venue. To that end Campbell has specified Clay Paky Stormys, alongside just four Clay Paky A.leda B-EYE K20s and ten B-EYE K20s from Siyan Ltd.
"I'm using the RGBW Stormys as block colour washes," explains Campbell. "T
With immediate effect, Music & Lights will handle the full portfolio of ArKaos products which includes ArKaos Stage, Studio and Stadium media servers, the dynamic MediaMaster PRO and MediaMaster Express software and Kling-Net, ArKaos' user-friendly control protocol.
Music & Lights first made the headlines with ArKaos PRO in October 2014 when it adopted ArKaos Kling-Net into a number of its pixel-based LED lighting fixtures.
The arrangement between the two companies proved such a success that ArKaos PRO expanded the collaboration to incorporate the full promotion, sales and support of all ArKaos products across Italy.
"We are happy to increase the range of our solutions for the AVL market through the ArKaos brand," says Fabio Sorabella, product manager at M &
Aside from its impressive zoom ratio (7°-42°), the fixture has endless pan and tilt rotation. In other words it will pan 720°, 360° or endlessly, and tilt 270° (or endlessly), with Swap and Invert function, auto position correction and magnet positioning function.
Other notable features of the XLED 3007 are the fact that it will operate to sound (sound to light), has optional wireless control, features touch keys on the panel and over-temperature protection.
The XLED 3007 contains all the functions that one would expec
In the early Nineties, Graeme developed a relationship with Ian Kirby and Clive Bailey, who now head up SGM UK, and news that Peter Johansen had taken over the Italian lighting company and relocated it to Denmark quickly ignited his interest.
After making an initial investment in X-5 white LED strobes he was soon captivated by the P-5. "It was a combination of the compact form factor and high power output that impressed me and my customers - as well as the quality of the colours," he said. "We use them for up-lighting buildings
Designed by CEBRA Architects, StreetDome is an open playground and the biggest skating facility in northern Europe with both indoor and outdoor areas for skateboarding, BMX, bouldering, street ball, parkour, rollerblading, street dance, and more. Serving as a social meeting place for kids of all ages, skill levels and cultures, if street sports are your bag then this is the place for you.
Central to the StreetDome complex, primarily indoor activities like skateboarding, basketball and bouldering, is the 1,500 sq.m StreetDome Igloo. Unheated and lit primarily through sunlight during daylight hours, the dome-shaped roof hovers over
Kay, who has been working with Kelly since the 24-year-old rapper was doing local shows in his hometown of Cleveland, used a power blasting collection of fixtures provided by 4Wall Entertainment Lighting's Los Angeles office that utilized aerial beams, strobes, colourized foggers and a collection of super
grandMA2 full-size consoles were found "everywhere you turned" at the festival, Jackson explained. "It looked like an MA showroom! There were grandMA2 consoles on every stage. We had two at every station, and sometimes the bands brought their own.
"Ninety percent of the artists used grandMA2," Jackson reported, "and they brought their own show files. With grandMA2's networking capabilities people could work on systems simultaneously: Two artists could program their respec
Smith and Gare's clean, silhouetted design evoked a 'club' vibe, and was based around a 3D, trapezoid-shaped custom LED set piece provided by Eness that was positioned in the centre of the stage. The B-EYEs, supplied by Alive Technologies, were part of the floor package around the piece.
"We used the B-EYEs in the Shapes mode, with the on-board macros and effects giving us a fantastic way to open the show and the battery-powered menu system making them easy to prep - it's a nice feature that Clay Paky has been doing for some time." says
It was also Kruder's first chance to use Robe's new Bright Multi-Functional Luminaires (BMFLs) of which he had eight on the rig. "It's one of the most powerful fixtures I have ever used," he states.
In addition to the BMFL Spots, he utilised 133 x Pointes and 146 x LEDBeam 100s, all supplied by rental company Supporting Role, also based in Vienna.
Kruder has lit the last two editions of Die Große Chance. In 2011 the original concept of the show - popular throughout the 1980s - was reformatted and presented in a contemporary context, complete with tele-voting to decide on the winner ou
The production of 'Extravaganza' Prague was entrusted to event company Planet Service, long-time partner of Herbalife for its international conventions. Technical manager for the event was Alessandro Giangi; lighting design was by Luca Casadei and Claudio Tappi, and set design was by Emilia Covotta and Raffaele Persico.
The stage included a rotating circular stage, and an automated system to fly in a large chandelier during the launch of a new product line. To illuminate this design, Planet Service installed a lighting system consisting of over 350 DTS fixtures, includin
