Pixel Mapped Nexus fixtures enliven Ricky Martin tour
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Opening before a sellout crowd at the 15,000-seat Palacio de los
Opening before a sellout crowd at the 15,000-seat Palacio de los
A colourful history has seen the Castle serve as a fortress, a military hospital, a prison and a temporary refuge for the homeless - amongst other things. More recently since the 1960s it has undergone extensive very tasteful redevelopment, and is now a busy event space with three main venues and a small theatre as well as being a top Slovenian tourist hotspot.
The CitySource 96s were specified by Tomaz Novak, the Castle's technical manager. They have been fitted with the integral Lumen Radio wireless DMX receiver cards allowing remote data control, which is especial
All are welcome to come to attend the one-hour service to show their respects for Sue, however please bear in mind that only invited guests will be able to attend the function afterwards.
Those who wish to attend are kindly asked to email details of where they are from, their association with Sue and how many people are coming, to jim@chippenhamlions.org.uk.
Sue requested that people wear bright and cheery clothes, as this is the celebration of a wonderful life and not a funeral.
No flowers please - donations can be made to Dorothy House Hospice & The new cancer ward appeal at the RUH Hospital, Bath.
The Satura Spot CMY's 320W LED engine delivers 11,700 lumens of power for an output across all colors that is comparable to 575W and even 700W discharge fixtures. It projects the flat field of light that designers favor with sharp zoom optics that emit a powerful, well-defined beam. For flexible beam angle adjustments, the Satura Spot CMY houses a 14-36 degree zoom with a uniform field of light that is maintained throughout the zoom range.
A CMY colour mixing system plus seven dichroic colours for added colour customization, including CTO color correction, blends a virtually unlimited variety of shades. A range of graphical ef
Powered by CCI's new DimMaster LED phase cut power supply technology, dimmable LED fixtures can now be developed to match the dimming performance of incandescent fixtures.
Notably, say CCI, the technology supports the transition of high performance lighting applications to LED, by seamlessly blending highly cost-efficient LED lamp fixtures into existing incandescent lighting arrays. Users can make this transition without investing in new dimmers or consoles, and without new wiring, because dimming is driven by the power supply within the LED lamp fixture, the company says.
"DimMaster LED power supply technology enables retrofitted LEDs to match the full colour and dimming spectrum of incandescent lighting for architectural, theatre, church,
Speaking at the PLASA Awards for Innovation and Sustainability 2014, held on the penultimate day of the show, PLASA's CEO Matthew Griffiths revealed some of the changes for 2015, which will redevelop the scope and delivery of the event. Under the leadership of Christopher Toulmin, PLASA's Director of the Events Division, the show is being remodelled to become a PLASA Member-focused event: developments will include moving from four days to three days, introducing a new floor plan concept, expanding the education offering and i
Randall took full advantage of Hawthorn's Wysiwyg Suite, pre-programming the whole show prior to its one week production fit up at the CAST Theatre. Hawthorn was also contracted to provide technical support for the installation. The lighting package supplied included a range of Clay Paky fixtures including Sharpy, Sharpy Wash and Alpha Profile 800s.
The production featured classical Indian choreography to an original
This is The Ultimate Eagles' fifth and biggest tour, and second using Elation lighting equipment. Pacific Sound & Light of Birmingham has supplied the lighting package for the When Hell Froze Over tour with lighting design by Nick Jemicz of Lighting Through Design.
"I have always been impressed with the CMY capabilities of the Platinum Spot 5R Pro as it is such a compact fixture," Nick says of the compact, energy efficient CMY colour mixing fixture that can be used as a spot or wash light. "The beams offer stunning, bright airborne effects with a good selection of color that I required for the design."
Mounted on an upstage
Mythos, which recently won an Award for Innovation at the PLASA Show in London, is "a highly advanced form of hybrid light", say Clay Paky. "First of all, it is an excellent 470W lamp spotlight, which produces an outstanding large light beam, featuring a zoom that ranges from 4° to 50° (1:12 ratio).
"Light beam is sharp, with perfectly defined edges, from the first millimeters after the front lens right along its entire length. The zoom is optimised for focusing, which is separate from that of the fixed and rotating gobos. Its movements are smooth, fast and very quiet. Mythos also features a completely redesigned indexed visual effect disc, which may be superimposed on all the gobos (6 rotating and 18 fixed gobos), both in and out of focus.<
The dinner featured a keynote speech by CEO Josef Valchar, an after-dinner speech by Patrick Woodroffe, followed by live entertainment from comedian and magician Paul Zenon. It was enjoyed by 300 Robe 'friends and family' including many who have been instrumental in the company's success.
Says Josef Valchar: "The dinner was a fantastic way to unite so many people who are and who have been involved in our journey".
The Robe story started from humble beginnings in 1994 when Josef and his business partner Ladislav Petrek founded the company and started making their own lighting and effects fixtures. In that relatively short space of time, Robe has become one of the world's leading m
"This project was the second time that we have worked on a retail project for the club," said Phil Haldane, who led Black Light's installation team. "Our client for the job was 442 Design and, as we'd worked with them before on the club's shop at Brent Cross Shopping Centre, they were confident in our technical and creative abilities."
The brief for the project was to install sound and AV systems throughout the newly refurbished Armoury store.
More than 600 LB-100 - each measuring 0.85m and containing seven RGB semi-transparent LED balls - are driven by 18 SGM TLD-612A, run by a Hippotizer Rackoon and suspended from the roof as a curtain wall in different lengths with a maximum of 6m. Decorated with small pieces of cloth,
CRMX TiMo is small on form factor, but huge on functionality - featuring all of the same capabilities as the full sized CRMX OEM RDM modules in a package just 33.5mm x 18.5mm.
Niclas Norlén, CTO at LumenRadio explains: "We are extremely proud of TiMo and also to announce that we are the first wireless DMX supplier that fully compliant with the ETSI EN 300 328 (v1.8.1) '2015' revision. TiMo is fully FCC part 15 certified with a modular approval to 300mW - the highest allowed output power of any manufacturer within the Entertainment industry. I believe we will revolutionise the industry for the secon
Lighting programmer Peter Small specified the Sapphire Touch to programme, control, and pixel map the 627 LEDs in the complex panels built into the touring venue's roof.
"The Sapphire Touch is excellent for programming Roundabout because of its speed - a lot of the console's features and hardware come together to allow this but a few that stand out are the large, bright, responsive touch screens, the 45 motorised faders (all electronically labelled) as well as the very well laid out programming section," says Small. "It also has advantages for us such as being able to handle the 13 u
First up in v56 are new functions for fixtures, including precise 3D volume Focus calculations for beams and beam footprints, accurate Frost calculation covering the complete range of depth for LED modules, Gobo Edge abilities, Objective Mapping for Shapes (RGB rings, segments, etc.) and added Pixel Shift functions for High End's Shapeshifter instrument.
The latest version additionally adds further enhancements to its integration with 3D Multimedia Glasses and Head Tracker support, which allows users and their clients to be completely immersed in a 360° Virtual World of their show or event - a definite way to bring clients onboard quickly!
LC's powerful Render Engine has been augmented also, including more detailed beams, higher quality HDR (High Dynam
Los Angeles based lighting designer Benoit Richard was responsible for lighting Underwood's energetic rendition of Waiting All Day for Sunday Night, a re-working of Joan Jett's classic I Hate Myself for Loving You for NBC Sports and San Francisco and New York based producers, Bodega Studios.
Richard's design included eight 35ft high vertical towers directly behind the stage, each of which was rigged with five CycFX 8 fixtures. He then placed 32 x Pointes in between the CycFX 8 for yet more variety, making an impressive Robe back wall of highly versatile fixtures.
It is the second year that Underwood has performed the opening intro for NBC's number one TV show, and also the second year
"A completely original lighting design was designed by Marc Heinz. The Art of Light was in charge for all the programming and used wysiwyg R33 to previsualize the tour," said André Beekmans, founder of The Art of Light.
"Because the design includes 388 moving lights, 67 strobes, 100 LED fixtures and some conventional lighting, we needed to pre-program the lighting design in our studio before we started the rehearsals. The six-hour show includes 25 timecode tracks including live performances and dancers.
"wysiwyg is realistic and reliable. When used in combination with all paperwork and drawi
Lighting designer Chris Lisle took advantage of the Nexus Aw 7x7 LED panels versatility on Miranda Lambert's Platinum Tour, which just announced its 2015 plans following a successful 2014 leg. The panels project narrow beams of light, provides warm washes, makes instant audience blinders, and displays impactful text and vivid animated graphics.
Lisle built the Nexus panels into an 'M' shaped truss downstage. The panels were driven via the lighting console to create a variety of visual effects that fl
Manufactured in the UK, ColourPoint fixtures feature a bright LED source, long-life lithium-ion battery, and wireless control - making them extremely popular for lighting indoor and outdoor events, conferences, and architecture. The fixture's sleek chrome casing and versatile colour range also make the ColourPoint suitable for on camera applications such as studio and set lighting for TV & broadcast.
"We are always investing in new technology to better serve our customers," says Dave Isherwood, hire and technical director at White Light. "The ColourPoints are brilliant because they are so versatile and du
"We are thrilled to see that the MAC TW1 is still acknowledged as an outstanding product and the ideal moving light, especially in theatre and TV applications where best possible light quality is important for LD's and camera personnel," said Markus Klüsener, product manager for stage lighting at Martin Professional.
"Whilst LED technology is constantly improving on efficiency and light quality and finds its way into more and more applications and markets, we truly acknowledge that there is, as
The five participating teams were given a piece of music chosen in advance by the judges, and a pre-determined rig of High End Systems' Fixtures. Their challenge was to release their full creative talent combined with good programming skills and to program a light show.
Colin Wood, freelance lighting designer, programmer and HOG4 Family trainer and product specialist, was onsite for coaching the teams duri
The challenge Evin faced was that the painter, Berlin-based Jonas Burgert, likes to paint in big, bold colours. To make the colours really stand out, he needed something which would generate bright and vibrant but well balanced light, without the heat which would typically be generated by traditional light sources.
After a number of tests with different fixtures, he decided on the Desire D22 Lustr+ arrays, which creates full colour, perfect for a variety of uses. Set up was made easy by the fact that they can be programmed at the touch of a button on the back of each lamp.
Evin points out that with traditional LED fixtures, it would be
LDI 2014 will mark the first US showing of ArKaos' new MediaMaster 4.1, the latest, ever-more powerful version of ArKaos PRO's media server software. MediaMaster 4.1 delivers a plethora of new features including new aspect ratio and cropping tools, new hue, saturation and lightness tools, layer-based volume control and a redesigned interface.
Also making its LDI debut is LEDMaster, the new all-in-one solution that delivers LEDshow control in three easy steps. Just map, program
GM PLS Entertainment Group at Philips Lighting Richard Schmit picked up the award for the VL4000 Spot from PLASA Governing Body chair Ed Pagett at a glittering ceremony presented by PLASA. Philips Selecon and Strand Lighting Product Segment Manager Bill Richards accepted the award for the DMX Emergency Bypass Switch, which was also presented by Ed Pagett.
Every year, PLASA recognises products that demonstrate progress, through attributes like a new style of thinking, an improvement in technical practice, new technology, materials or techniques, or an improvement in safety. The entries were considered by an expert judging panel comprising Tim Atkinson, Scott Burges, Jonathan Burton, Richard Cadena, Jenni Harris, Tapio Ilomaki, Steve Moles,