Lighting

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14 March 2016

"We were very pleased with the widespread interest shown in our products," said Berenice Chauvet, vice president of Chauvet. "I think the response we experienced at LDI this year speaks to the diversity of our product line."

Among the new products attracting attention was the ÉPIX Tour Series, 20mm bars and strips with RGB SMD LEDs that were built for life on the road and engineered to deliver dynamic looks with or without pixel mapping.

Another LDI success for Chauvet Professional was the Ovation E-910FC, a new five-Color RGBA+Lime LED ellipsoidal. Bringing a new leve

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14 March 2016

The 66th edition of IAA Cars, the world's largest motor show, saw one of the biggest collections of GLP impression LED moving heads ever assembled under one roof.

Taking place over 225,000sq.m of stand space at the Messe Frankfurt, leading manufacturers and their creative teams chose GLP impressions from right across the X4 range to deliver mission critical solutions.

Leading the charge was Volkswagen, where the team from lighting design and technical conception company, rgb gmbh specified a massive 430 of GLP's new X4 L heads and 300 X4 Bar 20, (part of an overall complement of more than 2,000 fixtures) with the inventory provided by PRG Germany, who had been nominat

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14 March 2016

Following an enthusiastic response and non-stop crowds in the PRG booth all Friday and Saturday, the LDI team was awarded the LDI Best Debuting Product - Staging and Rigging for the new PRG GroundControl Followspot System. Presented at the LDI Awards event on the show floor and accepted by PRG product manager for Luminaires Chris Conti, who thanked PRG's Technology Development team, based in Dallas. He also thanked the industry colleagues who contributed feedback during development, especially Lighting Designer Bob Barnhart and the Full Flood team for their inspiration towards developing this revolutionary product.

The PRG GroundControl Followspot System allows the spot operator to be in a remote location up to 2,000' away whi

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14 March 2016

Dizzy Gosnell accepted the award, which was held at the Rio Resort and Casino October 24 during LDI, and was hosted by Kevin Lyman, founder of Vans Warped Tour. This is the fifth win and fifteenth nomination for Bandit, which has been nominated every year since the award's commencement. It is the twenty third Lighting Company of the Year award Bandit has won globally.

Bandit chair, Michael T. Strickland credits the win to Bandit's hardworking staff and valuable clients. "It is always humbling to be honoured in such a way by your peers," he said. "All at Bandit appreciate the recognition and support. We could not do it without the great support

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14 March 2016

Bico's lighting designer Hans Henrik Schmidt says, "Originally, the tower was lit by some 40kW of lighting; the management were keen to reduce power consumption, so cut that by half, but were then, of course, disappointed with the output quality.

"After talking to us about how they could obtain the same high quality of lighting, but with lower power usage, we offered them 17 of the outdoor ETC Desire fixtures, which use a combined total of little more than two kilowatts."

Using an ETCnomad system, Schmidt was able to create a look that could be stored directly in the Desire fixtures. At night, all that the end users need to do is turn on the powe

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14 March 2016

On presenting the cheque, David Lincecum, vice president of marketing, commented, "When we started this, we never imagined that the sale of this app could produce over $233,000 for such a great cause. An important part of the ETC culture is being of service to each other, especially in times of need. We are very humbled by the large impact this small app has produced for the members of our community who have needed a little help."

Rick Rudolph, chair of Behind the Scenes, responded, "We are as amazed as ETC at what this app, developed by Chris Mizerak and Anders Ekvall, has been able to do for our colleagues in need who are so often in deseperate situations due t

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14 March 2016

As White Light is Central Hall Westminster's production service partner, the company provided all of the production support for the evening - with the venue being the only English landmark to be featured as part of this iconic occasion.

Central Hall Westminster has a long and historic relationship with the UN. In 1946, the venue was chosen for the very first General Assembly of the newly formed United Nations; a meeting that saw the appointment of the first Secretary General, along with the c

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14 March 2016

With the festival growing in popularity every year, Creamfields producer LarMac LIVE are working to create a bigger and better experience for the audience at each event.

Featuring two main stages - North and South - with identical screen set-ups, and a further seven tent arenas, PRG XL Video were brought in early in the design process to help deliver Creamfields' most ambitious production to date.

The recent combination of PRG and XL Video further streamlined the process this year, with video across all stages, and lighting and rigging on the two main stages all supplied by the new integrated team. Under the direction of Ian Greenway of LarMac LIVE, Paul 'Macca' M

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14 March 2016

Every year the association Arketipos brings internationally renowned landscape architects together and invites them to present their most significant experiences at an international meeting held in the evocative setting of the old Teatro Sociale.

The fringe events attract a wide, varied audience, especially thanks to the now famous "green makeover" of Piazza Vecchia, which is transformed radically for the event and renamed Piazza Verde (Green Square). The design of the square is entrusted to a different internationally renowned landscape architect each year. This year the idea for Green Square

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14 March 2016

Equally relentless are his live shows, for which he has garnered a huge reputation in France. For his latest Paris show, Admiral T's lighting designer Gregory Lichtle deployed Chauvet Professional's Nexus Aq 5x5 RGBW LED panels and Legend 230SR Beam moving fixtures to support the 34-year-old's energetic and feverish live performance.

Lichtle included 19 of the Nexus panels in his dynamic design. The barrage of Nexus fixtures worked together to form a powerful rear wall, from which sharp beams of pixel mapped light could be punc

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14 March 2016

The massive EDM gathering, produced by Insomniac Events, celebrated its 20th Anniversary 3-6 September at the San Manuel Amphitheatre & Grounds in San Bernardino, California. Stage design for the Queens Ground and Sunken Garden stages was by production design specialists SJ Lighting with production company Visions Lighting, who has been involved in a number of top festivals this summer, supplying the lighting and video gear.

Southern California-based Visions Lighting has been involved with Nocturnal for over a decade and this year worked closely wi

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14 March 2016

The Wimbledon Light Operatic Society production was based on an original story by Jersey Boys authors Marshall Brickman and Rick Elice, which has been described as an 'off-beat take on 19th century gothic'. The plot line is a ghoulish romp, involving ancestors of the family making their annual visit from the grave only for chaos to ensue.

Lighting designer Paul Flook's theatrical brief was to differentiate between the living and dead characters using coloured light. He added 10 Philips Selecon PLprofile1 luminaires, four PLcyc1 luminaires and eight Philips Showline SL WASH 180 movers to a basic rig, creating a versatile mix of traditional

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14 March 2016

The venue - which also includes food stalls - is being facilitated by Exeter City Council. It enables rugby fans without a ticket to Sandy Park or other games to enjoy the buzz plus all the thrills and spills of the 2015 Rugby World Cup match days as they unfold on the big screen in this convenient location in an official Rugby World Cup host city.

There are two video screens, the main one comprising 63 panels of Lighthouse R7 screen totalling around 50sq.m, which is flown on a truss installed towards the back of a Serious Stages 16 metre Supernova stage. There's capacity in front of this for up to 5000 sports fans.

Fineline's crew also installed two general purpose lighting truss

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14 March 2016

In addition to being the owner of Landru Design - which offers lighting design and consulting services for Houses of Worship, corporate events, conferences, and festivals - Andrew is the LD and part of the production team for the main 400-seat Worship Centre space at the Two Rivers Campus. Beyond programming and running services, he also maintains the lighting system and supports the team of production volunteers.

Andrew worked closely with Josh Holowicki of lighting sales and production company, E2i Design - who also passionately support a number of Houses of Worship and education centers in the region - to supply the Jands Vista system.

&

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14 March 2016

The tour started back in March and Jonny's visual concept - in its full incarnation - gradually revealed more elements as the set unfolded, an effervescent and cheeky mash-up of colour, movement, bouncing beams and lively visuals delivered with the band's characteristic carnivalesque and slightly edgy vibe - matching the infectious beat of their music.

The launch of the We The Generation album which shot to the UK number one slot in early October generated yet more excitement as eager fans flocked to catch the band's epic live performances.

The stage set was designed to be scaled to fit into various different spaces, however, only the largest venues - incl

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14 March 2016

The combination of fire, water, video, lights, lasers and music involved almost all the expanses of water found in the car city's park. The lighting designer Andreas 'Mini' Mertens used grandMA2 consoles once again. A total of four grandMA2 light consoles, three grandMA2 full-size consoles and 1 grandMA2 fader wing were used to control the lights, pyrotechnics and fountain effects.

The moving lights included 50 Clay Paky Sharpy Wash 330s and 20 Clay Paky Mythos units. "I asked specifically for these moving heads and LED lights for the Wassershow especially since I wan

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14 March 2016

Luc, well known across Benelux for his innovative lighting and visual designs for theatre, live music shows and television, has worked for the producers on several other projects including Dream Girls, however this is the first time he collaborated with director Carline Brouwer.

The ambitious video set was designed by Carla Janssen Hofelt who commissioned Ad de Haan to produce the content, and together with technical director Ed Wielstra chose the material t

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14 March 2016

"What a tremendous honor for PixelFLEX to not only be nominated for two consecutive years, but to actually bring home the award once again, we are all very thankful to the voters and Timeless Communications," said David Venus, PixelFLEX director of marketing. "We strive every day to create the most technologically advanced LED video screens for the live event and entertainment production industry, and the 2015 Parnelli Award is a wonderful validation that we remain on the right path."

(Jim Evans)

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14 March 2016

"I was pretty much bought up on MA consoles; my very first professional job was at Cromer Pier Pavilion Theatre with a grandMA1 light which I believe is still in use," opens White-Robinson. "When I went to university, I purchased a 2-port node and that quickly became the standard control along with OnPC. Since then, I have used a grandMA2 on numerous occasions but the company has never been in the position to purchase one. Then I heard about the dot2."

White-Ro

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14 March 2016

Lawrence utilised Robe BMFL Spots for the first time, 16 of which were provided by Leeds based Zig Zag Lighting, together with another 52 Robe moving lights - 20 x Pointes, 22 x LEDWash 600s and 10 x 600E Spots. Zig Zag, was one of the first rental companies to invest in the fixtures.

Lawrence's show - he has worked with the band for some years - is full of big, bold, loud, hard-edged rock-out looks, for which BMFLs are absolutely bang-on to match the ba

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14 March 2016

Rodrigo Molina of Light Moxion created the new system, using a lighting design fashioned by Michael Meacham of iDesign Productions (Miami) to bring more movement and energy to the popular club, which regularly showcases big name DJs from Las Vegas, New York and Europe. Molina and Meacham's plan called for 16 Rogue RH1 Hybrid and 16 Rogue R2 Beam fixtures to be installed over the dance floor and performance area.

The new lighting design is built around two concentric circular structures in the middle of the ceiling, which were positioned around a huge cande

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14 March 2016

Season eight, titled America's Best Dance Crew All-Stars: Road to the VMAs pitted six all-star dance crews against each other - including five previous champions - with the stage at Warner Brothers Studio 19 in Los Angeles the site of weekly dance offs for the $100,000 grand prize.

"They didn't have a huge budget and I had little ti

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14 March 2016

To best accommodate the festival's lighting needs, every stage was equipped with an Avolites desk: a Pearl Expert with Touch Wing on Stage A, Avo's flagship Sapphire Touch on Stage B, and a Tiger Touch on a third smaller stage featuring mostly rock tribute acts.

When Pulse Stage Lighting president Scott de Villers first took his company out of his basement and into a pickup truck in the early '90s, he worked with Avolites products. Today, Pulse has grown into a regional powerhouse supporting acts like Alicia Keys, Neil Diamond, Smashmouth, Salt-N-Pepa, Coolio and Adam Lambert, as well as events

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14 March 2016

When New York A-listers tie the knot, they often choose to hold their weddings and ceremonies at this prestigious facility. This was the case recently when a prominent event planner got married. She called on Jeffrey Kwan of Canal Sound and Light to light the ceremony. Kwan delivered an elegant lighting package with mood-setting uplighting and stylish pin spotting