Lighting

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14 March 2016

For the backdrop lighting of this stunning event, lighting designer Toni Amoros used 10 W-DMX WhiteBox F-1 G4 Transceivers to send signal to 45 Searchlight Xenon 4Kw placed on one side of the river with the console placed 350m away on the other side. On the fixture side of the river, the signal was then distributed over 1 km to all of the searchlights. Valook supervised and supplied all W-DMX equipment.

Francisco Yanez Valdivia, trainer & product manager for Valook explains, "This project would have been impossible wit

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14 March 2016

The busy design and rental facility supplies lighting to all sectors - from corporate and industrial to music festivals, concert tours, TV and theatre productions - and this year Performance celebrates its landmark 30th anniversary.

Performance Lighting's president Russ Armentrout emphasizes the fact that this is the first - but certainly won't be the last - Robe purchase.

CEO and company founder Douglas Peterson decided to invest big in BMFL after doing a light-metered shootout at his shop against well known 'competitor' products.

"In my opinion, the BMFL overwhelmed the others, and its feature set was so rich that I knew it could replace any light on any rider request, as well as be an awesome tool for my own LDs.

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14 March 2016

"A part of The Killers' look is the use of truss spots on either side of the stage, instead of having fixtures downstage," said project manager Matt King. "For the rest of the bands, we needed to provide some downstage wash light. Dizzy Gosnell loaded a downstage truss with VL 3500 Washes to handle this task. Another addition that Diz made was to add fixtures above and below the video screens in the wings. This helped make the stage bigger and integrate the audience into the show."

Equipment for the main stage included VL 2500 Spots, Bandit 5x5s, Clay Paky Sharpys, GR

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14 March 2016

While a new global survey has revealed that the transition to IP broadcast infrastructure will take up to 10 years to complete for the majority of broadcasters, local film and media producers and distributors are already considering what the move to media over IP will mean for their infrastructures.

Steve Alves, managing director at Concilium Technologies, says: "All the major innovations in this space right now are IP-based. But for many stakeholders, there is a major investment in analogue infrastructure to consider too. At Mediatech Africa 2015, we will showcase solutions to enable a hybrid environment that allow you to start moving to IP, and control and manage

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14 March 2016

The Colour Pendant houses 36 long-life 3W RGBW LEDs for fully blended colour transformations or projections of variable shades of white light. The RGBW LED is capable of emitting a wide palette of colours from saturates to more subtle pastels. Its uniform flat-field output, 3,100 lumens of power and 41° beam angle make for a highly effective wash luminaire whether flooding a stage or studio in hues of colour or functionally washing a house of worship or other venue in shades of white light. Full range dimming with selectable dimming curves, strobe and colour macro effects enhance its dynamic cap

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14 March 2016

One hundred and twenty-eight Ayrton MagicBlade-R LED fixtures and 54 MagicPanel-R units play a vital role in Routledge's design where they form an inherent part of the rig, delineating the outlines of production designer Misty Buckley's creative set design and providing a spectacular and versatile backdrop to the band centre stage.

Creative director, Kim Gavin, devised a show that exhibits a high degree of theatricality with artists performing across a large multi-level main stage that loops right out into the arena. Routledge's brief was to produce a very theatrical look in keeping with the design but overlaid with a huge "pop punch". "The MagicBlades certainly gave me this," he says.

Routledge outlined the ou

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14 March 2016

"The Chauvet ÉPIX Strips, paired with software from ArKaos, were especially helpful to me because of their many features and the flexibility they gave me. If I needed a solid, saturated colour or a bunch of m

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14 March 2016

Live and Licking - The Grateful Dead have given what they say will be their last group performance in front of 70,000 fans, some in tears, in Chicago.The four surviving members of the band ended their 50-year run this weekend with thr

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14 March 2016

Jim Colson, production manager at Kennedy Street, states, "Both Frankie Valli & The Four Seasons and Gladys Knight are absolute icons in the music industry. The fact that they are both still in such demand after so many years indicates the impact their music has made and how their already huge fan-bases continue to grow&q

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14 March 2016

Creative director, Kim Gavin, has devised a show that involves a high degree of theatricality with acts, including aerial stunts, taking place across a large set, designed by Misty Buckley, that loops out into the arena from a multi-level dynamic main stage.

Lighting designer, Tim Routledge was briefed to produce a design with "a very theatrical look, but with a huge pop punch over the top". His enormous lighting rig contains a large number of powerful moving light fixtures and LED video screens. Routledge therefore needed followspots that would punch through the sheer amount of lighting and video and cope with the long throw distan

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14 March 2016

CUE kicked off with a keynote address by CEO Fred Foster, in which he talked about the growth of ETC over the last four decades, and the company's focus on customer service and product innovation. Foster also unveiled new products, including the affordable ColorSource Spot profile LED luminaire and console programming wings that will officially debut in July.

Josh Allen, an award-winnin

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14 March 2016

Lush Cosmetics first appeared on high streets throughout the UK in the mid 1990's. In the ensuing years, the organic beauty merchant has carved out a reputation for quality handmade beauty products, all the while upholding the ethics-conscious principles of fair trade and protecting animal rights.

In celebration of this 20-year milestone, Lush Cosmet

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14 March 2016

Working alongside the show's producers, White Light expertly recreated lighting designer Paul Collison's original vision, whilst making subtle adjustments to suit the logistical intricacies of each venue. The highly ambitious project incorporated 100 different performers, including t

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14 March 2016

A funeral for Cotogni was held on Saturday, where friends and family had the opportunity to share memories of him. ETC CEO Fred Foster gave a eulogy in which he noted, "I am incredibly honoured to have known Fulvio for a couple of decades, and to have been his colleague for much of that time. My wife, Susan, refers to Fulvio as an 'ancient soul', not because he was old, but because he had the wisdom and patience of the ages. It was in his eyes, it was in his rich voice and in his wry smile. Fulvio has taught us all more than we even realise."

Cotogni was known for his immense personality, sense of humour and infectious laugh. He began his career in lighting when he w

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14 March 2016

The fixtures were part of a lighting design by Toni Amoros for the event staged at the Estadio Nacional de Chile in the Chilean capital, Santiago. The event was attended by 60,000 football fans packing the stadium and experiencing the carnivalesque atmosphere as well as seeing Chile getting off to a rocking start in the first game, beating Ecuador 2-0.

The Pointes were positioned around the field of play and used for beams and aerial effects for which they are renowned. They were chosen by Toni for their power and brightness, for the precision of the beams and the variety of possible effects.

The event - which featured a cast of 600 actors, musicians and dancer

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14 March 2016

As part of the arena's modernization ice hockey rink equipment designer, manufacturer and supplier, Icepro OY, created a concept to integrate lighting within the stanchions supporting the rink's glass safety dividers. To realize their vision Icepro worked with Finnish A/V Integration firm, Studiotec, to develop a lighting design that included more than 940 of Martin Professional VC-Strip LED video fixtures.

The system is built into the stanchions between the glass divi

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14 March 2016

The new BFMFLs join Colour Sound's stock of over 800 moving lights of which around 450 are Robe products. They will be in action all over the country this summer, helping to service an impressive run of 60 plus major music festivals for which Colour Sound is already confirmed as lighting and LED screen supplier, including We Are FSTVL, Glastonbury, Creamfields, Reading / Leeds and numerous others.

Says Colour Sound's Haydn 'H' Cruickshank, "BMFLs are starting to appear on riders. I know that any Robe product is likely to be reliable and 'a good bet' for us, and we also needed a new bright and versatile moving light for the festivals generally. The

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14 March 2016

Richard Godin, lighting designer for Michael Clark Company, states, "The company performed an extract from an existing piece called Come Been and Gone. There were three performances in total during the festival: one on the Pyramid Stage and two more in the Astrolabe Tent. It is extremely rare for a dance group to perform on the Pyramid Stage and I can only think of one other time this has happened."

The piece performed by Michael Clark Company w

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14 March 2016

Steve Powell, who recently celebrated more than 15 years with Bandit Lites, steps into a new role as rentals manager. Now in charge of asset allocation for tours and shows, Powell will also step up efforts to rent gear to other production houses.

"I am always excited to be part of the great team at Bandit Lites and look forward to this new opportunity," said Powell.

Bandit Chair, Michael T. Strickland says of Powell, "Steve has been the rock of Nashville production, sitting in the centre of the board for 12 years. Steve is a large part of our success. This move to rentals manager will allow Bandit to become more efficient in that area. This was a part of Steve's prior role, but it has grown into a full time job. Steve is an absolute A player and an industry

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14 March 2016

These include: Pulling Focus in LIVE mode via DMX is introduced to ensure footprint focus is previsualized and pre-cued so 'What You See Is truly What You Get' on stage; Increased performance from CAD to Shaded View and even in Graphic Memory Management; Sharper Laser Simulation in Shaded View mode and numerous CAD additions. Further, 205 brand-new lighting fixtures are added to wysiwyg R35 - a wysiwyg record!

"R35 delivers numerous new exciting features and enhancements in all areas of wysiwyg: new CAD tools, updates to Paperwork, and more performance and enhancements to our visualization," says Dino Mazza, product manager at CAST Software. "Additionally, workflow has been improved in many areas to speed up the design process. I believe by incorporat

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14 March 2016

The event was designed to bring together Romanian music and dance of various genres. From the traditional costumes and folkloric music of the opening day, headed by the violin orchestra Lautarii Chisinal to the pop rock line-up headlined by Connect-R on day two, Cristian Simon's inspired lighting design for the event dubbed Music & Art in Titan Park brought the setting to life for an audience of up to 10,000 people.

Simon's stage design was built around 16 PR XR 200 Beams, 10 XLED 1061 Wash and 16 XLED 2007.

The two f

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14 March 2016

Richard Martin Lighting (RML) has a long standing relationship with SKY and its lighting team. LD Richard Bowles returned the light the show after the success of the first series and we were also asked to return. The main lighting rig is made up of Sharpy, Sharpy Wash, 2 Lites, Jarag-L and Patten 2013. It also includes one of RML's most recent purchases the Clay Paky Mythos.

"Mythos is a highly advanced form of hybrid light: first of all, it is an excellent 470 watt-lamp spotlight, which produces an outstanding large light beam, featuring a zoom that ranges from 4° to 50&

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14 March 2016

The delegation consisted of people from the Song and Dance Troupe of the PLA General Political Department, the PLA Academy of Arts and the Acrobatic Troupe of the PLA Guangzhou Military Area Command (MAC).

During their visit, the delegation carried out artistic exchanges with the song and dance troupe of the Mongolian military, where spectacular effects from PR Lighting were provided by the Chinese manufacturer's Mongolian partner, D-light. This involved 36 pieces of XR 200 Beam and 36 XPAR 336.

The lightweight and compact XR200 Beam is equipped with a Platinum 5R or Osram 230 HRI lamp, to provide a parallel, laser like 'pencil' moving beam with a brightness of 67,76

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14 March 2016

"Troy's original design called for these other fixtures to be used, but we've been using the Legends back to back on so many shows that we felt very comfortable with them," said JDI's Freddy Thompson, who, along with his colleague Pete Therrien, oversaw the lighting rig. "So with Troy's approval we made the switch. In the past, Troy had been using the SR beams on the floor to cross shoot the backdrop with a rotating prism. It created a really great effect,