Lighting

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14 March 2016

Designed for clubs, bars, restaurants, shopping malls and other permanent installation applications, the RUSH Gobo Projector 1 is a static fixture with easy adjustment of focus, speed and direction ensuring smooth and intuitive operation. It's also non-intrusive thanks to its silent operation and compact size, measuring 215 x 135 x 152 mm and weighing only 11 lbs. (2 kg). The fixture uses E-sized gobos with a maximum image diameter of 30 mm and thickness of 4 mm. Its light source is a 20 W LED array and projects a 17-degree beam angle with an estimated minimum L

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14 March 2016

The first live session will be the CUE welcome address and keynote by ETC CEO Fred Foster, on Friday 26 June, at 2:15pm UK time (15:15 CET). Foster will discuss current lighting trends, and may reveal some surprises. Another session will be a keynote address by lighting designer Josh Allen of Theatre Consultants Collaborative at 2:15pm UK time (15:15 CET) on Saturday 27 June, in which he'll talk about how power, lighting and theatre technologie

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14 March 2016

Owing to Pulse being located under a series of railway arches, along with the style of Pejoski's designs, the show opted for an industrial theme; something which needed to be reflected in the lighting. Having previously provided its services on several other fashion shows, White Light was asked to supply both the lighting and power on this occasion.

For this particular launch, White Light worked closely with set designer Philip Cooper who created t

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14 March 2016

"I was given a great deal of creative freedom to design this show and loved every minute of it," said Zeiser, the owner of Squeak Lights. "They Might Be Giants gave me the direction they would like the design to go in, then more or less left me to my own devices from there."

Zeiser's creative adventure grew out of a conversation

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14 March 2016

Footage at Slam Dunk was captured for Kerrang TV on the Chrome GLD-80, which was used to multi-track all bands on the main stage using Dante into Waves Tracks Live. Situated onstage, Allen & Heath's ultra-compact Qu-Pac mixer was also used to record FOH.

"The Slam Dunk live recording was actually the first time I had used a GLD in anger and it was an absolute pleasure," says Dave Boothroyd, house engineer at Reel Recording Studios. "The GLD is really intuitive, there's no messing around - everything is exactly where you want it to be. The pre amps sound absolutely superb, which is imperative for a job like this, an

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14 March 2016

Futais Mohammed Bugnah presents the story of the poet and warrior Amroo bin Kulsoom, well known in his time more than 3000 years ago, long before Islam. The story tells of authoritarian conduct against the poet's mother and his revenge on the King.

The Italian lighting designer Emiliano Morgia, as he himself tells us, was again involved in designing the lighting for the Riyadh-based Saudi production company Rhythm Media Production. Together with Giochi di Luce Dubai , they set up a fifty-plus-yard-wide stage and a video control room to project original spectacular twelve-yard-high scenic settings. "Getting Giochi di Luce Dubai involved in thi

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14 March 2016

HSL supplied all the kit as the band stormed an eclectic selection of venues, the tour effectively providing a warm up for the summer festival tour. With this in mind, the design incorporated a floor based back-wall that will also function as a stand-alone package on festival shows.

The rig contained several customised elements including seven 'transmission' towers (14 for the largest shows at London's Alexandra Palace) which HSL commissioned Alpha Fabs from Worcester. "I wanted something distinctive that was simultaneously structural and scenic,&

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14 March 2016

The lighting scheme was designed by Andre Beekmans of design and programming specialists The Art of Light, and the Pointes were rigged all around the top of the set which was designed by 250K and used for all the effects and multiplicity of funky looks that they do best, operated by Art of Light's Tom Spaan.

The set resembled a slightly wacky castle, complete with a series of scenic towers and turrets topped in customary King's Day orange. The performance stage was immediately in front of the castle, complete with LED screens and DJ platform.

Lighting and audio for the Den Bosch event was supplied by The Purple Group, and the techn

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14 March 2016

Exciting new initiatives include focused hubs, sector specific seminar streams, 150+ industry leading speakers, workshops and demo areas. Many more exciting new developments will be announced in the coming months, don't miss out - make sure you

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14 March 2016

To provide extra visuals for the homecoming, Musique Xpress Lights, which furnished gear for the Puerto Rican concerts only, called on 34 Chauvet Nexus 4x4 LED panels and 40 Q-Wash 260-LED moving fixtures from Chauvet Professional.

"The overall look of the show was based around a futuristic design which intertwined a variety of moving lights, LED screens and special effects to create different scenarios around the music," explained LD Edward Aviles. "The Chauvet fixtures were critical to helping us achieve this look."

While the Chauvet Q-Wash fixtures played an integral role in this futu

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14 March 2016

Over 50 of Ayrton's MagicPanel-R units are used to create a wall on the central stage, where their versatility makes them ideal as audience blinders as well as using their continuous double rotation and effects capabilities to create a myriad of visual feasts. Routledge first spied the Ayrton MagicBlade-R fixtures at PLASA last year where they were a major feature

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14 March 2016

Robe Lighting France is headed by CEO Bruno Garros and CFO Elie Battah.

The company is fully operational and hits-the-ground-running with seven staff in place including executive assistant Messaouda Belarbi, after sales and technical support manager Jerome Lambeau and communications specialist Jonathan Grimaux.

They are joined by two technical sales engineers, Kevin Migeon, covering northern France and Franck Huyhn who is taking care of the south of the country.

Robe Lighting France has eye-catching new offices at Paris Nord 2 which are well located in a leafy green area just 10 minute

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14 March 2016

The arena for the celebrations was built by Apollo Event Consultants and, due to the magnitude and historic relevance of the occasion, they wanted to create a setting which was unforgettable. As a result, they approached White Light to provide the lighting, having previously worked with the complete production solution specialist on other events.

Tim Hanbury, managing director at Apollo Event Consultants, comments, &quo

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14 March 2016

Taking place at the Bahrain International Circuit in Sakhir, the two day event saw Showtech Bahrain hire Sonu as head of lighting for the event, supplying 30 x Clay Paky Mythos, 48 x A.leda B-EYE K10 and K20, 30 x Alpha Spot HPE 700, 40 x Sharpy, 12 x Alpha Beam 1500 and six Alpha Profile 1500 for his versatile and bold design. On the first day there were Arabic music performances from such artists as Abdull Rowaishaid and Amar Zain whilst Brazilian pop sensation Pitbull headlined the whole weekend.

"My brief was to design a rig that worked for each of the bands' requirements and that would make a massive impact," explains Sonu. "It was an international event showcase with the aim of reall

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14 March 2016

Working with creative director Richard Millstein and production manager Ray Steinman, it was lighting designer Stephen Lieberman who needed to create a lighting design that could stand up to the intensity of the three-day festival and he did so using Philips Vari-Lite VL4000 Spot and VL3500 Wash FX luminaires provided by Solotech.

"I've been involved with the Ultra Music Festival since 2000, and when I start putting the designs together, I first look at where the stage is located and what the size of the performance area will be to give me a foundation to build upon," began Lieberman. "Next I l

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14 March 2016

The lighting coordination for the three-day event was managed by 3srCreative, with Seth Jackson working with Bandit to create looks that would be visible both during the day and evening. "The main stage had a much larger rig with the MAC Vipers," said crew chief Shawn Worlow. "All of the stages used a 4 ZR foggers and Base Hazers. We used a lot of fog and haze for the day time performances with open white and less saturated colors to make it all pop more during the daytime."

CounterPoint's mainstage consisted of three 42' trusses, backdrop and

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14 March 2016

The group, which have had nine No.1 albums in Canada, recently embarked on the Fully Completely Tour, playing their album of the same name in its entirety to their legion of fans.

Brent Clark is production designer for the North American tour, which kicked off in Toronto in January and to date has visited other major cities including New York, Chicago, Boston, Washington DC, and Montreal.

"The concept behind the staging and lighting was to make it look a bit 'throwback'," says Brent. "The grid with the Color Force 72s on is meant to look like an old fashioned digital clock. Spelling out the word 'HIP' was my idea, as the band are affectionately known as The Hip - and using the

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14 March 2016

"We knew we were bringing some very special products to InfoComm," said Ford Sellers, senior product manager for Chauvet Professional. "But we were amazed by the turnout at our booth, which remained packed throughout the show, and quite thrilled and honoured to hear all the positive things people were saying about our products.

"A lot of thought, research and development goes into every product we bring to market," added Sellers, "so this terrific response at InfoComm reaffirms our belief that

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14 March 2016

Kevin held an important senior role as Northern Lighting Sales Manager in AC-ET's Leeds office. He was an extremely well liked and respected colleague, and a larger than life character. During his diverse career spanning over 30 years, Kevin built up an incredible number of customer relationships and friendships. He sadly passed away on 31st December 2013, aged 53.

This event - known as the 'Fitz-Simons Challenge' - is being organised by Stuart Burdett, Technical Sales Executive for AC-ET's Video product division. It will raise funds for two great charities which would have met with Kevin's approval, and aims to secure a minimum of &p

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14 March 2016

The team have been working round the clock to get things ready for the latest batch of islanders. To support the installation, Aurora has provided everything from Tungsten to tape, distro to desks, plus site power and a range of bespoke electronic installations and LED set pieces.

Commenting on the project, Aurora MD Nick Edwards said, "preparing the gear and taking care of the logistical challenge of transporting a full location package to the Island in the sun was the easy part - thankfully James and his team are on board to make sure the 12 islanders are viewed in the best possible light during their six weeks excursion to paradise!" Love Island runs on ITV2.

(Jim Evans)

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14 March 2016

Lighting designer Lutz Gock and assistant LD Katie Davies used their new Robe LED fixtures - four DLX Spot moving lights and six LEDForce 18 PARs rig - on what Lutz describes as the "almost upside down" lighting plot.

When it comes to lighting Caravan Stage performances, there are several very specific requirements.

With no stage roof, the kit is exposed to the elements during the set-up, rehearsal and show periods. Lighting, sound and video equipment are all powered by an on-board generator so it is limited, wh

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14 March 2016

This version of TiMo is expected to be of interest to manufacturers building fixtures with stand-alone modes, such as battery uplighters, where one fixture can be configured as a transmitter and further fixtures down the line can be linked as receivers. By building on the same feature set as the hugely successful TiMo RX RDM, TiMo FX adds the transmitter capabilities required to link series' of fixtures, whilst retaining popular features such as the DMX Window which made TiMo RX RDM so easy to i

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14 March 2016

For this production, as for previous Luan Santana productions, Spectrum Design e Iluminacao supplied a complete technology solution. LED products from SGM assisted in conveying the old theatre style with a total of 30 P-5 wash lights, 80 X-5 LED strobes and 40 SixPack blinders.

The SixPacks were mounted in the grand upper façade, giving the marquee the effect and look of the halogen emulating lamps, whilst offering the brightness and low power consumption of the LED light sources

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14 March 2016

This year marks the sixth year that some of the theatre industry's biggest movers and shakers zoom together for a weekend aimed at raising awareness and much-needed funds to help TTG support Backstage and FOH staff in need. Established in 1891, TTG is dedicated to looking after theatre personnel who, due to a variety of circumstances need welfare advice, counselling, educational sponsorship and many other forms of help.

The charity has many supporters in the industry, including Dara O'Briain who is also a Trustee of The Theatres Trust.

Taking place from 3-6 July, this year's route starts in Scarborough and visits the Spa Theatre & Grand Hall and The Stephen Joseph Theatre. Over the