Now in its eleventh year, the Naledi Theatre Awards has grown into a prestigious event that recognises excellence in professional theatre. This year's striking set was designed and built by Dream Sets
The awards have honoured over 60 lifetime achievers who have dedicated their lives to SA Theatre. This year, the Award was presented to Shaleen Surtie Richards. Naledi also pays tribute to people in
Billed as "a new nightlife experience" and created by international lifestyle brand Hakkasan Group, Omnia is situated on The Strip in the world famous Caesar's Palace. Designed by the internationally renowned Rockwell Group, the club spans 75,000sq.ft and prides itself on offering state-of-the-art technology. The club launched with a star-studded party featuring Calvin Harris on DJ duty in March 2015.
Frank Murray from Audiotek supplied and oversaw the AV aspects of the project, working alongside Avolites' Ai developer Ciaran Abrams, who provided support for Ai as it was installed and programmed.
Three Avolites Ai EX8 servers are powering visuals in the opulent main room of the club, which features a huge chandelier as the centrepiece of the v
Organised by Russia's popular station Love Radio and Brothers Entertainment Production Company, the show took place at the SC Olympisky and was directed by Anastasia Sinelnikova, with executive producer Svetlana Voronova.
The event saw a record number of acts and sound and lighting equipment used on the night. Among these were a significant amount of Clay Paky fixtures, with Gerasimov specifying 92 A.leda B-EYE K20s, 71 Alpha Spot 1500s, 72 Sharpys and 36 Sharpy Washes from Arlecchino Techno.
"As the Big Love Show was a continuous mash-up of dance we
Robe sent Nathan Wan and Steve Eastham to work alongside the Vari team including Hugo Patiño and Francisco Canales, Bruno Carranza, Allan Fernandez, Juan Fco Alvarez (Paco) and Uriel Sanchez.
For the first time, it also featured one of Robe's famous light-shows, created with all the latest products.
On the sales side, sales director Harry von den Stemmen from Robe International rocked up, together with Robe's regional sales manager for Latin America, Guillermo Traverso.
The Robe Stage was located prominently right at the entrance of Olmeca III. I
Elite Multimedia of Nashville, TN worked closely with Kelly Casebolt, Maranatha's media manager, to give the church's worship centre a bold, more engaging new look using some of the latest technological tools available. At the centreof their design is a 40ft wide HD SDI video screen with triple wide projection and flanked by additional LCD scree
S+H was contacted by the event's organiser Kate Nesbitt, who was recommended to the Ilfracombe, Devon based company by colleagues. It was the first year that Kate had organised the Awards, started in 2011 by the Plymouth Herald newspaper.
The 650 plus guests entered through a 12m long starcloth entrance through which they entered the venue. The tunnel was fully wrapped in S+H's red velvet Pea-Light Starcloth - the same product that has featured on Strictly Come Dancing.
As they exited the tunnel into the main Pavilion auditorium, people the
In addition, a second Sapphire Touch was used a backup. All front-end Avolites control equipment was supplied by global lighting and show design company Mirrad.
"The brief for this show was: 'make this look like the biggest show we've done, with loads of light, visuals and energy'," says Thompson. "This was, of course, music to my ears."
With venues including Liverpool's Echo Arena, the Phones 4U Arena Manchester, and London's O2 Arena, Thompson was challenged with creating a huge show to fill large spaces. To achieve this, he specified a rig which included the powerful Clay Paky Mythos and A.leda B
The group's latest large-scale digital art installation will transform the sandstone façade of the Museum of Contemporary Art Australia into a series of sound and colour 'machines' to create "a truly stunning, continuously morphing listening and viewing experience".
This work, a close collaboration between the creative team at Danny Rose and Australian artist Rebecca Baumann, will be one of the centrepieces of the 18-day festival of light, music and ideas that is Vivid Sydney.
Rebecca Baumann is a Perth-based artist working predominantly in kinetic sculpture, installation and performance. Her
New Orleans-based Solomon Group produced and designed AT&T Playoff Playlist Live! providing a full array of live event services for the first-of-its kind concert series.
"For organizers at CFP and ESPN, it was crucial that the events taking place during the inaugural College Football Playoff weekend be just as exciting as the game itself," says Matt Foucheaux, director of production design at Solomon Group. "It was also crucial that the CFP brand play front and centre. We chose a production design for the stage that drew heavily
Although Steve has a long-standing relationship with the operators of the venue, this is his first time doing design work for XS. There are multiple reasons why the club has been successful for so long, he says, one being the fact that it's located in one of the most well-known, most successful casino hotel properties in Las Vegas in Encore/Wynn. "Another is the fact that everything at
"We're thrilled to have the VL4000 Spot in our rental inventory" said David Rosen, president Kinetic Lighting. "This fixture is packed with features and offers a whole range of FX, which are two of the reasons client feedback has been so positive. From an investment standpoint, I appreciate that Philips Vari-Lite incorporated different effects into a single model because it makes cross-renta
The GaffGun, launched in October 2014 has seen massive sales throughout the USA. Now with GaffTech the company behind it looking to branch out into overseas markets, Illuminate Design has been chosen to help this development.
The GaffGun (patent pending) is billed as "a great advancement in floor tape since gaffer tape was invented". Saving over 90% of the time to lay tape over cables or rope, The GaffGun simplifies your job while saving time, money, and your back. Cables don't even have to be straight-the GaffGun uses a funnelling system to straighten and centre your cables and then lay tape over them.
GaffTech developed the patent-pending CoreLok tape to work in unison with the GaffGun, ensuring a consistent result with every tape run. GaffGun CoreLok
Among the first to order its Mythos was Lightwave Productions, a small London-based company that provides a full technical production service across a broad range of events. Its hire stock needs to be able to service the needs of everything from a corporate awards dinner or a press launch to a full festival production.
Company director Henry Clarke saw the Mythos being demo'd by Ambersphere's Lee House and felt that the Mythos was an intelligent light that was equally as adaptable as it is clever, and therefore essential to the Lightwave stock sheet. &
A major challenge in designing lighting for The Who in recent years is that no smoke or haze can be used, which immediately rules out certain types of lights.
Tom has been using LED sources increasingly in his designs, and decided to continue that theme on this current tour. A large video system features an upstage LED screen, so any lights had to be potent enough to punch through the ambient lighting levels. He also decided to incorporate LED pixel panels in his design, which amplified the need for a very strong LED wash light. The LEDWash 1
The team at the Playhouse Theatre, which opened in 1998, recently took a decision to replace its existing dimmers. Phil Viney from Design Stage was engaged to prepare a specification that would directly replace new for old dimmers in the 850-seat venue.
Due to space limitations and the existing dimmers' footprint, any replacement dimmer ideally needed to be a small footprint unit that could easily be distributed around various locations in the venue. The only alternative available at the time was to use rack-mounted dimmers - however, such a solution would occupy valuable floor space, be more expensive and more difficult to
As its name conveys, the Ovation Min-E-10WW was designed to be a "mini" complement to its acclaimed predecessor. Almost pocket-sized, it measures just 225 x 108 x 232 mm without lens extension, making it an ideal choice anywhere an excellent quality warm white ellipsoidal is needed for small spaces and discreet use - from theatres and churches, to concerts and pro
Lighting designer Gabe Hodge built on the previous year's design which consisted of 18 lamp bars with six GRN LED pars per bar, six Color Kinetics Colorblaze 72 LED strip lights, and eight Elation CUEPIX WW2 Blinders which replaced the four GRN 8-lite moles.
"I knew that I wasn't going to use the colour features on the 8-lite, and I also wanted more fixtures to spread out amongst the rig," said Hodge. "I was able to get eight of the Elations, and I really liked the way they updated the design."
The GRN Pars and Elation Blinders were spread out across the downstage, mid stage
The format of the show in the Caernarfon Suite at Celtic Manor Resort in Newport, south Wales, was a conference and presentation during the day, with the room transformed in a rapid 60 minute turnaround between 6 and 7pm to a gala dinner and party.
Entertainment featured magic from Paul Daniels and Debbie McGee and live music Bjorn Again.
The CPL team was led by Lee Gruszeckyj, who created a stylish design based around the exceptionally tight timescale involved - an intense 24 hours of activity.
"Central to the design was it being achievable in
Floyd Central's new Elation lighting rig, purchased from Phoenix Lighting of Louisville, Kentucky, was part of a recent school lighting renovation and Mary Poppins was the first show to have the new gear available.
Floyd Central High School's director of theatre arts, Robbie Steiner, produced and directed the production and also designed the scenery. Concerned a couple of years ago about the quality of their theatre's lighting, he approached school administrators to see what could be done to begin upgrading their outdated system.
"Our school auditorium was constructed in 1981 and the bulk of the fixtures we were using were from that time period," he says. &quo
The Quantum Profiles are the latest addition to Blue Parrot's large moving light inventory which includes 30 MAC Aura washes, 24 MAC 101 units and a mixture of the flagship MAC Viper series of products: Profile, Performance and Wash DX models.
"We've had a great experience with our Martin MAC Aura and MAC 101 fixtures over the last few years," says Dave Morris, head of hires, Blue Parrot. "They're reliable and versatile lights in diverse applications, so it makes sense for us to invest in the Quantum Profile to continue offering the latest and best equipment to our production and dry hire customers."
A number of high-profile technical produc
The new production - due to tour in 2016 - has a narrative based around the world's most famous cruise liner, from its beginning at the famous Harland & Wolff Shipyard in Belfast, to its tragic end at the bottom of the North Atlantic Ocean.
Conleth was given an open book when it came to the lighting design. He's been using Robe's Pointes frequently for lighting musicals and likes to integrate the myriad of beam options possible using these fixtures into the choreography, and this proved "A great opportunity to do the same with an Irish dance show".
For Titanic Dance, he utilised 24 Pointes, 12 600E Spots, 12 ColorWash 1200E ATs, fo
Kenny has used Chauvet Professional's Nexus panels on a number of his projects since the company first brought him some demo versions to try out. "I've used the Nexus products on a lot of my shows and always wanted to use them on The Who," says Kenny. "They have some very cool effects inside. They give me a great effect; they're very bright; and they can light the whole arena. They're just very powerful and they give lots of different variations."
For this tour, because it was the band's hits, Kenny wanted to go for a clean rock look. "Since I use a lot of the Nexus panels on my other projects, I knew for this design t
Suitable for accent and spotlighting, the LED track light heads provide a white colour temperature ranging from 3000K to 4000K depending on which SKU is chosen. The products come with a range of accessories, including an anti-glare snoot for the dimmable line and a honeycomb louvre for glare reduction in the non-dimmable line.
Available in three power ratings (15W, 28W and 48W), the dimmable range of track lights delivers
The main stand was home to the lighting and rigging offering from AED Distribution that includes High End Systems, Prolyte, Columbus McKinnon, SRS Light Design, Swisson, AV Stumpfl, Doughty, Verlinde (Stagemaker) and MediaLas.
Prominent were the latest stage lighting luminaires from High End Systems under the LED RISING Banner, including the SolaSpot Pro 1500 with its 400w White LED engine providing a staggering 20,000 Lumens output and the Shapeshifter C
