Lighting

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14 March 2016

This year marks the sixth year that some of the theatre industry's biggest movers and shakers zoom together for a weekend aimed at raising awareness and much-needed funds to help TTG support Backstage and FOH staff in need. Established in 1891, TTG is dedicated to looking after theatre personnel who, due to a variety of circumstances need welfare advice, counselling, educational sponsorship and many other forms of help.

The charity has many supporters in the industry, including Dara O'Briain who is also a Trustee of The Theatres Trust.

Taking place between 3rd and 6th July, this year's route starts in Scarborough and visits the Spa Theatre & Grand Hall and The Stephen Joseph Thea

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14 March 2016

Olympic Achievement - The International Olympic Committee will receive an award at IBC2015 for its work on conserving and managing its audiovisual archives. The awar

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14 March 2016

"We were approached by creative director Dan Shipton and the BBC Eurovision team to help make Electro Velvet stand out during this year's performances," says Bryn Williams, creative director of Light Initiative.

Working alongside costume designer Frank Strachan and his costume maker Natascha Stolle, the team incorporated 20,000 video-mapped LEDs into the outfits with 5,500 on singer Bianca's dress alone. Unlike many incarnations of this idea seen in the past, the costume team's clever design 'seamlessly' assimilated the LED into the costumes, along with the fabric, glittering sequins and tassels, with no detriment to the overall aesthetic.

"It was of paramount importance that the costumes be beautiful," says Williams. "

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14 March 2016

Working to a Theatre Plan specification Audio Light Systems installed a Slingco grid, BJ Designs suspension systems, Doughty Engineering IWBs & facility panels, ETC lanterns, Christie projectors, Zero 88 control and dimmers, Yamaha & EM acoustics sound equipment among other manufacturers.

"This is a truly impressive and well thought-out space, that has come together very well. The ability of Audio Light Systems to install the entire technical infrastructure really helps with synergy of a space like this," says Trevor Cross MD Audio light Systems.

(Jim Evans)

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14 March 2016

Stanton uses shifting pockets of light to follow the action from scene to scene, defining rooms of different shapes and sizes as furniture appears and disappears through a complex series of traps. Using an ETC Eos Ti lighting desk, programmer Alex Fogel built a low-res pixel map encompassing the whole stage, with each lighting area as a separate pixel. By applying a gradient to the intensity parameter of the area lights, he was able to smoothly drag focus around the playing area,

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14 March 2016

This avant-garde piece followed Maniutiu's minimalist style, using very little scenery to create a provocative production. Under Maniutiu's direction, lighting designer Martha Carter and scenic designer Morgan Price brought this story to life. Carter used Martin Professional's atmospheric effects to play on the audience's emotions as the titular character battles through her story. They used UCI's existing JEM Glaciator X-Stream and paired it with a JEM Ready 365 hazer which Martin loaned to the students to help fill out their production.

The initial planning started with only a 15-page script and notes from Maniutiu to have minimal scenery. While Carter and Price had their work

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14 March 2016

The show sees The Jetty, which formerly served as a coal-unloading point for Blackwall Point Power Station, transformed into a purpose built structure which allows audience members to check into what is a unique experience.

Prior to the recent popularity of immersive theatre productions, White Light had already established strong working relationships with companies such as Punchdrunk. Their most recent project, the co-production with the National Maritime Museum entitled Aga

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14 March 2016

"Almost every piece of scenery in this show uses wireless dimming, along with several props, most of which have multiple fixtures requiring wireless dimming," says Brian Maiuri, production electrician at the American Airlines Theatre. "And the show's main scenic element is a life-sized train automated on a free spinning turtle that transports the train up and downstage as well as left to right. Th

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14 March 2016

Helen's role will be predominantly to support FIX8's existing project managers across all current and future events/projects and other company related work. It will also involve implementing and managing various operational processes and software that will help the company manage its time and equipment more efficiently as the company continues its rapid growth.

Helen brings a wealth of experience to FIX8. Her recent roles have included senior events manager at Cuffe and Taylor Ltd and working on prestigious shows such as the Rod Stewart Tour 2014 and Lytham Proms Festival. She has also worked as assistant video and graphics producer for WorldWide Shows (WWS) on the Sochi 2014 Winter Olympic Closing and Paralympic Opening Ceremonies and lighting and content viewing room assistant

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14 March 2016

"The feedback we received on the VDO Sceptron has been truly amazing," said Wouter Verlinden, product manager for LED Video, Martin Professional. "It seems people have been waiting for this kind of product, and really appreciate its versatility. It can be used as a lighting fixture or an LED video element, and can be combined into many different looks."

With an extensive range of field-exchangeable optical accessories that offer a wide variety of looks, the VDO Sceptron is one of the most versatile and touring friendly LED Video solutions available. The VDO Sceptron's optical accessories-including diffusers in various shapes and len

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14 March 2016

The Emotion is a plug and play DMX moving light just like a traditional moving light yet houses an on-board media server. Think of it as a moving light with 100s of digital gobo patterns and animation effects with a projection quality that allows for use in a wide range of professional stage, studio, theatrical, club and event applications.

This moving head digital light houses a built-in content library that includes the entire Elation gobo catalogue with royalty-free digi

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14 March 2016

After winning the PLASA Award for Innovation and Best Debuting Product at LDI 2014, the Mythos has also won this prestigious accolade. Francesco Romagnoli, Clay Paky area manager for North America and Latin America, and Bob Gordon, founder of ACT Lighting, Clay Paky's distributor, received the award from the hands of David Johnson (LDI/ Live Design publisher) and Marian Sandberg (LDI/Live Design content director).

Romagnoli said, "We have received yet another trophy from the industry for a product which is the result of Clay Paky research and entirely designed and manufactured in Italy. I wo

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14 March 2016

The restoration of the listed building - once home to the Winterslag mine's working ponies - has been a three-year labour of love by Painting with Light founder and CEO Luc Peumans, working together with local architect Ruben Hermans. It also represents completion of the final element of Stage 1 of the wider C-MINE project -- led by Genk City Council - to regenerate the site of the former mine which is right at the heart of Genk's rich industrial heritage.

Says Luc, one of the best known show and lighting and multimedia designers in Benelux, "I was delighted with just how many people came to the event to share an incredibly proud moment in the company

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14 March 2016

The company is owned by Yossi Bendavid - popularly known as Zak Zak which means talkative - and Shlomi Auitani. The pair worked together at a previous company for several years and then set up Koltech seven years ago.

Koltech initially specialised in supplying technical solutions to theatre and opera productions. Their reputation soon spread along with their operational scope, and they quickly found themselves supplying concerts, outdoor festivals and a whole range of corporate and business events as well as arts projects.

They decided to invest in Robe for the first time in 2011, purchasing MMX Spots.

They already knew of the brand and its reputation from a couple of sources

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14 March 2016

Working with production company Electric Ray and set designer Julian Healey, Aurora has provided a full service installation to the extensive studio lighting set up at Farnborough Five.

In keeping with the dry heat of the show's Morocco based location adventures, LD Gurdip Mahal has bathed the set in a desert glow created using a blend of MAC Viper Profiles, MAC Auras plus Vari-Lites VL3500 and VL2000 that mirror the arid on screen conditions.

Adding to both the vibrancy and versatility of the lighting design, Martin Viper Performances and Rush PARS are mixed with Sunstrips and Shapeshifters whilst Super Nova Flowers, Sharpys and Source Fours take care of highlights and keying.

Julian Healey and Gurdip Mahal have previously

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14 March 2016

Chesney kicked off the tour at Nashville's Bridgestone Arena with guests Grace Potter, Taylor Swift, Uncle Kracker, Dave Lee Murphy and Joe Walsh. A four-time Country Music Association and four consecutive Academy of Country Music Entertainer of the Year, Chesney has always worked to make sure his production is as cutting edge as possible.

Production and lighting designer Mike Swinford says the look of the tour is "very typical" of Kenny Chesney's road shows. "It's a relatively simple design that's big and bold," he says. "Ke

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14 March 2016

From the Robert Juliat range of followspots, Aurora picked 'Victor', an 1800W discharge spot and 'Alex', a 2000/2500W tungsten model, both from the compact range. Both these units were chosen primarily for their excellent illumination properties, however Robert Juliat has an enviable pedigree in developing products specifically for the television and event markets in which Aurora specialise and the practical, compact styling of these followspots also proved an important feature.

"To purchase a sizeable number of Clay Paky Mythos from Ambersphere was an easy decision for us to make" says Aurora managing director Nick Edwards, "The beam power delivered from such a compact unit is

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14 March 2016

It's A Funny Old Week will take a look at the week's news "from international political crisis to bus stop disputes". Each week Jason is joined by a guest stand-up comedian, looking at the funny side of what has been going on in the world in the past seven days.

Filmed at The London Studios, the new show is lit by lighting designer Roger Williams. His plot comprises of Robin 600 LEDWash, VL1000TS, Sunstrips and MAC Auras. The lights which are supplied by Richard Martin Lighting (RML) enhance the bright and bold set which is heavily made up of video screen, used throughout each episode to show the chosen news stories.

(Jim Evans)

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14 March 2016

Since 2012, Gerdon has been igniting the Mayday dancefloor with his far-reaching concepts for promoters I-Motion, often integrating LED fixtures from the GLP catalogue. And this year was no exception.

"It is always a challenge to produce an entirely new design every year - especially as it should never remind guests of something they have already experienced previously," he said. "For this reason, I try to use new and innovative products, and find 'tools' that give me the opportunity to create new looks.

"I also ensure that the design works within the [oval] shape of the venue, because I want

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14 March 2016

The ACL Series features a new highly-advanced collimator lens optic, the largest single multi-chip LED lens optic to date at the same size of a PAR 20 lamp. Using the latest high-output RGBW 15W multi-chip LED, its wide optical design emits a laser-like yet dense homogenized 4-degree colour-changing beam from each lens.

Each unit in the series offers individual pixel control for greater design options along with built-in effect / chase macros for quick programming when needed. Strobe effects and full-range dimming with dimm

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14 March 2016

JEM ZR is a family of powerful fog machines designed to "deliver superior and uninterrupted performance in demanding professional applications". Equipped with 1,150-2,000 W heat exchangers they deliver large amounts of fog and excessive peak output, ideal for venues of all sizes in both install and rental markets.

The JEM ZRs feature variable output control for more subtle effects and are fully up-to-date with digital remote, DMX and RDM.

The entire JEM ZR range is compatible with a wide range of JEM Pro fog fluids. As machines designed and built to last, the JEM ZRs will continue to perform with great output and low consumption.

"Over the past two years we've successfully renewed our professional range or water-based hazers, including the CO2 driven JEM Ready 365

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14 March 2016

World Science Festival took place 27-31 May at venues throughout New York City. Designed by 59 Productions, Light Falls combined Holo-Gauze holographic effects animation and dramatic portrayals to trace Einstein's electrifying journey to the conception of his theory. World Science Festival founder Dr Brian Greene and an ensemble cast saw their dramatic performances enhanced by Holo-Gauze.

"It was an honour to be able to contribute to the eighth World Science Festival," says Holo

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14 March 2016

Adding to its international presence, BlackTrax has a growing ecosystem of partners that benefit from easy on-site training and support, enabling them to push the boundaries of what can be achieved for their clients. Additional technology partners include: Mark Roberts Motion Control; AI Media Servers; Jurlights, Netherlands; The Unit, Netherlands; Production Technology LLC, Protec, Dubai; Prolight, Poland; DWP Live, Tennessee; and, Spirit Events in Toronto, with many more in the pipeline.

"It's going to be terrific to see our BlackTrax system reach this milestone," says Gil Densham from CAST. "It is a product built out of passion from a lot of dedicated people and it has proven to be an essential resource f

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14 March 2016

The Stark Raving Solutions team provided Rabbit Creek with an audio system that enhanced the phonetics of its live and broadcast services. However, before the Stark Raving team packed and headed back to Kansas City, they suggested a small addition to the project that would have a big impact on the quality of the church's services. Drawing on their experience lighting other houses of worship