One of London's most famous live music venues, The Astoria, is currently undergoing an extensive technical refit, having been acquired by The Mean Fiddler Organisation, a dominant force in the British entertainment scene. In addition to raising the specification for visiting sound crews, the objective was to make the Astoria's infrastructure more broadcast and TV-friendly, including the addition of a new 48-way patchbay, according to long-time resident technician Erik Sanderson-Evans. Tarsin Entertainments was awarded the contract after a competitive tender, with the new inventory of kit mostly supplied by Marquee Audio. LA 1, the main performance venue which has a capacity of nearly 2,500, takes delivery of a Soundcraft Series FIVE (48 channel plus 4 stereo groups) plus a Soundcraft 324 digital mixer for returning the effects, an ASS loudspeaker system, as well as a substantial batch of BSS proprietary processing equipment. A new 44:24 Soundcraft Series FIVE Monitor console is added to the stage monitoring system.

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