Martin Audio WPL drives 25th MOBO Awards
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It was the production company’s first ever event at the OVO Arena Wembley and gave them the opportunity to field the new flagship Martin Audio Wavefront Precision WPL line array.
“This was a big win for us and a major milestone in the company’s history,” said SWG head of audio, Simon Purse. “It was to break into new markets like this that we purchased WPL. The new system coupled with our technical expertise is really driving SWG events into new territory.”
It was thanks to a long-standing relationship with MOBO’s production director, Marvellous Inc’s Rob Smalldon, that enabled them to step up, and Purse managed to assemble a strong team despite being on duty providing sound at a remote holiday village. This included Martin Audio ambassador Simon Honywill, who supervised at FOH and mixed acts who were unaccompanied by their own personal mix engineer.
Once Simon Purse had conducted a site meeting at the 12,500-cap OVO Arena, and received CAD diagrams of the venue, he was able to plot the rig without the need for additional measurements. The SWG man was also able to create the amp files offline, building all the DSP and IP addresses so that they could quickly and easily be transferred on site. “This meant we were up and running very quickly.”
Multi-act shows where television requirements take precedence rarely make things easy for the PA company, and this was no exception. Sightlines had to be cleared, loudspeakers discreet and positioned to avoid interference with camera tracking.
The two hangs of 16 WPL elements per side were run in two-box resolution from Martin Audio’s 4-channel process control iK42s “which more than covered the arena,” according to Purse. Two further hangs of six WPS provided out-fill coverage, again run from iK42s. Four W8LM were provided as front-fills but placed on a specially built trough to bring them up to stage level to comply with camera requirements.
Subwoofers comprised 18 SXH218, set in three columns of six, in end fire configuration. Recessed under the stage, they provided “really good coverage and high impact and fit within the footprint,” continued Purse.
To keep the energy revolving on stage, particularly for the dancers, SWG placed three of the new Martin Audio Torus15° T1215 constant curvature arrays on either side of the stage. The auditorium sound, meanwhile, was optimised in Martin Audio’s DISPLAY software, ‘hard avoiding’ the back wall. In addition to the live feed SWG provided splits to the main broadcast truck.
This year’s ceremony was hosted by Chunkz and Yung Filly, and performing live were Kojey Radical, Cat Burns, Flo, Fireboy DML and many more. Nile Rodgers, Craig David, Little Simz were among the main winners, while the late music entrepreneur, Jamal Edwards, was awarded posthumously.
Simon Purse had strong praise for his team. In addition to their own highly professional crew of Joe Bailey, Fraser Wilks, Dan Jenkins and Mark Bott, also assisting on RF coordination and management, playback, OB truck liaison, comms and patch were Ian Williams and Will Fisher.
