UK - Metallica's recent European tour has justifiably been trumpeted by Midas as the acid test for its new XL8 digital live mixing system. But it was also a perfect demonstration of the quality and reliability of the components the design team specified. A case in point is the link between the console and the stage, one of the areas singled out by Metallica's engineer, Big Mick Hughes, as making a real difference. As he noted, with short leads from mics to stage box and a digital signal thereafter there was no discernible loss in frequency response - "an intelligibility and clarity that I've never really heard before", as he put it.

The link from the stage box is fibre optic to ensure that integrity of signal is matched by high-speed, zero-latency data transfer. The only question mark at design stage was over the flimsy plastic 'LC' connectors routinely supplied with fibre optic cable, which certainly wouldn't be up to the rigours of touring. The Neutrik stand at PLASA 2005 provided the solution.

"We had just launched our OpticalCon connectors as part of our move into the data transfer market," says Phil Gott, Neutrik UK's northern area sales manager. "Alex Cooper, head of R&D at Midas, and a loyal Neutrik customer, was so impressed with the concept that he left the booth saying it was just what he needed for a revolutionary new hush-hush project.

"Several months later we received a call from the M7 consortium of top UK PA rental companies, requesting a demonstration of OpticalCon at Midas's Kidderminster factory. We signed a non-disclosure agreement, put OpticalCon through its paces and the Midas team were hooked."

(Jim Evans)


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