Whether you are a seasoned campaigner in the entertainment sector or a student considering the live events industry as a career, the PLASA PDP is an unmissable opportunity to learn new skills, watch new product demonstrations, and meet some of the most respected practitioners in the business.
Kicking off is Adam Bennette, Technical Director of ETC Europe, who leads a discussion about how to design new systems that support both tungsten and LED lighting in a rational and sustainable way. Requirements for Data and Power Infrastructures for LED Stage Lighting is a seminar where audience participation is an important part of the process so system designers, technical managers from theatres and multi-purpose venues and equipment designers who want to have their voices heard shouldn't miss this one-off opportunity to have their say and make a valuable contribution.
If you want to keep right up-to-date with the use of Ethernet and Networking in the lighting industry and investigate where this technology is heading then make sure you don't miss out on Networking for Roadies, which is best described by the presenter himself. "My seminar is designed to debunk technical myths about control protocols and show how they interact, compete or complement in the real world of a live venue," says Wayne Howell, Technical Director of Artistic Licence and recognised as a major contributor to the original development of the DMX512-A and RDM (Remote Device Management).
The ever expanding practices of stage automation is the subject tackled by John Hastie, Group Development Director of Stage Technologies and one of the original proponents of automated control systems for live productions. During Automation for the People, John will debunk the notion that motorised control in smaller venues is a black art to be avoided through concerns about affordability and complexity. As John himself comments, "There are innovative ways of using the technology for maximum effect and minimal budget. Automation is just as practicable and viable for the smaller venue and production and it can transform a performance without increasing the risk."
A trio of experts representing the ABTT will ask the question: Are You Competent: Can You Prove It? Robin Townley, AEO at the ABTT, Tom Mannings, Head of Technical at English National Opera and Chris Higgs, Training Manager at Total Training Ltd are all passionate about standardising assessment and validating competency across our industry. It is no longer simply enough to say you can do something; as professionals, practitioners are now expected to be able to prove it. If you are a working technician this seminar offers you the opportunity to learn how to use your current training and experience to achieve recognition of your vocational proficiency.
If your chosen area of skill concerns stage and event lighting then Ambersphere's grandMA2 - What It Does and How It Does It! is a must see exhibitor presentation. Hosted by Philip Norfolk, Ambersphere's Sales Director, the audience will be treated to a demonstration of what MA Lighting's grandMA2 series of products can do with a lighting system. As Norfolk explains, "With more and more live events working on the MA Lighting platform PLASA Focus: Leeds seems a good place to talk about some real practical benefits as to why this control system is used by so many. Anyone unfamiliar with MA will gain an understanding of a networked system and why that might be useful. Rather than using networking as yet another slightly pointless buzz word, MA Lighting sees the network approach as being at the heart of their lighting control and industry practitioners will learn a little about that."
Philip Norfolk returns on the second day of
