Princeton Pike Church of God embraces L-ISA
- Details
The decision to go with L-ISA was easy: an immersive system to improve the acoustical and emotional connection between the large stage and the fan-shaped seating area was a strong reason. And the fact that the cost of an L-ISA setup for a venue of its scale was nearly equivalent to that of a conventional stereo sound system reinforced the decision immensely. But the main reason that Princeton Pike Church of God made the move to immersive: it was simply time.
“The system we replaced was the original install from 21 years ago, and we wanted something forward-thinking enough for the next two decades - not ‘bleeding-edge’ technology, but proven state-of-the-art, which is what L-ISA offered us,” says Princeton Pike Church of God production director Eric Chancey. “We also didn’t want to look back and think we’d missed the boat. The difference in cost between the L-ISA-based design and a standard left-right stereo system for us was barely five figures. Our church board looked at the numbers and realised that this is where church sound is going. We didn’t want to be a few years down the road asking ourselves why we didn’t do this.”
Chip Self, owner and CEO of Cignal Systems, the AV systems installation division of St. Louis-based Logic Systems that integrated the L-Acoustics system, presented the church board with several options, including one in which the L-ISA loudspeaker configuration could be installed but used in a conventional manner, with immersive implemented later on. “But I had a feeling that Eric and the church would feel good about going with immersive,” he says. “They did, and it’s been a great move for them since.”
The church’s new house sound setup, installed earlier this year, is made up of seven Scene arrays, the centremost five each being comprised of three A15i Focus flown over a single A15i Wide. These are flanked by two more Scene arrays of three smaller A10i Focus over one A10i Wide, with Extension arrays of one A10i Focus over two A10i Wide hung even farther out. All A15i and A10i systems are suspended using custom-engineered and fabricated Logic Systems exoskeleton plate systems.
Additional loudspeaker systems include left and right out-fill arrays of two A15i Focus over two A15i Wide, 13 ultra-compact 5XT coaxials spread out across the stage lip for spatial front-fill, five X12 stage wedges, a dozen flown 12KS21i subs, and 12 LA4X and seven LA2Xi amplified controllers. This is all controlled via a new L-ISA Processor II that was purchased with a standard 16-output licensing level to best match the church’s relatively modest production needs and significantly minimize the cost of entry into an immersive system.
These sanctuary components are in addition to other new sound systems installed in the church’s gym (six A15i Wide, two SB28 subs, one LA12X), youth centre (six A15i Wide, two LA2Xi), chapel (two X12, one LA2Xi), and choir room (two Syva, two Syva Low, one LA4X).
Onstage, a pair of KLANG:vokal 3D in-ear monitor mix processors provide up to two dozen individual mixes at 48 kHz and 96 kHz via KLANG:kontrollers for wireless IEM monitors.
“This was a huge leap of faith into immersive sound,” says Self, “not only the L-ISA-controlled PA system but also the KLANG 3D monitoring. Moving into immersive with one system is a huge undertaking, particularly for a house of worship, but to do so with a second system is really taking on a lot—they literally went from mono to the cutting edge of sound. But they also realize that immersive audio is the way forward for churches.”
