Dynaglide from Hall Stage
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(Lee Baldock)
(Lee Baldock)
The EVO was designed for maximum ease of use. Its user interface gives constant feedback over the current show or programming actions using plain English sentences. Thanks to the motorised faders, the user will be able to program scenes as on an analog desk or run entire cuelists from one submaster. ENTTEC have also included new features such as semi-automatic crossfades and web remote control. The EVO is not built around a PC, but uses an in
(Lee Baldock)
Once again this year some of the world’s top artists participated, including Cranberries’ vocalist Dolores O’Riordan, Terence Trent D'Arby, Sasha, Josè Feliciano, Russell Watson, Massimo Ranieri, Edoardo Bennato, Elisa, Tiziano Ferro, the Schola Cantorum Cantate Domino treble voice choir from Belgium, the New Millennium Voices Gospel
By handling all audio processing, communication and control functions entirely digitally, Praesideo achieves hihg levels of flexibility and ease of installation. Initial system configuration is carried out quickly and easily from a PC with user-friendly configuration software, eliminating the need for programming at the equipment end or complex, time-consuming changes in the system cabling when upgrading or expanding. The configuration software uses web-based technology, and allows authorized users to access and monitor the system from any location. A
Electrical CAD enables electrical systems to be designed on the building drawing using a DXF file or directly with AutoCAD. It comes with a comprehensive and easy to use BS symbol library: as symbols are entered onto the drawing, they automatically snap to wall orientations. Using extensive manufacturer’s databases of boards, protective devices, busbars, cable and luminaires, the designer can build the lighting and electrical design straight onto the drawing.
(Ruth Rossington)
The Multi-Mount is a modifie
PMI specializes in the hire of sound systems to event companies who design and manage large corporate events all over the world. "It’s an exceedingly demanding and competitive environment," explained PMI's Peter Maciuk, "and as events get more and more complex, so the requirement for more diverse multicore systems increases. What we now have is a fully modular multicore system which ranges from 50m 8-pair up to 100m 48-pair with 16-pair return and monitor break-outs. We can also offer a complete stage satellite system comprising three 25m 16-pair dual sex stage boxes to a 48-way dual sex patch panel. In simple terms it gives us the flexibility and the ability t
The Eclipse II is a variable speed DMX controlled iris douser with linear control using a single motor. It can realistically fade fixtures that use non-dimmable arc and metal halide sources, products which are becoming more and more prevalent in lighting design today. One of three lighting accessories awarded the EDDY 2001, it was the smooth and seamless fades of Eclipse II which impressed the panel.
Keny Whitright of Wybron and theatre legend George Izenour collected the award at the 10th annual EDDY Awards at John Jay College Theatre in New York City. The EDDY Awards are presented annually to honour excellence in entertainment design and technology, as well as innovation i
This particular loudspeaker product is ideal when a high quality distributed sound system is required - in delay and fill applications in theatre-style venues, for example. The product has already found a home in France, on the much-talked about and newly-built Lyon Tramway. This latter is a sound art installation and the 88 MM4s can be found distributed along the 18 stations of the Tramway, transmitting ambient sounds and announcements when required.
Back in the UK, the product is being taken very seriously by several sound design consultants and installation companies and has been specified for a number of
Designed for use straight out of the box, the 328XD control surface needs little explanation, and virtually all functions are easily accessible through the mixer’s unique ‘E-Strip’. This can act as a horizontal channel strip, controlling EQ and aux sends, or a dynamics control panel, or as level controls for the tape returns.
The 328XD also boasts a new
The addition of the ‘B’ versions comes at the same time as two new products: for ENG use is a new single-unit, camera-mounting dual-channel diversity receiver (the WRR-862B), while a new handheld transmitter (the WRT-847B) with five interchangeable capsule options (female vocal, male vocal, speech, shotgun and ENG) brings greater flexibility to a range of applications.
The new additions are all compatible with the existing WL800 ‘A’ and Freedom models, but can operate in any 24MHz frequency block between 470MHz and 862MHz, including the lower TV channel ranges which were previously unusable for wireless microphones because of the size of components require
(Lee Baldock)
ColorDial’s control knob allows users to change between a variety of pre-programmed colours and colour changing effects - fixed colour, colour wash, three chasing rainbow settings, random colour, random fade, and white light - without any added programming or setting of dipswitches. Users simply press the dial-knob to select the desired effect for their lighting set-up. Once the effect has been chosen, users can then change the speed of the
The range is complemented by the powerful HQ 2002S 1000W stereo switch mode power amp, and heavy duty tripod speaker stands. Full product specification and details will be available shortly and the product proper should be available from March.
(James Eade)
The Caddy offers 24 electronically balanced analogue inputs and outputs with conversion to and from 12 AES/EBU digital inputs and outputs, all in a compact 1U rack space. Sample rate conversion is available from 32kHz to 96kHz, with 24 bits per sample, and the sampling rate follows that of the AES.11 sync input; the default being 48kHz.
The first customer for the Caddy is the European Broadcasting Union, who have taken 20 units as part of a 400 x 400 digital matrix for the Salt Lake City Winter Olympics. The EBU system al
The 60°x 60° dispersion and square mouth, means that the RH1 can be used in either plane for wide dispersion arrays, vertical line arrays, stacking or conventional bracket mounting. The RL1 3kW bass bin is a unique design with 4 x 15" (380mm) 750W bass units in the mouth of an 8 square foot horn. The large back chamber is also vented into the horn mouth, combining bass and sub bass down to 25Hz. The RL2 half-size bass bin is also avail
The SB210 has two ten-inch (254mm) aluminium/ceramic composite cone woofers, for a total power handling capability of 400W continuous (1600W peak). Intended for use indoor or outdoor, the SB210 features a high impact polystyrene cabinet and multilayer thermoset composite-covered grille for full weatherproofing.
The frequency range of the SB210 is 42Hz-200Hz. When used with the optional JBL MTC-210-SAT network, a single amplifier may be use
The range includes the VS-10, VS-12 and VS-12M monitors, the popular VS-15 and the VS-153 three way system and the VS-15B and VS-18B sub woofer systems with their internal low pass crossovers and high output, high power handling purpose-built woofers.
(Lee Baldock)
Three of the models in the 7000 Series are incorporated with Genelec's latest 6.1 bass management technology. This new system has six signal input and output channels, a discrete LFE signal input with a selectable 85/120Hz low-pass filter and a summed signal output for flexibility and easy connection.
Designed for stereo or multi-channel applications, the 7071A is intended to complement Genelec’s 1032A, S30D or 1037B active monitors. Boasting a frequency
The LiX-C12x has been designed for enhanced low frequency performance at high output levels. This model, as well as the LiX-C15 and 15M (monitor), feature a purpose-built high frequency compression driver using a specially formed titanium diaphragm with a 50mm voice coil. Also new to the LiX family is the LiX-C18MB (Modular Bass) which is available in two versions for optimum coupling to amplifier types and installation requirements. The LiX-C range also offers a 15" sub and 18" sub with massive motor structures designed to sustain high output over long periods. Understanding that sound systems are often asked to perform beyond their original design parameters, the LiX-C range features Wharfedale&r
For a full run-down of all the latest features from RMS22, visit the company website at the address below.
(Lee Baldock)
(Ruth Rossington)
Laser Studio’s new 1W colour unit currently offers eight modulated colour outputs. The aim is to develop the system into a 256 fully modulated colour system in the future. This product, say Laser Studio, heralds a major change in laser technology and is an important step forward in replacing older, inefficient equipment that required complex cooling and hefty electrical supplies.
The ‘Beam in a Box’ concept - and specifically this product - has been designed with the conference, exhibition and club markets in mind, although it will also be suitable for theat