Robe - LEADERBOARD - Feb 2025
Doughty - Banner - from 15 May 2025

Projects

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France - Classically trained French musician, DJ and electronic music producer Worakls is renowned for his melodic and experimental sounds. He toured his latest Orchestra album throughout 2019 to a series of 1000-1500 capacity venues and concluded the year by stepping up to three arena-sized shows - Zeniths in Paris and Toulouse and the Salle 3000 concert hall at the Lyon Palais des Congrès - complete a with a 31-piece orchestra.
To light these larger shows plus some additional European dates scheduled for early 2020, lighting designer Nicolas Galloux was asked onboard to add his visual magic into this musical collaboration.
Nicolas specified around 80 Robe moving lights to assist him in the task, including MegaPointes, BMFL Blades, Spiiders and LEDBeam 150s, all supplied by French rental company S Group who also provided the audio.
S Group’s technica

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USA - Real-time media playback solutions heavyweight Green Hippo deployed its range of Hippotizer Media Servers to fight for world-class visuals with the season premieres of WWE Monday Night Raw and WWE Friday Night SmackDown television shows.
Fourteen Hippotizer Media Servers braved the WWE road: made up of Karst, Karst+ and Boreal+ machines. In total, more than 20,000 individual clips were processed during each performance, with pre-made content mixed with effects generated within Hippotizer V4.5.
The global entertainment company WWE - known for its audience-grabbing, in-ring energetic theatrical drama - wowed crowds across the US, Middle East and Europe with big name appearances and new staging augmented with mammoth LED screens and visuals.
“The team used a custom 4.5.2 build of the Hippotizer software, the biggest reason being so we could uti
Doughty - Banner - from 15 May 2025

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Ireland - Over the last few months of 2019, one of Ireland’s largest technical production companies, PSI in Ireland, invested in a large stock of Elation Professional lighting, a purchase that included Elation’s award-winning Artiste and IP65 Proteus series moving heads among other lighting fixtures.
With offices in Dublin and Belfast, PSI in Ireland provides technical audio, lighting, and rigging solutions for the entertainment and installation sectors across Ireland and Northern Ireland. The company’s lighting inventory, already Ireland’s largest stock of professional lighting equipment, has expanded with the addition of Artiste Picasso LED profile moving heads, Proteus Hybrid IP65-rated moving heads, narrow-beam Dartz 360 LED moving heads, and IP65 Pixel Bar 60IP LED strip lights.
“After looking at many of the manufacturers out there I felt like Elation

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USA - Lighting/production designer Jon Eddy is using 38 Claypaky Sharpys to illuminate the Original Misfits reunion shows featuring Glenn Danzig and Jerry Only. He also incorporated his Misfits lighting design into 2019 Psycho Las Vegas, the massive metal/punk rock festival held annually in August. Eddy is marking his fourth year designing for Psycho Las Vegas.
The Original Misfits got back together for a series of gigs last year and continue to play selected venues in 2020. Their next appearance will be headlining Mexico City’s Domination Fest in May.
The reunion shows, which included dates in LA, Denver and Seattle, coincided with the band’s 40th anniversary; they sold out their date at New York City’s Madison Square Garden.
Eddy designed the shows with a huge fanned out finger rig; six of the long fingers feature 18 Sharpys, bottom hung. A

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UK - Manchester's Royal Exchange Theatre - the largest theatre in-the-round in the country - has recently upgraded its lighting rig to incorporate SolaFrame fixtures from High End Systems.
The glass-walled space, seats up to 750 people on three levels and is a seven-sided theatre suspended from four large columns. Although most of the theatre’s work is self-produced and bespoke for the space, its current programme requires a luminaire that can meet very different challenges; from straight plays, to musicals and even live music events.
“We were looking to replace our existing moving lights with a high-quality LED unit and had waited a number of years for the right fixture to become available,” says Mark Distin Webster, head of lighting. “Following much consideration, we felt the SolaFrame 1000 was the moving light that gave us the best spectrum of choice whilst

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USA/Canada - Solotech expanded its lighting inventory last summer with the purchase of 150 Ayrton Khamsin-S LED profile luminaires and 108 Ayrton MagicBlade-FX fixtures from ACT Lighting, Inc., Ayrton’s exclusive distributor in North America.
The Khamsin-S units selected by Solotech are designed for scenic applications. The fixture is equipped with a new LED module delivering powerful metallic white light with a record-breaking output of 40,000 lumens and a colour temperature of 6500 K. The MagicBlade-FX is the latest iteration of the popular MagicBlade-R. It features seven next-generation RGBW high-output LEDs than can be individually controlled to create airborne virtual scenery or to illuminate sets and performers.
“Ayrton is a well-known quality brand with impressive fixtures that are industry accepted and requested,” says Lee Moro, vice president of live pro

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UK - Silent Conference supported the live-to-vinyl recording event by Record Store Day 2020 ambassadors The Big Moon at Metropolis Studios, London.
Ahead of Record Store Day – which takes place this year on 18 April – The Big Moon recorded their Record Store Day release live in front of an audience at Metropolis Studios on 5 March.
Metropolis Studios recreated the experience of recording live to vinyl, a process that was once used regularly by musicians. The attending audience, comprised of music industry personnel and fans of The Big Moon, used wireless headphones provided by Silent Conference to listen to each individual track as it was performed and recorded live. Through the headphones, attendees also heard conversation between the band members (Juliette Jackson, Soph Nathan, Celia Archer and Fern Ford) and studio engineers throughout the recording process, as

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Ukraine – Chinese fixture manufacturer Acme’s Dotline360 LED battens are adding powerful, pixel-mapped colour to some of Ukraine’s biggest shows following an investment by one of the country’s largest rental and lighting production companies, Alight.
The one-metre Dotline360 units, which are equipped with 12x 30W RGBW LEDs, landed in stock at Alight in autumn 2019 and have been out on projects almost continuously ever since.
Most recently, they have been seen in action on the popular Ukraine TV show Dancing with the Stars, and a gig by Ukraine pop duo Vremya i Steklo, who performed to a capacity 10,000 crowd at Kiev’s Palace of Sports arena.
“We discovered Acme’s Dotline360 at Prolight+Sound in Frankfurt in 2019 and were immediately impressed by the brightness, colour mixing and smooth output with great linear dimming,” says lighting des

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Canada - The French concert version of the hit musical Phantom of the Opera has debuted in Montreal and Quebec City where lighting designer Jean-Francois Couture, of Montreal’s La Boîte à Lumière, utilised grandMA3 full-size console for lighting control.
The new production, featuring 20 singers and a 40-musician orchestra, enchanted audiences at the Théâtre St-Denis in Montreal and the Grand Théâtre de Québec. It was presented by Spectra Musique through a special arrangement with The Really Useful Group.
Couture has used grandMA lighting consoles for the last two decades. Phantom of the Opera was his first experience with the grandMA3, which he ran using grandMA3 software. The system was provided by Francis Giguère of Omnison, Montreal.
During the Christmas holiday Couture taught himself the grandMA3 “using the same process as when I s

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Europe - Regular users of GLP solutions, 30 Seconds to Mars, spent last summer playing festivals and indoor arenas across Europe, including two special ‘Mars Island’ shows on a private Croatian Island. Piloting their lighting and visual show was production designer Tom Campbell of MIRRAD, himself a regular user of GLP’s award-winning fixtures over the years.
“The original impression series was one of the fixtures I had used regularly back in the day and it’s great to see how far GLP has evolved ever since,” he says.
Campbell joined the technical team last May after finding himself unexpectedly being contacted by the band’s leader, singer/songwriter and actor, Jared Leto.
“I received a random phone call from him about lights, having already spoken to the production managers, Pete Abbott and Ed Slaney,” he confirmed. And the designer quickly learn

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Europe - Lewis Capaldi’s first arena tour in the UK saw design partnership Cassius, Chris ‘Squib’ Swain and Dan Hill taking a stark minimalist stage set and enfolding it in textural layers of video with a mix of roller-drop projection and hi-def LED.
“It’s a fascinating landscape,” said tour video director Mark Davies, “Squib and Dan determined to place the focus squarely on Lewis with a strong imperative on his art and artistry. For me that has meant seeking a far more nuanced and thoughtful perspective for the live camera work that forms such a strong part of the narrative.”
The LED screens, camera package and six 30K Panasonic laser projectors are supplied by Video Design; so too the Disguise gx 2c servers for some stunning content from North House.
“Tom Bairstow and the team at North House have taken what is a technically ambitious show an

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New Zealand For the welcome event of the annual Conventions & Incentives New Zealand (CINZ) conference in Queenstown, local visual production specialist TomTom Productions provided a cultural and historical storytelling experience with the help of Hippotizer media servers.
The presentation, highlighting the lesser known cultural history of Queenstown and the story of Lake Wakatipu, used rich graphic content and soundscapes to relate the captivating story, which included traditional Maori legends of the origins of the lake and landscape.
TomTom’s Hamish Edh and his team collaborated with representatives from Destination Queenstown and event design agency, Watson & Wyatt Events, to deliver the story content for the opening session.
TomTom specified two Hippotizer Karst media servers, one as the main playback unit, with the second as backup. The main Karst

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USA - Christian Life Assembly is a thriving church in Camp Hill, Pennsylvania. Its pie wedge-shaped sanctuary seats approximately 2,000, a capacity that is met many times over during the staging of its regionally-famous Christmas pageant.
However, the church struggled to deliver high-impact services and feedback-free performances. Its 38-box distributed loudspeaker system couldn’t deliver the goods. Local AVL integration firm Emmaus Media & Design came up with a plan to replace those 38 loudspeakers with just five Danley boxes, including two Danley J2-96 Jericho Horns, as well as new Danley systems in the youth and the kids’ rooms – all for less than half of what other firms bid for the sanctuary system alone.
“Danley’s well-designed point-source loudspeakers can do the work of numerous line array elements, which makes a Danley system way less expensive t

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USA - When Alaskan rock band Static Cycle found themselves in need of a location to shoot their latest music video, Boxes, Bandit Lites offered use of their rehearsal space, Venue One, a 10,000sq.ft facility equipped with the capabilities of hanging a rig, virtual programming rooms and more. The band, comprised of Jared Navarre, Andy Sheridan and Lester Estelle Jr. have been dubbed the “hottest rock band out there” by MTV.
Lighting designer Carter Fulghum configured a versatile plot using a box truss that could transition between big, concert moments and tighter, more intimate looks. The band started in the centre of the box with a mid truss above them outfitted with GLP Impression X4 fixtures. These not only painted the set but also supplied zooms for beams. GLP X4S lights were placed on floor-standing side trusses for a low side light as well as beams for the h

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Belgium - Jan Van Lindt captured the power and complexity of singer Tamino’s music in light for a recent one-off the star performed at the Lotto Arena in Antwerp in advance of his upcoming North American tour. Drawing on a collection of over 90 Chauvet Professional fixtures supplied by Splendit, Van Lindt created an appropriately transcendent mood on stage by balancing warm, intimate moods with intense theatrical effects.
“Because of the size of the stage, I tried to go for a more dramatic look,” he said. “However, the lighting also needed to be subtle and small to relate to the emotions of Tamino’s music. By balancing the right lights, we were able to be punchy and big at the appropriate times in order to fill the large arena, without losing that sense of intimacy.”
Anchoring this lighting concept were 36 Nexus AW 7x7 fixtures that were hung from nine ce

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Canada/USA - A Kinesys automation system and Vector control system have been on the road with a new and updated North America touring version of the musical We Will Rock You, directed by JP Thibodeau and featuring the music of Queen, produced by Annerin Theatricals of Alberta, Canada.
This is the first time Annerin has used Kinesys products – two half-ton Elevation vari-speed hoists and the Vector – which is being supplied to the production by Christie Lights – and operated by Pippa Bagley who is also the video systems tech together with the tour’s production manager. The LX systems tech is Adam Volk.
The tour’s director of production is Bruce Hennel and Scott Christensen from Annerin Theatricals is the general manager.
Variable speed motors were needed to facilitate the lifting of a large centre stage video screen measuring 2.5M x 4.5M (8.2’

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Germany - Batschkapp Frankfurt, one of the most famous clubs for rock concerts and alternative music in Germany, has turned again to Martin Audio for its monitor requirements, equipping its stage with LE200 monitors.
Founded in 1976, The Batschkapp moved to a new, larger location at the end of 2013, where concerts from rock to hip hop take place almost daily. The technology in the Batschkapp has to be particularly robust to withstand the constant strain, and also has to be suitable for a wide mix of music genres in terms of sound.
"Almost half of our bands and musicians still play with classical floor monitors,” explains Andi Kerl, technical director of the Batschkapp, "In order to keep the transport effort low, many productions nowadays rely on the in-house loudspeakers on location. Therefore, our monitors must also have a high rider acceptance.”
For more th

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Greece - Technically Creative are in the midst of completing a project in Athens. The Xplore FEC just outside of the capital, is due to have the second phase of installation completed, with the Technically Creative project spanning five months from September of last year.
The family entertainment centre is split into three sections, the Exploratorium, Adventureland and the Aquarium. Children and parents have the opportunity to play a laser harp, or a giant piano. They can design and service a car, or race each other in the racing simulator. You can even feed virtual fish.
There will also be a new product debuting from Technically Creative at Athens FEC, Virtual Village. The product design and programming for this exhibit has taken the team nearly six months of preparation, and once installed visitors will use various transport types, such as boats planes, trains and au

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Spain - Lighting designer Joan ‘Teixi’ Teixidó used 30 x Astera AX3s ‘Lite Drops’ on the most recent tour for singer Alfred García, who played over 50 dates around Spain.
Emerging from popular TV talent show Operación Triunfo, this was Alfred Garcia’s first full production tour to date and the first time that Teixi had worked with the artist, who headhunted him to be part of his creative team after the series’ 2017 season. Alfred Garcia’s first studio album 1016 was released at the end of 2018 and shot straight to number 2 in the Spanish album charts, and the tour campaign to support it ran from February to November 2019.
The lighting design was initially inspired by scenographer Lluis Danes’ set, and the brief was to bring a bit of extra ‘magical touch’ to the stage with the lighting. From Earth to Mars is one of Alfred Garcia’s

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USA - With World Theatre Day 2020 fast approaching on 27 March, Point Source Audio is marking the occasion by offering one non-profit youth arts organisation the chance to win $5,000 worth of microphones from the Embrace series. Featuring ‘a concealable design that stays firmly in place even during the most energetic of productions’, the Embrace microphones are suited to young performers.
Having previously donated Point Source Audio products as part of its Decade of Innovation competition back in 2018, the manufacturer is once again championing arts education by asking its social media followers on Facebook to nominate non-profit organisations who they think are deserving of the prize. From youth theatre groups to schools, the competition is open to any non-profit community-led organisation or group that is supporting young people in the arts.
At the core of this W

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UK – The Prolights LED lighting range is helping Huddersfield Town Hall to meet its improved energy efficiency and production value goals for events.
The multi-purpose venue’s concert hall is at the heart of the Huddersfield community’s cultural activities, hosting concerts, comedy shows, awards ceremonies, conferences and other events.
Andrew Wrixon, technical manager for Huddersfield Town Hall and other venues managed by the Kirklees Council, chose Prolights fixtures when the concert hall’s traditional rig was due to be upgraded to an energy-efficient LED system.
He commented: “We invested in Prolights fixtures as we have been very pleased with them at our other venues. Their price is very good and they achieve excellent results for us.”
The venue invested in over forty fixtures, including EclipseFC full colour LED profiles, Stark400 LED wash/

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USA - Paul Siebert makes no bones about it: every night, as soon as punk rockers Menzingers strike the first snarling note in one of their Hello Exile tour sets, he kicks his lightshow into fourth gear. “I really try to introduce a lot of energy into the room as early as possible,” he explained. “This is a punk show at heart, so all the transitions between songs are really fast, and most of the band’s songs come out of the gate swinging. The earlier I can get the crowd moving, the better the show will be for everyone.”
Helping Siebert launch his show with supercharged ferocity is a collection of Chauvet Professional Rogue fixtures supplied by Squeek Lights. With four Rogue R1X Spot fixtures on side truss and four Rogue R1 Wash units hung on pipe and positioned by the drum riser, he has plenty of firepower to cover the stage with intense colours and patterns, while

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Australia - The new Sydney Coliseum Theatre is the first of its kind in the rapidly developing region of Greater Western Sydney and features L-ISA Hyperreal Sound technology.
“Rooty Hill draws on a very large catchment area that stretches from the Blue Mountains to Canberra, Hornsby and the city. Visitors are coming to a world class theatre without having to pay toll fees or parking charges. With a new international airport being planned close by, the road and rail infrastructure are excellent,” says The Coliseum technical operations manager Bicci Henderson.
Henderson had served 12 years at the Lyric Theatre and had no intention of moving, until he saw Sydney Coliseum. A visit to the venue became the turning point for Henderson; as he was so impressed with what the team was working to achieve that he wanted to be part of it.
Soon after joining the theatre, H

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UK - The 40th edition of the Brit Awards, held on 18 February at London’s O2 Arena, featured the event’s most challenging audio production to date; designed and executed by long-term audio partner, Britannia Row Productions.
Brit Row delivered a multi-stage sound system with a secondary PA in tow, utilising Out Board TiMax 3D spatial audio control. This enabled performances - which included a highly anticipated appearance from Stormzy - to take place under - not in front of - the PA and allowed host Jack Whitehall’s vocal to be localised into the nearest audio system as he worked the busy room.
Delivered to both people in the venue a live television audience, “there is never a compromise on the audio,” says Britannia Row sound designer Josh Lloyd. “The high standard expected is driven by the level of performances; every artist knows this is a huge pla
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GLP - MPU - Feb, Apr 2025

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