Belgium - Jan Van Lindt captured the power and complexity of singer Tamino’s music in light for a recent one-off the star performed at the Lotto Arena in Antwerp in advance of his upcoming North American tour. Drawing on a collection of over 90 Chauvet Professional fixtures supplied by Splendit, Van Lindt created an appropriately transcendent mood on stage by balancing warm, intimate moods with intense theatrical effects. “Because of the size of the stage, I tried to go for a more dramatic look,” he said. “However, the lighting also needed to be subtle and small to relate to the emotions of Tamino’s music. By balancing the right lights, we were able to be punchy and big at the appropriate times in order to fill the large arena, without losing that sense of intimacy.” Anchoring this lighting concept were 36 Nexus AW 7x7 fixtures that were hung from nine ce
Canada/USA - A Kinesys automation system and Vector control system have been on the road with a new and updated North America touring version of the musical We Will Rock You, directed by JP Thibodeau and featuring the music of Queen, produced by Annerin Theatricals of Alberta, Canada. This is the first time Annerin has used Kinesys products – two half-ton Elevation vari-speed hoists and the Vector – which is being supplied to the production by Christie Lights – and operated by Pippa Bagley who is also the video systems tech together with the tour’s production manager. The LX systems tech is Adam Volk. The tour’s director of production is Bruce Hennel and Scott Christensen from Annerin Theatricals is the general manager. Variable speed motors were needed to facilitate the lifting of a large centre stage video screen measuring 2.5M x 4.5M (8.2’
Germany - Batschkapp Frankfurt, one of the most famous clubs for rock concerts and alternative music in Germany, has turned again to Martin Audio for its monitor requirements, equipping its stage with LE200 monitors. Founded in 1976, The Batschkapp moved to a new, larger location at the end of 2013, where concerts from rock to hip hop take place almost daily. The technology in the Batschkapp has to be particularly robust to withstand the constant strain, and also has to be suitable for a wide mix of music genres in terms of sound. "Almost half of our bands and musicians still play with classical floor monitors,” explains Andi Kerl, technical director of the Batschkapp, "In order to keep the transport effort low, many productions nowadays rely on the in-house loudspeakers on location. Therefore, our monitors must also have a high rider acceptance.” For more th
Greece - Technically Creative are in the midst of completing a project in Athens. The Xplore FEC just outside of the capital, is due to have the second phase of installation completed, with the Technically Creative project spanning five months from September of last year. The family entertainment centre is split into three sections, the Exploratorium, Adventureland and the Aquarium. Children and parents have the opportunity to play a laser harp, or a giant piano. They can design and service a car, or race each other in the racing simulator. You can even feed virtual fish. There will also be a new product debuting from Technically Creative at Athens FEC, Virtual Village. The product design and programming for this exhibit has taken the team nearly six months of preparation, and once installed visitors will use various transport types, such as boats planes, trains and au
Spain - Lighting designer Joan ‘Teixi’ Teixidó used 30 x Astera AX3s ‘Lite Drops’ on the most recent tour for singer Alfred García, who played over 50 dates around Spain. Emerging from popular TV talent show Operación Triunfo, this was Alfred Garcia’s first full production tour to date and the first time that Teixi had worked with the artist, who headhunted him to be part of his creative team after the series’ 2017 season. Alfred Garcia’s first studio album 1016 was released at the end of 2018 and shot straight to number 2 in the Spanish album charts, and the tour campaign to support it ran from February to November 2019. The lighting design was initially inspired by scenographer Lluis Danes’ set, and the brief was to bring a bit of extra ‘magical touch’ to the stage with the lighting. From Earth to Mars is one of Alfred Garcia’s
USA - With World Theatre Day 2020 fast approaching on 27 March, Point Source Audio is marking the occasion by offering one non-profit youth arts organisation the chance to win $5,000 worth of microphones from the Embrace series. Featuring ‘a concealable design that stays firmly in place even during the most energetic of productions’, the Embrace microphones are suited to young performers. Having previously donated Point Source Audio products as part of its Decade of Innovation competition back in 2018, the manufacturer is once again championing arts education by asking its social media followers on Facebook to nominate non-profit organisations who they think are deserving of the prize. From youth theatre groups to schools, the competition is open to any non-profit community-led organisation or group that is supporting young people in the arts. At the core of this W
UK – The Prolights LED lighting range is helping Huddersfield Town Hall to meet its improved energy efficiency and production value goals for events. The multi-purpose venue’s concert hall is at the heart of the Huddersfield community’s cultural activities, hosting concerts, comedy shows, awards ceremonies, conferences and other events. Andrew Wrixon, technical manager for Huddersfield Town Hall and other venues managed by the Kirklees Council, chose Prolights fixtures when the concert hall’s traditional rig was due to be upgraded to an energy-efficient LED system. He commented: “We invested in Prolights fixtures as we have been very pleased with them at our other venues. Their price is very good and they achieve excellent results for us.” The venue invested in over forty fixtures, including EclipseFC full colour LED profiles, Stark400 LED wash/
USA - Paul Siebert makes no bones about it: every night, as soon as punk rockers Menzingers strike the first snarling note in one of their Hello Exile tour sets, he kicks his lightshow into fourth gear. “I really try to introduce a lot of energy into the room as early as possible,” he explained. “This is a punk show at heart, so all the transitions between songs are really fast, and most of the band’s songs come out of the gate swinging. The earlier I can get the crowd moving, the better the show will be for everyone.” Helping Siebert launch his show with supercharged ferocity is a collection of Chauvet Professional Rogue fixtures supplied by Squeek Lights. With four Rogue R1X Spot fixtures on side truss and four Rogue R1 Wash units hung on pipe and positioned by the drum riser, he has plenty of firepower to cover the stage with intense colours and patterns, while
Australia - The new Sydney Coliseum Theatre is the first of its kind in the rapidly developing region of Greater Western Sydney and features L-ISA Hyperreal Sound technology. “Rooty Hill draws on a very large catchment area that stretches from the Blue Mountains to Canberra, Hornsby and the city. Visitors are coming to a world class theatre without having to pay toll fees or parking charges. With a new international airport being planned close by, the road and rail infrastructure are excellent,” says The Coliseum technical operations manager Bicci Henderson. Henderson had served 12 years at the Lyric Theatre and had no intention of moving, until he saw Sydney Coliseum. A visit to the venue became the turning point for Henderson; as he was so impressed with what the team was working to achieve that he wanted to be part of it. Soon after joining the theatre, H
UK - The 40th edition of the Brit Awards, held on 18 February at London’s O2 Arena, featured the event’s most challenging audio production to date; designed and executed by long-term audio partner, Britannia Row Productions. Brit Row delivered a multi-stage sound system with a secondary PA in tow, utilising Out Board TiMax 3D spatial audio control. This enabled performances - which included a highly anticipated appearance from Stormzy - to take place under - not in front of - the PA and allowed host Jack Whitehall’s vocal to be localised into the nearest audio system as he worked the busy room. Delivered to both people in the venue a live television audience, “there is never a compromise on the audio,” says Britannia Row sound designer Josh Lloyd. “The high standard expected is driven by the level of performances; every artist knows this is a huge pla
USA - For the 5th Avenue Theatre, a venue that seats almost 2,200 patrons, having a fully stocked arsenal of microphones to rely on for its theatrical productions is of utmost importance. The Seattle-based theatre has found that dependability with DPA Microphones, which were recently deployed for the venue’s production of Marie, Dancing Still. The 5th Avenue Theatre’s stock of DPA microphones includes 4061 Omnidirectional Miniature Mics, 4011 Cardioid Microphones, 4099 Instrument Microphones, and the newest addition, the brand’s 6061 Omnidirectional Subminiature Microphones. “We are happy to add DPA mics to our inventory whenever we can,” says Karen Katz, head sound engineer for The 5th Avenue Theatre. For Marie, Dancing Still, a theatrical production based on dance and ballet, it was crucial for the sound design team at The 5th Avenue Theatre
USA - Claypaky Xtylos laser source moving lights made their Pepsi Halftime Show debut at Super Bowl LIV where they added even more impact to the dynamic performances of Shakira and Jennifer Lopez in Miami’s Hard Rock Stadium. Xtylos created a network of intense beams in varied colours as well as wave effects that served as a background for the stage. Lighting designer Bob Barnhart of 22 Degrees, who has 21 Super Bowl halftime shows to his credit, selected 50 Xtylos for the event after seeing the fixtures at LDI 2019. “I was impressed with the beam quality, which was so pure and consistent in intensity from the outside edge to the centre,” he says. “Xtylos was incredibly crisp and clear; its really hard edge intrigued me and stayed on my mind as the halftime show took shape.” “It takes a special breed of person to use a new product on a project like t
The Netherlands - A prominent player in the world of LED displays and audio-visual productions as well as part of the NEP Worldwide Network, Faber Audiovisuals, hosted a virtual production demo at Amsterdam Studios at the end of February. As part of the event, Brompton Technology was invited to present its HDR (High Dynamic Range) solution on LED screens set up as greenscreen replacements for film and TV. Enabled by Brompton’s Dynamic Calibration technology, HDR delivers images that appear ‘perceptibly sharper, more vivid, detailed and lifelike’. Though the use of LED screens in film has been slowly increasing over the past decade, the advances in resolution, brightness and colour range (HDR) coupled with the growing affordability of these technologies in the last couple of years have made LED screens an increasingly attractive option for both high profile produc
Singapore - Ctrl Fre@k’s Jeffrey Yue has drawn upon his extensive know-how plus creative AV technology including TiMax SoundHub spatial audio servers - to realise a five-act multimedia extravaganza within century-old Fort Canning, to commemorate Singapore’s 200-year milestone. From Singapore to Singaporean: The bicentennial Experience is a one-hour immersive, multi-sensory journey that charts Singapore’s 500-year history prior to the British arrival in 1819 and onwards to the present day. As technical consultant and systems designer for audio, video, lighting and multimedia control aspects of the exhibit, Ctrl Fre@k’s remit was to integrate the work of numerous design agencies and creative consultants into a unified whole using the most sophisticated technologies, with TiMax SoundHub in the frame to facilitate a cohesive audio journey. The temporary exhi
Germany - The Kulturzelt is an annual music festival in Kassel that has run since 1987. It began life in a former circus tent, before progressing to its current location in a temporary, self-supporting concert hall constructed in 2010. The specially designed, circular plexiglass structure covers an area of 860sqm and accommodates 900 visitors. Kulturzelt is now a strongly established event in the German festival calendar. Events production specialist Ambion of Kaufungen has supported Kulturzelt with a full production since 2004 and was once again asked to supply the audio for the 2019 edition. The company took the opportunity to install a brand-new Coda Audio N-Ray system. N-Ray is Coda’s latest ultra-compact line array. Ambion were involved in pre-launch trials of N-Ray, and having experienced its power and quality, had no hesitation in deploying the beta syst
Germany - When Circus Flic Flac rolled into town at Westfalenhalle, Dortmund for its ninth annual Christmas show, it brought with it a 1,200-capacity circus tent, an array of human-only artistes and an Ayrton lighting arrangement by lighting designer, Christopher Rostalski, from CR-Lichtdesign in Soest. Rostalski chose to work with the latest Ayrton products to create his design in this setting, employing 20 Khamsin-S profile spots, 20 Bora-S washlights and 10 MiniBurst graphic strobe fixtures, all of which were supplied by Stefan Kniess at B + B Veranstaltungstechnik in Dortmund. Circus Flic Flac was needing powerful lighting for the inside of this dark and dramatic performance setting and the Ayrton fixtures had features that suited this environment. “We really liked the fact that Khamsin and Bora both have the Ayrton 100% framing system which are perfect for an a
Japan - Barbee Boys are a five-piece Japanese rock band who were particularly popular in 1980’s. The first Japanese group to perform at the Nippon Budokan, they disbanded in 1992, much to the disappointment of their young generation of fans. This turned to excitement when they suddenly announced a ‘comeback’ concert at the Yoyogi National Stadium 1st Gymnasium on 13 January - exactly a decade after that Budokan show - sending these same fans into raptures. MSI Japan was asked to provide the sound production and Bun Hote, who has been supporting artistes from the Office Augasta stable (which includes Kyoko, a member of the Barbee Boys), was charged with mixing the sound. Known for his ability as a system tech as well as a FOH engineer, he chose Martin Audio’s MLA as his favoured PA. His solution was to adopt a different approach to his system design, to
UK - Bristol-based production technology house Enlightened has made a significant investment in its audio rental inventory, adding Nexo’s P+ Series compact point source loudspeakers, together with L15 sub bass cabinets, and new NXAMP4x2Mk2 amplifiers. Enlightened is a one-stop shop for lighting, audio, video and staging solutions, for hire, sale, production, repair or permanent installation. Audio specialist Matt Shelbourn explains: “Enlightened has had Nexo’s popular PS series in rental stock for over 10 years. Over that time, they have proven to be reliable boxes that are popular with our clients. For these reasons, we chose to invest again in the Nexo brand. “Nexo has a reputation for making speakers that pack high SPL into small-format boxes and that is fundamentally one of the big attractions in the new P12. The dual-concentric design means the boxes are s
UK - Over the last 25 years The Brook in Southampton has established itself as one of the favourite independent music venues in the south of England. The venue has developed this reputation by putting audience and artist experience as its top priorities, and this has been seen again with a completely new sound system from TW AUDiO. Opened by founder Bryn Lewis in 1994 as a 300-capacity music venue, The Brook has a long history of supporting original music and has welcomed many artists at every stage of their career to its intimate stage. The venue had sported the same second-hand sound system since its opening, even after the capacity doubled to 600 in 2004. However, after 25 years of service this system was starting to feel the strain. “It had become a little bit like running a car with a classic engine where you have to drive it carefully and look after it,” says
USA - To update his original 2008 lighting design for a modern touring production of Dreamgirls, lighting designer Ken Billington chose the LED-based VLZ fixtures from Vari-Lite. After seeing a demo of the VLZ fixtures, he was satisfied with them as the luminaire that would reproduce the look and feel of his original Vari-Lite rig. Billington specified 32 VLZ Wash, 22 VLZ Spot and 12 VLZ Profile fixtures to form the show’s entire overhead lighting rig. “The fixtures are bright,” he says, “in fact a bit too bright! We run them at 50-70% most of the time. When you fade the LED, there is no beam degradation, which you would see if there was a shutter dimming a discharge fixture.” A key aim for this production was recreating the original colour palette, which the VLZs matched well. “The colours are really clear, clean colours that don’t muddy the beam
UK - White Light has provided the lighting equipment for the UK tour of Ghost Stories, having also supplied its recent West End run at the Ambassadors Theatre (see LSi March). Written by Jeremy Dyson and Andy Nyman, Ghost Stories has been terrifying theatregoers for over a decade. The show invites audience members to enter a nightmarish world, full of thrilling twists and turns, where their deepest fears and most disturbing thoughts are imagined live on stage. The lighting designer for the show is James Farncombe, who comments: “What was clear from the outset was that the design needed to be as much about the absence of light as much as anything else.
USA - Lighting designer David Grill has returned to GLP’s lighting portfolio to stage a new production of Michael Pink’s 1996 ballet Dracula, a reimagining of Bram Stoker’s horror classic story, at the Civic Centre Music Hall in Oklahoma City. This was presented by the Oklahoma City Ballet. “The production is rented to ballet companies throughout the world, and at each venue I lay out the line sets and adapt the show to whatever I find there,” says the LD, explaining the background. “[GLP impression X4s] are among fixtures that remain constant and the rest change depending on venue.” He believes that the production plays better in theatres where the architecture is either more ornate or with darker woods, rather than the light grey ones that pull focus from the stage. However, with the latest transfer, fixture availability forced him to replace the
USA - Alcons Audio gave the LR24 mid-size line array system its official introduction to the US touring market at Post 43, the Hollywood base of the American Legion. Inviting an array of top mixing talent to ‘test-drive’ the LR24 system and experience WYMIWYG - What You Mix Is What You Get - the system drew widespread praise. Described by its veterans as “that much more showbiz” than any other American Legion post, Post 43 was an appropriate location for the LR24 event. Two years ago, the completion of a comprehensive restoration transformed it into a 500-seat movie theatre and live venue, complete with an Alcons pro-ribbon sound system. According to Levi Joos, proprietor of installer Stay On Screen, it transformed Post 43 into “one of the best-sounding rooms in town”. The two-day LR24 event featured a system comprising eight units per side, with six BC543
South Africa - Lighting designer Marius Coetzee was asked by Johannesburg -based technical production company AV and Beyond to create a vibrant visual ambience for the 2019 FNB (First National Bank) Innovators Awards, staged in Hall 5 of the Gallagher Convention Centre in Midrand, Johannesburg. Over 100 Robe moving lights helped him produce spectacular lighting including AV and Beyond’s new Esprite LED Profiles, the first in South Africa, which arrived on site just in time to be added to the rig. The event recognises and celebrates the efforts, contributions and ideas of the innovators within the company. All recipients work for FNB Bank and received awards based on multiple elements, including flair, imagination and ability to think creatively and out-of-the-box in formulating solutions and instigating good working practices. With the focus on ‘innovation
