UK - Students from the University of South Wales Lighting and Technology department, who were given the opportunity to operate the lights for a music video shoot by The Haus Band at The Wales Millennium Centre last month.
The students got to use a variety of consoles, including a ChamSys PC Wing to run a David Howard- and Dominic Boston-designed rig that featured over 50 moving lights, including Chauvet Professional Maverick and Rogue fixtures. Aside from getting the chance to operate this impressive gear, the students garnered valuable insights into the lighting design process.
“It was really nice to lead a project with students from conception, though programming and production, to completion,” said Howard. “It’s something I had not yet done on a university project of this scale. It was also nice to see pre-visualised programming come to life on a real rig,

Malaysia - Goldenduck International recently outfitted the newly-opened MBO The Starling Mall with end-to-end cinema surround audio systems by Harman Professional Solutions.
Founded in 2005, MBO Cinemas operates 27 complexes across Malaysia, making it the third-largest chain of movie theatres in the nation. The new state-of-the-art facility at The Starling Mall in the Kuala Lumpur suburb of Petaling Jaya offers a wide range of movie-going experiences, with revolutionary theatre formats such as MBO Big Screen, MBO Premier, MBO MX4D and MBO Kecil.
In order to ensure pristine surround sound reproduction, MBO Cinemas hired cinema sound integrator Goldenduck International to outfit MBO The Starling’s ten theatre rooms with premium cinema audio systems. Goldenduck selected a complete cinema audio solution comprised of JBL ScreenArray Series cinema speakers and Crown amplif

USA - Steven Wilson is out on tour with a lighting package provided by Bandit Lites, bringing his ever-evolving sound to audiences around North America. The English musician and singer-songwriter released his fifth studio album To the Bone in the fall of last year, and while lighting director Tellson James is apt to note that Steven’s sound dictates the lighting, he also works to make sure the mood of the lighting matches the songs.
Bandit Lites is supplying Martin MAC Viper Profiles, GLP JDC1 Strobes, Clay Paky B-EYE K20, a Road Hog for control along with Chauvet VIP X6iP Video Panels.
With each venue featuring its own lighting fixtures, James shared how the Bandit-supplied package is crucial in crafting a consistent look that is still adaptable no matter whatever unknown factors the venue is going to throw their way.
“The B-EYE s offer something t

USA - With total album sales topping 12m and more than 35m singles sold, Imagine Dragons continue to soar – and the Las Vegas band’s epic live gigs no doubt play a significant part in its swift ascension into ‘arena filler’ status. Last year witnessed the four-piece thunder its way through North America, wowing fans on the first leg of its Evolve World Tour which started in Phoenix, Arizona and is scheduled to conclude in Kiev later this year.
This opening stage of the global outing, in support of the band’s third studio album Evolve, comprised 31 North American dates and SRae Productions – owned and operated by Sooner Routhier and Robert Long – used a trio of Hippotizer Boreal Media Servers to control a stunning array of 30 LED pods. Mounting the pods on a brace of automated Axis the SRae team used four projectors to shoot on to physical roll dro

Poland - The new Karova Club in Warsaw has opened, with an advanced technology infrastructure. As a central component of the AV fit-out, Phono Media, Martin Audio’s recently-appointed Polish distributor, supplied system integrator, LFX, with a CDD (Coaxial Differential Dispersion) and BlacklineX solution to fulfil the owners’ request for the Martin Audio brand cachet.
Explains Phono Media director Jacek Stanislawski: “This is a brand new club and the owner approached them for a quotation, believing that Martin Audio would be a perfect solution for the club sound. The owner, Marcin, has a lot of knowledge and passion for sound and he demands the same high quality as he would expect at home. His goal was to provide hi-fi quality to achieve the same result with classic club music.
“Once LFX had made a presentation, showing references of installations at the Minis

UK - Really Creative Media, digital and live production company, created live performance visuals for Friendly Fires’ one-off comeback gig at O2 Brixton Academy, 5 April.
Machine Management, brought in Really Creative Media’s video expertise to ensure Friendly Fires’ first UK gig in five years delivered maximum visual impact.
“Having worked with Clean Bandit since 2016, who are also with Machine Management, we knew the artist team at Machine,” commented Nick Dew from Really Creative Media.
Over the course of one month, creative director Jack James brought the bands’s‘psychedelic’ content vision to life, generating original footage filmed in-house during a series of one-day shoots followed by post-production editing.
Jack explains: “The band expressed a keen interest in us using practical effects such as ink droplets into water rather than

UK - Sound Space Vision (SSV) acousticians and theatre planners worked as consultants with architects, MUMA, to provide an innovative and sustainable community space for Storey’s Field Centre at Eddington, on the University of Cambridge’s North West Cambridge development.
Storey’s Field Centre is the dynamic hub of the community of Eddington, a new neighbourhood under construction as part of the North West Cambridge development. The Centre is a civic building in the heart of the new development and encompasses meeting rooms and a large multi-purpose hall for exercise classes, lectures, music of all genres, local festivities and events alongside a nursery.
SSV joined the project to support the range of uses both in the acoustical design and the noise isolation and the activity-led design and specification of the technical fit-out of the building.
MUMA design

France - Dushow, one of France’s leading technical production companies, has invested in 20 of Robe’s RoboSpot remote follow spotting systems.
Dushow’s commercial director Christian Lorenzi commented, “We see this as a big innovation in the follow spotting world. It’s very flexible and gives everyone involved in staging all types of shows many more options.”
The RoboSpot system comprises a BaseStation and a MotionCamera that communicate via DMX with no latency and enable several of Robe’s most popular moving lights – including, currently, the BMFL Spot, BMFL Blade, BMFL WashBeam, DL7S Profile, DL4S Profile, MegaPointe and Pointe - to be controlled from anywhere in a venue or space.
The RoboSpot MotionCamera is available either as a separate unit or integrally on the BMFL Follow Spot fixture, a modified version of Robe’s signature high powered l

UK - The hit musical, Hamilton opened at the end of December to sell out audiences at the Victoria Palace Theatre in London. Prior to its opening, the venue underwent a complete facelift to prepare for the show, with everything from the decor, the seats and the uniforms of the staff tying in with Hamilton. As part of the refurbishment, Unusual Rigging was brought on board to rejuvenate the theatre's 'tired' flying system as well as to provide rigging services for the show itself.
Jeremy Featherstone of Unusual explained: "The flying system at the Victoria Palace Theatre had become life expired due to many years of use. For Hamilton, Unusual was asked to refurbish fifteen counterweight sets that were needed for the show. Essentially, all the moving parts and ropes were replaced during the pre-rig period and the opportunity was taken to lengthen some of th

UK - Part of this year’s Barbican OpenFest saw a major new Culture Mile light and sound installation take place in the Beech Street tunnel, opposite Barbican Underground. Culture Mile presented Tunnel Visions: Array which transformed the tunnel into an audio-visual performance space combining cutting-edge projection and sound technology with the Barbican’s distinctive brutalist architecture.
Created by Tony Award-winning artists 59 Productions led by director Richard Slaney, co-produced with the Barbican, and with music by composer/conductor Esa-Pekka Salonen, Tony and Olivier Award-winning sound designer Gareth Fry was commissioned to create a multi-channel spatial sound design for the immersive multimedia art project, using TiMax SoundHub-S64 spatial audio matrix and playback engine.
TiMax directed the audio playback of 30 channels of audio stems and effe

UK - It is 35 years since Dreamgirls first hit Broadway. It was a sensational success then and the latest production at London’s Savoy Theatre is equally so.
Sound designer, Richard Brooker, wanted an analogue sound to the audio, in keeping with the show’s 1960s/70s setting, but also wanted to benefit from today’s digital technology. He specified a DiGiCo SD7T to handle Front of House mix duties, which has the warmth of sound he was looking for with all the advantages of the digital domain and the theatre-specific functions of DiGiCo’s ‘T’ software.
“No other manufacturer has put the time and effort into understanding the strange idiosyncrasies of the theatre world,” says Richard. “The SD7T has functions that are imperative when you’re working on musicals and that’s because the guys at DiGiCo talk to us, the people that use them, and make t

USA - Allen & Heath dLive Digital Mixing Systems were in use on multiple Coachella Valley Music and Arts Festival stages in support of a diverse line-up of musical acts and production needs.
Launched in 1999, Coachella has grown into a premier music and arts festival, grossing over $114m and drawing over 250,000 attendees annually. Coachella 2018 saw a large number of dLive artists on the line-up, including BØRNS, Hayley Kiyoko, Nile Rodgers & Chic, Nothing But Thieves, PVRIS and The Neighbourhood.
Praised for its intuitive workflow and tiny footprint, the dLive C1500 Control Surface was a popular choice across Coachella festival stages. The C1500 is the first rack-mountable surface for the dLive system. Packed in a diminutive frame are 12 faders over 6 layers, built-in audio I/O, an audio networking port and a 12" capacitive touchscreen. All dLive Control Su

Europe - British Electronic Dance Music (EDM) pioneers, Orbital, reunited last year to the delight of music fans world-wide after five years apart following separate projects. Brothers Phil and Paul Hartnoll are currently touring their reunion show across Europe.
Lit and stage designed by the band's long-term lighting designer Jonny Gaskell, the show features an array of lighting effects from the Claypaky A.leda B-EYE K20 and Claypaky Stormy CC.
Known and loved for their moments of on-the-spot improvisation during live shows, Orbital can be a challenging act to light for even a seasoned designer. However, Gaskell has worked with the brothers for over 25 years and is confident in optimising the lighting for their performance style, as well as realising their creative input.
"We know each other well and are able to bounce ideas off one another to really develop the

USA - Veteran lighting designer Kelly Easterling of Quantum Creative Studios recently deployed Martin by Harman MAC Encore Performance fixtures to create an intricate lighting design for The Secret Silk a Broadway-style musical which debuted on the Princess Cruises ship Royal Princess in February.
The Secret Silk was brought to life by a talented team of industry veterans, including Director John Tartaglia, executive producer Stephen Schwartz (creator of Wicked, Pippin and Godspell) and supervising producer Jayson Raitt from Quantum Creative Studios. The stunning set design was created by three-time Tony Award nominee Anna Louizos, with lighting design by Easterling, video and projection design by Aaron Rhyne, costumes by Tony Award-winner Clint Ramos, and animal puppets created by the Jim dHenson Creature Shop.
Based on a Japanese fo

USA - Launched in February 2018, Brilliant! is the latest addition to the popular Neon Museum Las Vegas, featuring an augmented-reality A/V system designed, installed, and programmed by Earth Water Sky of Las Vegas.
Combining art, history, and technology, the innovative Brilliant! neon experience, featuring 40 historic neon signs from the museum’s collection, is highlighted by Earth Water Sky’s 360-degree laser video projection system, a 24-channel 3D audio system with multitrack 3D audio soundtrack, and outdoor lighting system with automated show control. DMX signal distribution for the entire production is handled by ProPlex Opto-Splitters and Data Cables.
“ProPlex was selected as a critical component to handle all of the DMX signal distribution needs for this complex installation,” says John Humphries of Earth Water Sky. “We are avid proponents of P

USA - Silverdale Baptist Church in Chattanooga, Tennessee, recently acquired an Allen & Heath dLive Digital Mixing System for its church campus in Ooltewah. A second dLive, in the church’s Creekside campus, will be installed at FOH soon. And, the church is in the planning stages for a third dLive to be installed in its main Bonny Oaks campus.
Matt Johnson, Silverdale’s technical director and Mark Randolph, the church’s media minister, considered several digital mixers but chose the dLive after an on-site demo at Bonny Oaks. “The more we listened to it and played with it, the more we loved it,” says Johnson. He adds, “All Silverdale campuses have a band on the stage and the Bonny Oaks campus typically has a 30-40 person choir. But, our congregation is diverse. So we meet in the middle between traditional and contemporary styles. The dLive fit our worship needs

Denmark - Theis Wermuth of lighting design company Create This has been handling the live visuals for Scarlet Pleasure since 2015. The Danish musical trio’s popularity is on the rise with the band recently playing its largest concerts to date, a pair of one-off shows that Wermuth lit using an automated lighting rig that included striking effects from rows of Elation Professional ACL 360 Bar moving battens.
Scarlet Pleasure has topped the Danish charts recently with a string of hits that cover soft ballads to more energetic dance songs and the band has toured with success the last two years, selling out clubs and smaller live music venues across Denmark. The two recent shows – one at the Forum Black Box in Copenhagen and the other at the Scandinavian Congress Centre in Aarhus – marked a milestone for the band. “Both shows took place in larger venues and both were sol

USA - The good times never slow down for fans of The White Panda, the masked DJ duo described by Entertainment Weekly as a “veritable party machine”. The infectious energy of their performance comes not only from their pulsating sound, which puts a sassy EDM twist on throwback classics, but also from their immersive stage shows, a mixture of theatrics, eye candy and pure intensity.
On their recent tour of the northeast US, The White Panda added an extra futuristic flourish to their performance with an expansive lighting and video design by Antic Studios that featured Chauvet Professional Rogue fixtures. Strategically positioned around the set’s rows of video panels, the moving lights added a sense of continuity and dynamic movement to the stage.
“We used the Rogues to connect the video panels visually by filling in the space between them with a lot of m

UK - Alton Towers Resort has turned up the heat for the new theme park season with its £16m thrill attraction, the Wicker Man, featuring real fire and stunning 'fire' effects created using a ProLights AlphaPIX video system plus various lighting supplied by A.C. Entertainment Technologies Ltd. (AC-ET).
Wicker Man is the first wooden rollercoaster to be built in the UK for 21 years, with the thrill of fire. Burning embers light the ride's path as it speeds towards a six-story (17.55m) Wicker Man structure, who spectacularly bursts into flames as the coaster races through its chest three times.
To complement real flames on the structure and get flame-like effects even closer to the riders, the resort's entertainments technical manager, Alex Tweedie approached longstanding technology vendor, A.C. Entertainment Technologies to assist with specifying and supplying a solutio

UK - Black Panther, the record-breaking new superhero film produced by Marvel Studios. For the film's star-studded European première event at London's Hammersmith Apollo, lighting designer Luke Edwards selected Avolites Titan and Ai lighting and video integration to control his 'super' design.
Attending the event was Black Panther's cast, including Chadwick Boseman, Michael B. Jordan and Lupita Nyong'o, as well as music stars Stormzy and the Black Eyed Peas. To illuminate the stars, Edwards took inspiration from the film's poster branding, using its yellow, white and blue tones for the auditorium and red carpet lighting.
"There are a few aspects we had to look at in lighting this event," says Edwards. "Firstly, the auditorium needed to look good and immediately give people that 'wow' factor when they walked in. At the same time, the lighting needed to be functi

USA - American singer Andy Grammer spread his refreshing brand of feel-good music across North America this spring on his The Good Parts tour, a club outing of mostly sold out shows in support of his latest release.
Lighting design and programming was by Joshua Koffman of Interrobang, Inc., who used a combination of Elation ACL 360 Bar moving battens and Platinum Beam 5R moving head beams to light the show. Lighting vendor for the tour was RK Diversified Entertainment of Claremont, California.
Koffman, who has worked with Grammer on one-off shows in the past, says that the lighting rig’s flexibility was key as tour venues varied a great deal. “When we were planning the stage design for this tour we needed to accommodate a wide range of venues, both in stage size and height,” he explains. “Some places had existing rigs, some didn't. Some had high ceiling

USA - It’s 8,504 miles from the island of Manhattan to the South Pacific’s Solomon Islands, but now anyone in the Big Apple can experience this underwater treasure and a host of other nautical wonders right in their own backyard by visiting National Geographic Encounter: Ocean Odyssey.
Located in Times Square, this 60,000sq.ft multi-media experience digitally takes visitors on an entertaining and immersive adventure across the ocean, from the South Pacific to the coast of California, where guests can get up close with dozens of species, including mischievous sea lions, sharks up to 20’ long, a 50’ Humpback whale, a battle between two ferocious Humboldt squids, and much more.
Adding to the immersive environment in the multi-room experience is an elaborate and detailed lighting design by Lightswitch that features a collection of over 200 Chauvet Professio

Europe/USA - The Gorillaz tour in support of their latest album Humanz grew to be the band’s most successful and the hot ticket of 2017 in the USA and Europe. Part of that success is down to some nurturing tour-craft by production manager Joel Stanley.
“The tour started off with some warm ups in little venues,” says Stanley. “Eventually that grew as we added flown scenic elements of video, more lights and ultimately a completely new, and to my mind, quite remarkable PA system. I know Matt [Gorillaz FOH engineer] is really enjoying using it.”
Matt Butcher has been Gorillaz FOH since the band’s inception. Accompanied by Dave Guerin on monitors, neither are shy when it comes to extolling the virtues of their new d&b audiotechnik GSL System as provided by Brown Note Productions of Denver, Colorado. “It is quite a major step forward,” says Butche

UK - In October 2017, former Oasis frontman Liam Gallagher released his debut solo album As You Were. The record went straight in at number one in the UK, and went gold in its first week, outselling the rest of the top 10 of the UK Albums Chart combined. It has since been certified platinum. Though the record is outstanding and has received much critical acclaim, Gallagher is in his element in the live arena. The guys responsible for helping make that happen are FOH engineer Shan Hira and monitor man Jon Simcox, both of whom are dependent on their DiGiCo mixing consoles.
It was when playing in bands as a young man that Shan developed an interest in the technical side of the music industry, which began in the recording studio.
“I was fascinated by recording and took an interest in what was going on; that's where my love of mixing desks and outboard was born,

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