France - The Festival d'Avignon celebrates its 78th edition in 2024. Founded in 1947 by Jean Vilar, this major international performing arts event attracts thousands of enthusiasts each summer to various venues around the city.
At the heart of the festival, the Cour d'Honneur of the Palais des Papes is an emblematic venue, offering the setting for a variety of performances. This year, eight Claypaky Sinfonya and six Claypaky Rhapsodya fixtures were installed, combining the latest technology with high artistic requirements.
Before making their choice, the festival's technical team carried out rigorous tests at FabricA, a theatre in Avignon with dimensions similar to those of the Cour d'Honneur. These tests allowed the performance of the spotlights to be accurately assessed.
Manuella Mangalo, general lighting manager, explains, “I was able to see for myself the optical quality of these fixtures. This is important for the Cour given the large distances involved.
“I chose to work with Claypaky, partly because the only request we received from Angelica Liddell's lighting designer was that he wanted the entire wall of the Cour to be illuminated in red. So I put my faith in additive lighting technology, which allowed us to enhance the vibrancy of the colours. As is often the case, the initial ideas for a design didn’t materilise and the lighting designer didn't follow through with his idea.”
The Rhapsodya fixtures were used for the side lighting (courtyard side and garden side), while the Sinfonya fixtures, installed at a height of 30m, were chosen to illuminate the imposing walls of the Cour d'Honneur. These additive synthesis LED spotlights lived up to expectations, despite the particularly demanding requirements.
Manuella Mangalo explains, “The conditions for creating at the Cour d'Honneur are very specific: the architecture of the venue, the time constraints and the pressure that the companies feel, make our work unique. Our main problem at the Cour de Honneur is ensuring there is enough power to light the stage. We would need significantly more fixtures to generate a greater amount of light. The lack of power is generally a primary concern for lighting designers. We're also in a period of transition which makes it difficult to compare manufacturers.
“The working methods of the teams we worked with this year are all very different and the constraints of the Cour require a high level of adaptability. For the moment, we propose a certain number of spotlights depending on our financial resources and it's up to the teams to work with these. I have no doubt that in future years lighting designers will have much more specific requirements in terms of their list of automated equipment, and we will have to find solutions that are feasible within the constraints of time and budget.”
Moira Milano, lighting designer and specification manager at Claypaky, comments, ‘We dedicated two years to research and development to create Sinfonya and Rhapsodya, which have received a very positive response from the market. We are convinced that these products will play a key role in many future international projects. The Festival d'Avignon, with its national and international reputation, is an exceptional platform for showcasing our products.
“I would also like to thank our partner Dimatec, without whom the installation of Rhapsodya and Sinfonya in the Cour d'Honneur would not have been possible. This imposing venue, steeped in history, is a real challenge for any lighting designer, but our products were able to demonstrate all their qualities despite the weather conditions, which in no way compromised their performance. We are proud to have been involved in this ambitious project.”
