Manufactured from pressure die cast aluminium the Twenty Clamp has been designed to eliminate truss damage usually associated with Steel Hook Clamps.
This neat and compact clamp has a SWL of 20 Kg and can be secured to tubes of 48 - 51mm diameter with just two turns of the Doughty knob. Luminaries are secured via a captive M10 or M12 bolt in the base of the clamp.
(Jim Evans)
LD/set designer Paul Normandale and lighting director Glen Johnson have carried Wholehog 3 consoles on a number of tours the past few years.
Says Johnson: "Its Only Natural (referencing a popular Crowded House song title) that I would choose the Wholehog 3 console again for this tour after my faultless year with it on James Blunt."
UK's Lite Alternative provided the two Wholehog 3 consoles, along with two Playback Wings, a full-size Expansion Wing and 2 DP 2000s. Upstaging is the lighting contractor on the US tour.
"Crowded House have a catalogue of 100-plus songs with over 70 programmed in the console," Johnson explains. "While I am given a set list every night of 20 songs, it is rare for them to keep to the set, an
DarkSide sales director Simon Ellison worked closely with the venue to complete the project. "This permanent curved system is a real innovation in theatres, and makes lighting set-up a much safer operation," said Ellison. "Previously, the industry option was a temporary life-line. These are great for straight lines, but can't work around the curves of a balcony. So you've had technicians risking their safety by clipping on and off truss or, worse still, balcony handrails - which are completely untested for strength or their ability to cope in a fall situation."
DarkSide's solution is three twin line permanent systems
Lighting designer Vince Foster created a breathtaking centrepiece for the 4,000 revellers - a moving LED chandelier structure featuring 100 PixelArt video battens and 50 PixelLine 1044s. Over 100 Pixeline 1044s highlighted the enormous ground support truss and another 50 provided a chevron video wall on the live acts stage.
Foster enthuses: "PixelLine 1044s are one of my favourite LED fixtures and are constantly specified in my designs. I am very impressed with the new PixelArt video batten, the resolution is outstanding, creating further design flexibility."
To enable the guests to see the trains going in a
These sections include an up-to-date product listing, which includes information on Blackout's new Rigging Mast and Gabled Truss products; a list of the services provided, from sales and rental to temporary and permanent installations; a look at the people who make the company tick; and an in-depth image gallery showcasing some of Blackout's most recent projects. There is also a contacts page with full details of the company's London and Paris offices, and a recruitment page.
Steve Tuck, Blackout's managing director comments: "The old website was fine up to a point, but we wanted something that any potential customer would find easy to navigate, even if they were from outside the events industry.
Paolo Dozzo, sales manager for the Vitec Staging Division - Tomcat UK's parent company, commented, "Remo is experienced in sales, marketing, customer support and communications, all of which have built him a lot of respect within the industry. We are pleased to have Remo on the Tomcat team."
(Jim Evans)
Headed up by crew boss Jeroen Tap, Mojo Barriers also installed barriers around the mixing positions and delay towers in the crowd.
Mojo Barriers provided the band's aluminium Mojo Barriers for the shows in the US earlier this year and will continue to supply The Police with their product for the upcoming shows in the US, South America, Australia, New Zealand and Asia.
"Major tours like The Police
PowerAssist technology is new to the theatrical rigging industry in that it eliminates the need to rebalance counterweights on line sets. While counterweight/motor combinations have been available in several forms for many years, PowerAssist uses an innovative padded rope that fits into the existing head block, which works in combination with a roller chain and toothed sprocket to balance the weight of the batten, virtually eliminating the possibility of slippage or accidental release, says the company.
"In our 120-plus years in business, J. R. Clancy has developed many innovative products for the rigging industry - and all of them are designed with safety and security as our foremost priority," said Bob Theis, president of J. R. Clancy. "PowerAssist is
A Dataton Watchout system was used to provide the graphics animation and video overlays through to Lighthouse processor LIP-KX to the screen. Customers were thrilled about the quality of the 16mm panel, say Gearhouse.
With 5,000 nits brightness, high contrast ratio and 16mm pixel pitch, R16i/o-II panel is ideal for both indoor and outdoor applications, say Lighthouse.
(Lee Baldock)
The production, directed by Geraldine Connor and produced by David Lascelles features a cast of over 100 and commemorates the Bicentenary of the Abolition of the Slave Trade, drawing vividly on the colour and vibrancy of 'carnival' in Trinidad, Tobago and Leeds to deliver its powerful message.
Summit was asked onboard by Leeds-based production company TechSpec, headed by Graham Nixon, who are responsible for all-things technical. Nixon says, "I was researching the best options for sourcing the structure that we needed to stage the event - and all roads led to Summit."
Jay Call was Summit's project manager for the show
Although - unusually for 2007 - the weather managed to stay fine for the entire duration of the build, festival and load out, the site of this chilled-out event provided Star Events Group with a number of challenges.
Bestival takes place at Robin Hill Country Park, a well-known local tourist venue that nestles in a scenic valley, featuring woodland, lakes and winding paths. This year the event expanded to take in part of an adjacent farm, but a major concern for Star Events Group team of 12, led by Andrew 'Bomber' Phillips, was the undulating nature of the terrain.
"All the structures we built were on sloping sites. There wasn't one that was on flat ground," says project manager Phil Addyma
Audiomotion is a multi-award winning studio specialising in the provision of motion capture services to the game development, film and television industries. It has a string of high-profile production credits, including work on the Gladiator motion picture and Citroen C4 Alive with Technology TV commercial.
The company had been using a scaffold system to position 50 motion capture cameras in their 6,000sq.ft studio, but was looking for a more practical truss solution as they expanded into full performance capture for the next generation of high definition gaming, film and television content.
Audiomotion's Matt Rank comments: "In the studio, we're constantly changing the camera setups for different jobs, so having the Litec grid makes it m
A full size rink will showcase the battery powered Ice Bumper Cars and visitors to the company's stand will be able to experience the new family entertainment on ice. The responsive joystick controlled cars are suitable for drivers ages four and up. Cars can spin 360 degrees to go in all directions to pursue their targets, backwards and forwards and cannot be boxed into a corner. Ice Bumper Cars are exclusive to Stage Electrics in the UK and are available for rental or sales.
Part of the demonstration ice rink will be covered by one of Stage Electrics own Arc Roof structures in case of inclement weather.
Also previewing at the show will be the smartStage 45 and smartStand 122. The smartStage 45 is
Mike Murphy, Clancy executive vice president, said , "With the explosive growth of automated rigging and controls within our industry, and Damon's 25 years of theatrical and packaged hoist knowledge, we are thrilled to have Damon as a member of our team. Damon's commitment and enthusiasm align with Clancy's mission to 'Make our Partners Successful' by providing them with the proper tools and the support they need to understand the value and advantages of automation in schools and professional theatres."
(Jim Evans)
University College of Dance is the only school of its kind for dance and neocircus in Sweden. It features a variety of courses and a lively atmosphere of challenge, innovation and experiment plus a meeting place for the arts, sciences, theories and concepts - old and new.
Right from the off, the project architects and theatre consultants agreed that a tensioned wire grid system above the full area of the theatre space was the safest and best way forward. They contacted Slingco as Europe's foremost designers and experts of this specialist technology.
Slingco received the enquiry from Dick Hasselblad of Tater-Konsult Hasselblad, who was wo
Hawthorn's managing director, Martin Hawthorn comments, "Rex Howard was an obvious choice to consolidate our position as a 'one-stop' technical solutions company. Following our acquisition of Core Creative back in March we now have a successful and established base in London and the purchase of Rex Howard allows us to build on that and further expand our London presence, as well as increasing our Drapes inventory."
(Jim Evans)
Gavin Weatherall comments, "This new expansion within the broadcast industry sees TRP's Flywire division enter one of its most exciting times. Spidercam has an extremely impressive CV to date and we are very pleased to be the UK partners and given the bookings we have so far I am sure we are going to see further growth in this area of our services."
(Jim Evans)
Located in a former Bryant and May match factory, the state-of-the-art 80 sq.m studio was designed to give each programme a distinctive look and feel. Stage One started by laying a laminated floor, which was inlaid with stainless steel strips, helping to separate the space into several distinct areas.
Centre studio, a seating area was constructed, comprising of a 4m diameter manual revolve upon which was sited four light boxes, two custom-built settees (in LFC red) and a Perspex and laminate central table.
In order to provide a variety of backgrounds for the various camera angles,
For the busy receiving house, operated by Live Nation for Sunderland City Council and subject to a £4.5 million refit in 2004, the new curtains were "the icing on the cake" according to technical manager Mel James. The last set of new front curtains was installed in 1972.
The project was managed by James Wheelwright with Neal Cartwright, sewing workroom manager, overseeing the manufacturing process and working painstakingly on the final design, including making two site visits to ensure every minute detail was correct. Neal also co-ordinated the physical installation.
Joel's brief was to bring the
The crane, originated by Hayes' show director/designer Willie Williams, is based on a real origami bird made by Hayes and was a major set centrepiece of the performance. It was built by Total Fabrications, who asked Fineline onboard to deal with automating its five moving parts - the head, beak, tail and wings.
The crane was cleverly disguised as part of the projection screen until the final quarter of the show when it was dramatically revealed - unfolding origami style - to its full measurements of 6.8m high and 8.2m wide with the wings open.
Fineline's Dave Harris worked closely with Total's Mervyn Thomas on the project. Charlie Kail was brought onboard by Williams as consul
ColorX was selected to cover a floating pontoon catwalk in Vienna's Amalienbad art deco swimming hall. The event was on behalf of the Foundation for Breast Health which presented a 'Pink Ribbon Night'. Every possible area of the Amalienbad was used for drama, music, dance and swimming performances. Fashion house Popp & Kretschmar used top international models to present exclusive designs from renowned Munich designer Ella Singh during a 15 minute fashion show.
"ColorX vinyl flooring is proving to be a fantastic new addition to our established range of television flooring," said Le Mark's managing director Stu
Barry Baker and his team will discuss the changing nature of health & safety for events, includingthe Control of Noise At Work Regulations 2005 which came into force in April last year and how it has impacted on live music events. The team will also cover Working At Height Regulations as well as future trends that will affect event organisers.
(Jim Evans)
As part of its continuing efforts to expand and improve its workshop, Tomcat will offer two new and improved curriculums. The Hoist and Truss Workshop will include instruction on basic and advanced maintenance and troubleshooting techniques as well as basic and advanced instruction on truss design, usage and theory.
The Rigging Workshop will include basic and advanced instruction rigging practices and principles, fall protection as well as advanced instruction on truss design, usage and theory. Both courses will be offered during each of the 2008 sessions.
(Jim Evans)
The rigging contract includes 85 manual counterweight sets with chain compensation; 12 automated variable speed point hoists with a top speed of 400 fpm; a J.R. Clancy Shamrock 2500 control system; a motorized house curtain running at 6 - 360 fpm; three speaker cluster winches and rigging; a motorized, steel-framed Zetex fire curtain; and a chain hoist and controls. J.R. Clancy will also supply adjustable acoustics
