Robe T1s for every day of the Aus Licht week
- Details
The epic performances each took place over three consecutive days delighting Karlheinz Stockhausen aficionados and opera buffs with a total of 15 hours of music per show, featuring selections from the iconic composer’s seven opera Licht cycle which takes place over seven days of the week.
Aus Licht was a collaboration between the Dutch National Opera, Holland Festival, Royal Conservatoire of The Hague and the Stockhausen Foundation, created in cooperation with the wardens of Stockhausen’s legacy. The music from LICHT was presented in a mis-en-space by Pierre Audi in his role as creative director for the DNO and the festival.
Production lighting and set designer Urs Schönebaum created a design and sent his plot to the Dutch National Opera’s lighting department where it was interpreted and realised by their head of stage, video and lighting, Pieter Huijgen, and lighting manager / chief LX Cor van den Brink.
The primary need was for a quiet light source - less than 33 dBs - stipulated by Urs Schönebaum and Pierre Audi who are both leading international practitioners in the world of opera production. This was to provide the main general stage lighting required in the venue.
Pieter and Cor looked at what was available and narrowed down the field to four potential luminaires, one of which was the Robe T1 Profile.
They conducted a shootout which was ‘won’ by the T1 presented by Kuno van Velzen from Robe’s Benelux distributor, Controllux.
In addition to the quietness, other features impressing them on the T1 Profile were the elegant colour mixing - a lot of deep saturates were used in the show - and the high white output.
They also thought the colour temperature range between 2700 and 8000k, made possible due to the innovative way the LED engine mixes the whites, was perfect for this application. The zoom and the precision shuttering were other factors in their choice.
The fixtures were installed on 24 trusses rigged in the roof of the Gashouder, a charismatic circular chamber with an iron roof, once at the hub of Amsterdam's Westergasfabriek gasworks complex powering the city’s western suburbs. It has now been redeveloped as an arts, cultural and leisure area.
The T1s were sourced from more than one rental company, and lighting for the nine shows making up the three performances was programmed by Jasper Paternotte, Bart van Kooten, Michiel van den Heuvel and Sharon Huizinga.
The Dutch National Opera was conducted by Kathinka Pasveer and the costumes were designed by Wojchiech Dziedzic.
(Jim Evans)
