Designed to be versatile enough for the diversity of arenas and theatre-style venues covered by the tour, the rig was programmed and tuned for each show by Skan system engineer Ant Carr, using dedicated speaker control parameters supplied from L-Acoustics web-based library. Front of house mix and production was handled by Ade Barnard.
Carr commented: "As well as being great sounding units, the flexibility of the EQ and the grouping functions was invaluable, especially being able to roam the balconies using the PC tablet with wireless-ethernet control, which was quick and reliable."
(Sarah Rushton-Read)
