Blue Microphones teams up with Focusrite
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(Lee Baldock)
Hand-built in Hollywood, with an uncompromising commitment to quality and workmanship, Soundelux have developed a comprehensive range of professional grade microphones. Such models as their ELUX 251, E47, U99 and IFET 7 recreate the sound attributes of the sought after vintage classics.
Pieter Schillebeeckx, SoundField International Sales, stated: "The Soundelux products don’t compete with any of our models. Our own SoundField multi-capsule technology is aimed firmly at the stereo and surround sound market, particularly in Broadcast. Soundelux’s popularity with so many high profi
As with all other supporting software, Mackie offers a custom Cool Edit Pro-specific overlay for the Mackie Control's master section, indicating key software control functions for each button. The overlay dramatically reduces the learning curve for experienced Cool Edit Pro users, and helps make the transition from keyboard and mouse to the Mackie Control quick and easy. The Cool Edit Pro overlay currently
"The communications systems in the cars," he says, "are designed primarily with two factors in mind: intelligibility and reliability. The outcome of a race might hang on a driver hearing an instruction or warning clearly and being able to react instantly to it."
Garwood used its unique version of dual driver techn
According to SSE’s Emma Barwell, Nolans were very impressed by Geo-S when they came over in January for a demo of both Geo-S and the new Geo-T. "While they’d always been very happy with the performance of the Alpha system, it does have quite a rock and roll profile, but Daniel isn’t really a rock and roll act, so when they saw the Geo-S, they were de
The tour features an integrated show performed by both S Club Juniors and Seniors, with the Juniors’ high-action set kick-starting the evening’s entertainment. The live camera mix is directed by Blue Leach, working with an XL team of five. Leach was also involved in creating most of the Seniors&r
If you would like your product to be featured in this report, please e-mail L&SI’s technical editor James Eade at the e-mail address below before Thursday 1 May, 2003.
(James Eade)
Having spent over a decade in the sound reinforcement market, working as technical sales for loudspeaker manufacturer Turbosound and as operations manager for touring sound company GPA Hire, Hinds brings to beyerdynamic a wealth of experience and a deep understanding of contemporary market demands.
Commenting on his new position he enthused: "I’m delighted to be part of the beyer team. I’m looking forward to working with contractors, installers and rental companies nationwide to spearhead the use of this powerful product combinat
D.A.S. distributor for Australia, Magna Systems & Engineering, provided the numerous D.A.S systems for BSS Light & Sound, responsible for the installation of the products in two of the most historic and well-known hotels in the city of Adelaide. The recently-renovated Lion Hotel has installed D.A.S. Factor and Dynamics series products throughout.
At The Lion, while a modern glass and chrome bar complements the bluestone facade which is a landmark in North Adelaide, the barn-like drinking hall of the early 80s and the gloomy eating areas of the past have gone - replaced with a stylish rest
Sennheiser UK director of marketing John Steven describes the initiative as "a means of establishing closer contact with up and coming performing artists," commending the contest as a way of "genuinely trying to help bands and artists who don’t fall into the category of manufactured pop idol. The live music industry depends on the continuing development of new performing artists for its survival," conti
The move involves an agreement between Alcons Audio and Carsten Albrecht, with Albrecht to act as sales and technical support manager of Alcons Audio Deutschland. In this role, he will be responsible for client contacts, technical support and project management. Alcons Audio Deutschland will be operating from Kassel.
Albrecht, a musician at heart, worked for Stage Accompany Germany for almost nine years, providing service, installation and application support. "Advanced technology, teamwork and a unique sound are for me absolute necessities in my work," he says. "Therefore I’ve decided to take this very im
Hong Kong City’s owner, Mr Su, acquired the site - formerly a dusty old pub - and had it completely gutted and transformed it into a lively, bustling new venue seating 300-plus people. Packed to the gunnels throughout the week, Hong Kong City is capitalizing on the current community-wide trend for Asian fast food and haute cuisine.
A high quality sound system was an essential element of the mix: Su turned to Gordon Gapper from the Music Room to produce a system appropriate for the environment, in which karaoke is also a key element of the evening’s entertainment. Music Room’s Dean Watkin then produced the sound design and specif
Staged at London’s famous Old Billingsgate market, the event concept was inspired by the Budweiser King of Beers’ commercial, and King of Clubs was the culmination of a point-of-sale campaign by the company. Re-igniting the spontaneous party spirit of the late 1980’s rave scene, over 3,000 invited guests met at a central London location, before being whisked away by boat to Billingsgate - the first time the venue has been used as a club.
Blackout’s Project Manager, Chris Brain collaborated with Paul-Ant Viollet of PAV Productions, to realise his design, which took references from the ad campaign. Blackout provided massive quantiti
"Providing quality sound in a tent can be difficult," said Bruce Burns, sound designer and audio co-ordinator for show. "We couldn't use trusses, so special mounting brackets had to be fabricated to affix the Apogee AE-5s to the tent poles. This arrangement could have compromised coverage, but with the AE-5s, the coverage was excellent."
Since the 1990s, the veteran Hollywood sound designer has selected Apogee for large-scale events including the Grammy Awards, Golden Glob
"GSA will select a portfolio of niche products, rather than present products just to fill inventory gaps," said Smith. "We will concentrate all our efforts on our targeted customers, who we believe will appreciate a more dedicated and professional approach. By limiting the product range, we can concentrate wholly on support and promotion to clients.
GSA will also offer an equipment valuation service, thereby capitalizing on Smith’s established reputation with finance houses and audio companies, as a valuer and consultant for pro-audio equipment. Smith’s third string is alliances - Smith has already forged a partnership with Midas
Nexo's pedigree in sports stadia is well-established, with venues such as the Stade de France in Paris and the Ataturk Olympic Stadium in Istanbul, using different Nexo loudspeaker products. Drawing on the success of a stand-alone GEO S system in the commercial village outside the Stade de France, the 35,000-capacity Geneva Stadium has become the first to use Nexo's flagship GEO technology as the main SR system.
The original specification followed very conventional lines, calling for 120 x 15 degree loudspeakers spread under the roof, with 60 amps located in one position. Cabling runs were enormous, and the project called for two people to spend three weeks, just hanging the loudspeakers. The
An eclectic mix of corporate and one-off events are interspersed with all of this touring activity, using a selection of Turbosound, d&b, DV-dosc and X-line XLC. Brit Row’s Br
(Ruth Rossington)
The project involved the installation of various Turbosound components in several public areas of the W San Francisco, a hotel located close to the city's Moscone Centre and Museum of Modern Art, in the downtown South-of-Market neighbourhood. Part of the Starwood Hotels and Resorts group, which also includes the Westin, Sheraton and Four Seasons chains, the W hosts entertainment events in the Atrium, XYZ Bar and Restaurant.
"We had an arrangement with the W to provide sound reinforcement rental services," Megerssa elaborates. "They handle major events attracting up to 1,500 people.
Miguel Lourtie told us: "As our company name indicates we’ll be making use of existing partnerships with leading experts in all areas of the Industry, providing complete solutions for the most daunting ideas and challenges in the theatre, installation and sound reinforcement markets."
"Our company’s philosophy is total dealer support with project and technical sales backupwhich will allow us to better train our partners, to give them the edge ove
Hortus Audio is the result of the determination of Silvère Davoust, former audio product manager at Master Europe, to continue the business and save the jobs of the employees. The mission of Hortus Audio is, the company says, to offer its partners reliable high-quality products that are designed and manufactured in France, in such a way as to achieve rapid return on investment. Hortus Audio is driven by the commitment of a dedicated t
Thunder’s head audio engineer Scott Minkley described the event and how the fully programmable Helix and Helix slave units were able to meet the EQ requirements of each act’s FOH engineer with seamless transitions from set to set. "We brought a whole PA system down for the various acts’ engineers to use. The Helix was particularly useful because there were 10 zones of audio and numerous engineers to work with, so the units were definitely put to task and proved themselves extremely versatile. The event took place at the PGA National Resort and S
Davies said: "The Mackie HDRs were all flight-cased and rack-mounted and we all had to do was connect the multicore, press the record button and we were away. It was as simple as that. We didn’t have a lot of opportunity to listen back to the recording on the road. But when we finally did, the results that came out of the Mackies were phenomenal."
However, sifting through all material recorded from 45 shows was not quite so ea