Bonnaroo is only the third biggest concert the group has played this year, trailing both the Super Bowl halftime show and President Obama's inauguration. Springsteen's vocals at all three shows have been managed by Shure UHF-R wireless.
(Jim Evans)
The Solomon Pools Convention Centre construction was financed by the Official Credit Institute of Spain with a FAD credit from the Development Aid Fund. With support and funds from the Spanish authorities, Ecler coordinated the audio, public address, stage, seats, acoustic material, video, lighting, translation systems, CCTV and MATV installation.
(Jim Evans)
Zone complements the latest Ethernet and WIFI network enabled AV source and control components from D&M's Denon, Marantz and Escient brands. Its introduction enables DMi appointed CI professionals to offer in-home automation systems, seamlessly incorporating components from these brands.
Zone is positioned to provide fully featured, high performance home automation and control, at a lower price point than current market leading systems; enabling CI dealers and custom installers to extend their target market for integrated home automation, says the company. Likewise, it enables a greater number of dealers to gain full access to a single integrated home control sys
Front of house engineer Simon Honywill specified a total of 37 DPA mics across the orchestra. These were a mixture of 4061 miniature mics, featuring low sensitivity and large dynamic range, on violins and violas, and 4099 instrument mics on cellos and double basses. Honywill was so impressed by the new 4099 instrument mics that he purchased four for his own use from UK distributor Sound Network.
The show's vocalists - Justin Hayward, Chris Thompson, Alexis James, Shannon Noll and Jennifer Ellison - were all on 4088 miniature cardioids headsets with omni back-ups.
"The show is very much about finding a balance between the music and the recorded narration of Richard Burton," says Honywi
In Brighton, Green-I has assigned four independent BLU-16's to drive the seven karaoke rooms. "Soundweb London looks after the user interface, the volume controls for the wireless mics and reverb effects," says Green-I's Ian Woodall. "Mic mixing (of both wireless and wired) inputs are carried out via Soundweb's automatic levelling to avoid any feedback, while all the 'intelligence' in each pod is created using the system's Logic programming. The challenge was to get all the mic frequencies operable within an intim
He records two full band sessions every working day with his Yamaha DM2000 mixing console. "When I first went to work for Global, I was presented with a Yamaha 02R, which was later replaced with the DM2000," he says. "They were originally chosen because they delivered the best performance for the available budget and I can honestly say that over 10 years they have fulfilled every requirement I have had of them."
He continues: "Another advantage
With bands ranging from Oasis, Kasabian, Franz Ferdinand and Snow Patrol at the commercial end to acoustic performers like Newton Faulkner, quirky performance artists with wide dynamic ranges (like Bat for Lashes' Natasha Khan), leavened with some good old fashioned hard house and R&B, it added up to something of a Molotov cocktail for iTunes production manager Stuart Turvill, system tech Dave Roden - and the Martin Audio W8LM Mini line array system.
Stuart Turvill has chaperoned the event's steady growth from the ICA through nearby Koko (last year) and now to the Roundhouse, where he designed the audio infrastructure for the televised event, in collaboration with Martin Audio's Jim Cousins
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For Triangle Entertainment Services, who won the contract to design and install the audio system, the demands were of the highest order, "Hard work in recent years means we have established a good reputation in Dubai," said Triangle's managing director Zahid R Elian. General manager of the Cavalli, Mr Khoury added, "We did not hesitate one second to go ahead with Triangle on this project; both their expertise and reliability are unrivalled. Personally I know that Zahid is a man of his word and can deliver."
The owners and operators of the Cavalli, Pragma Group, had specifi
"MIG was not using Crown amplifiers when I joined the company. I didn't agree with this because I had been using Crown since I started in the professional sound industry back in 1981 and they are bulletproof," said Andy Kakas, audio department manager for technical services at Multi Image Group.
MIG purchased its first Crown amplifiers in 2002 with Macro-Tech and soon purchased I-Tech series amps as well. "We started by building a few JBL VerTec line array systems with the Macro-Tech amps and about six months later we g
The Mirage MCS service hooks into media content stored on a PC and interfaces with Windows Media Centre, Windows Media Player, iTunes, Pandora Internet Radio and XM Radio. Its client UI can be accessed from any browser that supports Flash and there is also
Licht & Ton Union, D.A.S. distributor in Germany, was responsible for mounting the audio on a stage built especially for the occasion. They flew 12 Aero 12A two-way powered systems, six on either side of the stage, along with six ground stacked LX-218A subwoofers. The Aero 12A, part of the new Aero Series2 debuted at Frankfurt's Prolight & Sound. D
His 2009 summer tour included a show beside Idroscalo lake in Milan on 27 June. Thousands of fans flocked to see Caparezza perform a selection of his more popular numbers.
The team from GM Music, the rental company from Salice Salentino, again chose Proel's Axiom and Edge professional systems. The configuration comprised 24 Axiom AX3210P modules and 20 21" EDGE121SP subs, positioned in the sound wings, and eight Edge compact C12P96 as front-fill.
The system is driven by six K10 and two K20 Powersoft amplifiers, one DSO26 digital processor and two Lake Contours. Audio and power distribution cabling is also Proel.
The sound reinforcement for the concert at t
SNP Productions was founded in 1999 when Pugsley was completing his final year as a student at the Guildhall School of Music & Drama in London. The company has evolved steadily over the last 10 years, starting as a vehicle for his freelance work and growing into a major UK supplier for lighting & video control solutions. It is now focussed on sales, hire, training and full tech support for Catalyst.
"Catalyst was among the first and most original digital media servers, and it has a strong and positive brand identity," states Pugsley. "It's hugely flexible and constantly being developed with new and innovative features added all the time. It has a history and track record of
One of the innovations at the 2009 festival was the silent rehearsal room set up behind the John Peel Stage, jointly the brainchild of RSS and the Liz Hobbs Group. Julian Spear, who is head of production for the Liz Hobbs Group, also works as area co-ordinator for the Glastonbury Festival, and is responsible for putting in all the production for the John Peel Stage.
"The Liz Hobbs Group has had a productive relationship with RSS since we first used the Digital Snakes at Glastonbury 2007," says Spear. "Together, we came up with the idea of a backstage rehearsal f
A key product range is the Harting Han family of heavy-duty connectors, which are increasingly being used for powering the spotlights used on concert stages and in theatres. In particular, the Han 16 E is a suitable for controlling special lighting effects in systems where 'multi-cables' incorporating six or eight lines are used to reduce installation times.
These connectors have proved their reliability and outstanding performance in industrial applications, and their rugged construction makes them ideally suited to stage environments. Typical applications include lighting connections for multiple spotlights, break-out boxes a
Conceived and developed by AvitaS founder members, Roland Hemming, Lauren Rogers, Mark McLean and James Eade (who is also technical editor for Lighting & Sound International) the course is aimed at giving people the information they really need to know about designing, specifying, installing and using audio systems, in the real world.
The inaugural programme starts 24 September 2009 at Teddington Studios. Running one day a fortnight over 16 weeks, it covers everything from acoustics, loudspeakers, microphones, processing and mixers. It also covers the design issues with sound - drawings
Bryanston takes drama seriously, and the well-appointed Coade Hall stages 15-20 student productions a year, providing plenty of opportunities for pupils to perform, design, direct and practise stagecraft. With its large proscenium arch stage, orchestra pit and sophisticated lighting and sound set-up, the Coade Hall also hosts numerous productions by professional touring companies, 'am-dram' and outside groups.
Two years ago, technical manager of the Coade Hall Stuart Myles spotted the RSS Digital Snakes, and, with the help of local dealer Stage Electrics, integrated these di
Months in the planning, the high profile event included a full choir and orchestra, church organ, grand piano, the English Rock Ensemble band - including Wakeman's son, Adam, on keyboards and percussionist, Ray Cooper - performing an extended version of the concept album, with narration from special guest, Brian Blessed, six wives, and a selection of ostentatious costumes.
Ian Barfoot, Wakeman's FOH engineer for nearly 25 years, selected two iLive systems, an iDR10 MixRack and iLive-80 Control Surfaces to manage the individually-mic'ed choir and orchestra, fed to a second, main F
The ninth G20 summit saw the meeting of finance ministers and central bank governors to discuss and agree a fiscal package to rescue the global economy from the current recession. Helping make sure that their views were not only heard - but also understood - at several events surrounding the G20 summit was the task of Westminster Sonus, a specialist digital AV equipment and simultaneous interpretation provider. Westminster Sonus, in turn, chose Bosch.
The chosen solution centred around Bosch's congress technology, including wireless discussion units and its Integrus simultaneous interpretation (SI) system. Integrus is a digital infrared language distribution system, with up to 32 different language chann
Specialists from A.C.'s Video and Lighting divisions, as well as manufacturer representatives, will be on hand to discuss how these two technologies are increasingly converging to provide innovative backdrops, set pieces and other video-based elements.
The informal event will provide an opportunity to learn more about, discuss with experts and see product demonstrations on video projection and associated equipment, creative LED surfaces and LED lighting. Brands represented will include Christie, Chroma-Q, Element Labs, GLP, Green Hippo, Martin, Robe and TV One.
With a week to go, the company reports that it has rece
This seminar was intended to prepare those individuals to properly handle EAW equipment and make educated decisions on the setup and configuration of such products, along with some basic discussions of the technology involved. Pepe Ferrer and Ferran Diez of Focus acted as the event's primary lecturers.
Part one of the seminar focused on the basics of acoustics, including signal coherence, phase issues, crossovers and LP/HP filters, acoustic and electric delays, sub-bass characteristics and pointers, and vertical and horizonta
Comprising a dual-colour Halo ring and switch combination that can be used with all Clockaudio through-table products, the Litetouch allows users to identify easily the status of microphones, as well as mute the units for privacy. With no moving parts, the switch is touch-sensitive, so there are no clicking noises when switching from one status to another. Both the switch and the Halo have been designed to operate remotely with all popular brands of electronic system control, so an integrator has complete freedom to assign function and LED colour. The Litetouch can be e
PLASA Connect, an idea developed in conjunction with RH Consulting and sponsored by L&SI magazine, will provide service-based operators - including consultants, installers and rental companies - with an opportunity to find new potential clients from a wide range of vertical markets.
People involved in large projects in many different walks of life often have very little idea of who to go to for the supply of sound and lighting equipment. The idea behind PLASA Connect is to help those people gain information and make an informed choice. The result will be a targeted business development opportunity which will bring genuine business benefits to all
