Sound

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14 March 2016

Kevin Nair, MD of Team 108 explained their choice of Pan Beam, "With steerable columns being established in the market place over the last 10-plus years, there are several companies having engineered their own solutions as part of their product line-up trying to get their slice of this growing market. We from Team 108 have been looking at the different systems appearing in the market and they all had their strengths and weaknesses.

"As we were looki

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14 March 2016

"For Next-proaudio it will be good to be distributed by SLS because they are a very professional company that is growing rapidly. It is fantastic to see their enthusiasm," says Andre Correia, Next-proaudio assistant manager.

"After the first time I listened to Next in Palme Expo China, I couldn't sleep all night thinking about the possibility of being their distributor in Kazakhstan - finally the dream came true," says Azat Kaniyev, SLS CEO.

SLS is an established high-end distribution company, based in Almaty, distributing a number of leading brands in the professional audio and light sectors.

(Jim Evans)

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14 March 2016

His initial goals are to open new markets, expand Sales-All's presence in the Benelux region, its product portfolio, set up an international network for second-hand sales and establish a European working network for private label products, such as CLF. He will also focus on the design, supply and installation of systems.

"I am looking forward to working with this professional team to expand sales at both Sales-All and Fairlight," says Kocks. "The well-structured and very healthy financial position of the

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14 March 2016

It also houses offices for the Center for Multicultural and International Affairs, the Student Government Association and Visitor Information. But the heart of this multi-use building is its 1,300-seat auditorium, which is used for concerts and theatrical presentations. The auditorium's sound system was in need of an upgrade, and the university put out a request-for-proposal. The system chosen to take the auditorium into the future included RoomMatch loudspeakers and PowerMatch amplifiers from Bose Professional Systems.

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14 March 2016

Each day of the ASD Winter School features a theme - such as Content Creation, Radio Mics, Electro-Acoustics and Emergent Technologies - with between three and five seminars on that theme each day. The seminars cover a huge range of topics and are led by industry experts. The seminars are free to attend for any student in full-time education, and of course, for all ASD members.

ASD Chair, Gareth Fry said: "The aim of the Winter School is to give attendees the opportunity to learn more in one week than you could in the rest of the year! The seminars assume no previous knowledge on any subject but take you to a deep understanding of eac

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14 March 2016

"People come to enjoy a beer or a glass of wine in the afternoon, meaning that the audio system only needs to provide low-key reinforcement during daytime hours," says Lars Christensen, venue owner. "At at night, appearances by live bands and DJs call for something altogether more powerful. The system had to be truly multi-purpose, and I am delighted that the Meyer Sound equipment fits the bill perfectly."

Peter Petersen, productions director for PRIME A/S, provided the venue's main lounge space with 12 UP-4XP loudspeakers, four UPA-1P loudspeakers, two 600-HP subwoofers, and three MM-10XP 48V subwoofers. Pow

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14 March 2016

"Prase Engineering is a well-established and highly-respected distributor in the market. Their business focus and strengths aligns well to our strategy in the country and positions us well for future growth, in particular, in the system integration market," says Ron Marchant, Shure EMEA's general manager of sales.

Ennio Prase, CEO of Prase Engineering, adds, "We are tremendously excited about representing Shure in Italy. The addition of Shure's broad product portfolio complements

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14 March 2016

For just £1000, UK manufacturers wishing to visit the show but who prefer not to take exhibition space can utilise the meeting room and translation facilities of the Great British Audio Embassy and have their brand logos displayed in a British Brand Gallery, share in the networking events organized with the UKTI in Sao Paulo and participate in the bi-lingual brochure to be available on the booth.

The APRS, working with PLASA and the MIA, have helped a number of UK manufacturers to put a toe into the water of the Brazilian market.

Peter Filleul, the APRS E

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14 March 2016

Jarmo Masko, sales manager for Western Europe and Africa at Genelec says, "The XLR staff all have a long personal track-record in the Belgium and Luxembourg audio market and we look forward to working with this enthusiastic team of people."

Jan De Brucker and Louis Lukusa at XLR comment, "The choice to distribute Genelec was made for business reasons, the high quality of their product offering and also because of thei

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14 March 2016

The system design was tasked to Martin Van Dijk, principal designer of the Toronto-based consulting firm Engineering Harmonics. The requirement was to evenly cover all seating areas, including 180 hard-to-reach seats in the choral loft behind the stage. The system also had to work at various heights, as the hall features an adjustable canopy to optimize reflections for different events.

"It was an extraordinary challenge," says Paul Alegado, project manager and associate designer for Engineering Harmonics. "During the review process, the manufacturers

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14 March 2016

Hurst has been the band's show designer for five years and was asked to come up with something awesome and fitting for the occasion and an incendiary set by The Prodigy.

Hurst took a photographic backdrop of a Harrier 'Jump' Jet as his creative starting point and designed the lighting rig - both over the stage and above the audience - to give the impression of the O2 being a giant aircraft hangar, and develop a big, bold and bombastic show aesthetic.

The rig had to be installed in a day, so Hurst had to ensure that the design was practical to get-in and rig a large amount of kit and be up and ready for doors. To this end, he also spent five days pre-programing in HSL's WYSI

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14 March 2016

The Church's regular worship band includes a ten-person praise team, drums, keyboard, bass, piano and two guitars and a seven-piece horn section

"Sundays are different every week, we can have a guitar player leading our services, a piano player, or our Pastor. On most Sundays we have a hundred or more choir members," relates Jeff Owen, technical director.

From traditional services to concerts and community events, this is a multi-purpose worship venue with several spaces needing flexible, reliable and crystal clear audio signals. Charged with delivering a solution was Doug Windell, design manager of Ace Audio in Hutto, Texas.

"It was time for a new mixing console to repla

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14 March 2016

NWare version 1.7 introduces Kiosk2Go, the latest addition to NWare's impressive control capabilities. Kiosk2Go allows designers and integrators to extend the custom kiosk control interfaces they create in NWare to any mobile device via the platform's web browser component and HTML5. This provides the end user custom control interfaces that they can then control from their own mobile devices, providing them ultimate mobility and freedom.

Any control interface that a designer creates in NWare can be accessed wirelessly with any Android, iOS (Apple), Blackberry, Windows or Linux mobile device. MediaMatrix NWare allows custom control interfaces to be constructed f

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14 March 2016

For the four-day training, attendees were required to bring their own laptop installed with the latest version of Audio Architect and London Architect software. Subjects covered included BSS BLU-806, BSS BLU-800, Crown DCi Network Amplifier, Crown XTi amplifier, Crown USBX, and an iPad with Motion Control and powered by Crown apps (already installed).

The applications for Architectural Media Systems are wide and varied and its scalability enables it to provide the same high quality audio experience from a

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14 March 2016

"I've mixed in my usual style of using a DiGiCo console; making it work for its money," smiles Baggy, who has to account for a four-piece band and three backing vocalists as well as Jessie herself. "I doubled up on quite a lot of channels for Jessie, so I was using all but six of the faders."

As well as monitoring, Baggy also had a comprehensive talkback system set up. This allowed him and the band members to all talk to each other during the show, without distracting the leading lady and he could also talk directly to Jessie when required.

Sound quality and flexibility are a given, but what Baggy appreciates most about the SD5 is i

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14 March 2016

Special guest Katherine Jenkins delivered a stirring operatic performance - as Matt Manasse's company Bluefish Audio faced the inherent reflections of the glazed dome roof in this landmark London skyscraper, and the difficulty of manually humping all the gear 180m up to level 40.

Fortunately for Manasse's team, the MLA Mini is both lightweight and portable. A top line sound engineer in his own right, he was already familiar with Martin Audio's compact philosophy when he became the first sound engineer to air the W8LM Mini Line Array - on tour with Katie Melua way

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14 March 2016

Exhibit-goers begin by rediscovering the nature of energy in the dynamic Energy Garden area, where they can transform energy from one form to another via a series of electro-mechanical devices and immerse themselves in a short film that dramatically presents the story of energy in our world. Guests then convert their knowledge into action via a multi-player simulation game in which they design an energy-saving car, house, neighbourhood, transportation system and city power grid.

Electrosonic teamed with exhibit designers Evidence Design, interac

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14 March 2016

"The sound was spectacular, and incredibly even for an in-the-round setup," says Brendan Hoffman, FOH engineer and production manager. "From FOH at one end of the arena up to the stage and the higher seating sections, differences were negligible. It was a gut punch on the floor and a gut punch at the top level."

Supplied by VER Tour Sound, the Leo system comprised 96 Leo-M line array loudspeakers deployed in four arrays of 14-each for long-end throws, an

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14 March 2016

Before opening in March of 2013, Game Seven Grill underwent a major renovation including new seating, championship décor and a new sound and video system featuring Community CP6 pendant loudspeakers for the interior and R.25-94T loudspeakers for the Grill's outdoor plaza seating.

Game Seven's sound and video systems were designed and installed by Parsons Technologies of Phoenix, Arizona. Mark Schultz, Systems Engineer, designed the systems at Game Seven Grill

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14 March 2016

Philippe Barguirdjian, technical director of DUSHOW, and his sound team were responsible for mixing and recording the three shows, each of which lasted around four hours. For rehearsals, four linked BBR64MADI systems were connected directly to the front-of-house DiGiCo SD7 and SD10 consoles. Here, the recorder's virtual soundcheck facility came into its own, enabling singers to save their voices ready for the

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14 March 2016

For its 2013 event West Evenement chose a new venue, the huge Le Liberte function hall in nearby Rennes, which has capacity for 5,300 people. The company had many new things to present, and wanted to choose the best venue to maximise the presentations. Eight demonstration areas were set up within the hall, and among new developments to be introduced here were sound systems and technology from Nexo.

Nexo's commercial director Jean Jacques Vias, together with concert sound specia

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14 March 2016

Andy M. Sutikno, CEO at ASIIS, explains his reasons for bringing Amadeus live sound equipment on board to the company's prestigious product lineup, "Once again I found a brand which really suits our philosophy about high-end sound. The Amadeus speakers have a very detailed mid-high frequency performance, very warm, yet transparent mid frequency response, and a fully articulated low end," he says, recalling his introduction to Amadeus during listening sessions at the 2013 Prolight + Sound show at the Frankfurt Musikmesse.

"Their products' sound quality, which definitely comes from Amadeus' high-end studio design experience, is apparent in its live sound systems with the ability to deliver a

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14 March 2016

"Since the new Mina system was installed in the main sanctuary, everybody has noticed the difference," says Elec Winner, the church's director of technical ministries. "The clarity of the high end is amazing. Now everything has its proper place in acoustic space, and the coverage from front to back is completely uniform. Our senior pastor is extremely happy. The sound check before the service takes less time, and the gain before feedback is much higher."

The new system comprises left and right arrays of seven Mina

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14 March 2016

Showcasing Gaz's new solo material, the tour took place in churches across the country. Engineer, Gavin McComb, selected an iLive modular system comprising an iLive-80 Control Surface and iDR10 MixRack to manage FOH, with iLive apps and PL controllers for additional remote control.

"Apart from being a very well designed piece of kit, iLive is also extremely compact, with a footprint of around 1m sq. so you can slot it into virtually any situation, even if you're going to a small venue that already has its own in-house stuff. As a system, the audio quality is fantastic, all the internal effects are very easy to use and sound great, whether it's a small, medium or large-sized venue."

Gavi