As the course concentrated on installation, the control and monitoring modules (Crestron, AMX) which allow control of L-ACOUSTICS amplified controllers were also covered.
"I was delighted that all the recently appointed certified providers were able to attend," says Owen. "We plan to host another course later in 2012 as we identify more system integrators who share our approach to installation in the Gulf area. We aim to create a standard wh
SWS principals Freddie To and Daniel Chan hosted a TiMax workshop in Hong Kong where Out Board director Robin Whittaker presented and demonstrated the principles of TiMax delay based Source-Oriented Reinforcement to around 40 guests. Delegates learnt how continuously varying audio localisation could be applied to wireless vocal mics using the TiMax2 SoundHUb dynamic delay matrix, and how this could be automated via continuous control by Out Board's market-leading TiMax Tracker performer tracking system.
TiMax2 SoundHub's sound effects and playback server capabilities were also demonstrated using multiple atmos and spot effects played off the units in
The 7.1 surround installation comprises Acheron Studio screen channel loudspeakers, X-800C high-power cinema subwoofers, HMS-10 cinema surround and UP-4XP loudspeakers, and a Galileo loudspeaker management system with a direct digital connection to a Dolby CP650 cinema processor.
"We wanted a sound experience that was like no other," says Patrick Schweiss, the festival's executive director. "When we found out that Meyer Sound was custom-designing a system just
Despite adverse weather conditions, over 18,000 fans made their way to Garmisch-Partenkirchen on New Year's Day to watch the tournament's second leg. To ensure spectators were kept abreast of the unfolding competition and their spirits maintained during lulls in the action, for the fourteenth year running t
Minster Exchange is SSE's first project using the Crestron range of AV control systems. Mark Hatfield, SSE Installation project manager said, "We used the Crestron system to link a variety of audio and video inputs, including projectors, laptops, mics, radio mic, iPod docks, three conference audio systems and a DJ audio system, so it could be operated through one simple control interface, in this case a wireless, proprietary touchscreen."
He continued, "The touchscreen can be used from any of the three conference rooms and it also allows the user to link the systems in rooms together for larger mee
A combination of five of DiGiCo's newer SD10 consoles along with one of its larger format SD7s handled FOH and monitor duties - for a total of 400+ I/O's and 256 mic preamps distributed between six SD Racks - among four engineers in three locations within the Staples Center arena.
The entire PA system was powered by a versatile Opticore fibre optic network, which made it possible for the consoles to tie together seamlessly and also allowing the signal path to stay 100% digital from mic preamps to amplifiers. Additionally, the Opticore network cut t
Sound company for the tour was Victory Tour Production, a long-term DiGiCo rental house that provided a pair of SD11s and shared SD racks for the tour purchased via DiGiCo's Danish distributor Soundware, with DiGiCo supplying AES42 interfaces.
"We wanted to use Neumann digital microphones and DiGiCo is one of only two manufacturers who currently offer the right interface, allowing us to have digital audio all the way from the microphone capsules to the loudspeakers," says Front of House engineer Jacob Navne.
"We were on a very tight budget and I needed so
Although Sacramento Production Services has been providing audio for the three-day festival for 16 years, 2011's SNWMF was the first time they've used Lab.gruppen amplifiers. "It's our first year using the Labs and the first time we used Lake Processing on this PA. We built it and sent it out specifically for this gig," says Sacramento Production Services' FOH engineer and system
"After purchasing a ConTour Array system from Melody House in June last year, the company has seen a return on its investment and reinforced their trust in HK by purchasing the Elements system," commented Amrith Verghese, HK Audio product specialist at Melody House.
"Now with the Elements system, the company can fulfill both small to medium requirements for corporate events, small to medium band setups and other such applications where clear sound is obtained at a very cost effective manner."
(Jim Evans)
The five Meyer Sound-equipped Condesa clubs and restaurants - AM, PM, Rexo, Artic Bar, and Bar La Capital - all are owned by hospitality entrepreneur Carlos Alvarez, and sound system design for all was entrusted to freelance audio engineer Ramon Salazar. The runaway success of the first install at the AM club - pulsating nightly wi
"Loud N Clear have been a Midas user for quite a long time now with their first ever console being a Midas Siena a few years ago, since then the company has grown and has now taken the digital leap with the Midas Pro2," commented Chicco Hiranandani, business development manager at NMK.
"The Pro2 will make significant in roads with the Arabic audio engineers due to the fact that it is very simple to use and provide the engineer with that analogue feel and more importantly, analogue sound
Simon Nathan, owner of Audio Production Services of Amawalk, NY, worked closely with Dan Dryden, FOH engineer for the Philip Glass Ensemble, to design the sound system for the event.
"Because Avery Fisher hall is home to the Philharmonic, it doesn't have an in-house system that could handle this performance," explains Nathan. "We were asked to provide a high quality system that could cover the entire hall without impeding any stage site lines and provide clean, consistent sound throughout the room."
LAB used the K1 system for the first time for pop singer Jane Zhang at the Mastercard Center, Beijing, part of her Personal Look tour of China. A system of 12 K1s and three Karas per side was flown, with six K1-SB subwoofers suspended behind each K1 hang in a cardioid configuration.
In addition, 24 Kudos were used as side-hangs for offstage-fill and six KARAs for front-fill, with a total of 12 SB28 subs. The monitor system included 16 115XT HiQ active coaxials, two MTD 108As, four ARCS and four SB28 subs. The whole system was powered by a total of 45 LA8 amplified controllers in 15 LA RAKs, controlled using the LA Network Manager. L-Acoustics Soundvision proprietary acoustic modell
The touring lighting elements comprised a floor-based rig which could be used in conjunction with house rigs, while two DigiDesign D Show Profile mixing consoles - also used by the support acts, complete with racks, splitters, cables and mains distro - were supplied on the audio side.
With the Beatle-esque number Nine In The Afternoon a firm Adlib office anthem, account manager Phil Kielty states, "We've been fortunate to work with the band in the UK for six years and seen them grow both on their own tours and the festival circuit. By pure coincidence we bumped into their new crew i
Emulator Modular 1.0 delivers powerful capabilities for music, pro audio, lighting and A/V professionals to customise multi-touch midi-controllers, allowing them to leverage an unprecedented degree of control and flexibility over settings and parameters. The new software can benefit anyone using MIDI-based software, including music producers, video editors, broadcasters, front of house operators, lighting designers, church AV installers and many others, says the company.
"Our newest software, Emulator Modular, ha
Gottlieb's involvement with Master Class dates back to the very first production in 1995, which clocked up nearly 600 performances in total. An ardent fan of Meyer Sound loudspeaker systems, Gottlieb was initially concerned about how to replicate his Broadway design in the West End environment in the minimal time available, as he explains:
"This was a challenging transfer, and it all happened very fast. We knew that we had to hit the ground running from the moment
"Our biggest challenge was to come up with an idea of how to connect all the conference rooms and construct the audio system as a whole, combined with the interpretation solution", said Luca Galli, product manager public address & conference systems at Bosch Security Systems. The aim was to achieve a reliable and smooth audio transmission from each room to all the others, to guarantee intelligibility at all times. In particular, due to the main room's m
In June 2011 the Royal Welsh College's dream of having its own world-class performance and rehearsal spaces became a reality as it opened its doors to new £22.5m facilities, including the 180 seat Richard Burton Theatre and the 400 seat Dora Stoutzker Concert Hall. A recording studio was also built to support the concert hall which can be patched into all the new rehearsal and performance spaces. Their event calendar encompasses over 300 public performances each year including orchestral concerts, recitals, drama, opera and musical theatre, making the choice of audio equipment to satisfy these varied applications an importan
The Centre's 3700-seat James E. O'Neill Arena is home to the university's Cardinal basketball teams. The multipurpose facility can be segmented using movable walls, accommodating not just basketball, but everything from baseball practice, pole vaulting and shot putting to convocations, and even the occasional swap meet. The arena recently received a major sound system upgrade, overseen by Bret Emerson of Rockford, MI-based CommTech Design, installing a high-powered audio system featuring Renkus-Heinz
Produced for over three decades, the HHB Catalogue is a comprehensive guide to the latest pro audio technology for the broadcast, education, music recording, OB, post, radio, television and video games markets. The HHB 2012 Catalogue is the biggest edition yet, featuring information on products for file-based workflow, MADI, audio over IP, HD, loudness, Pro Tools, storage, and many more professional applications. Detailed descriptions, specifications, pictures and pricing for all available items are included.
The HHB Catalogue is also a trusted technical reference source due to its original editorial features w
With over 16 years' experience in the Audio Visual Industry, Leader has worked for some of the foremost AV companies including Sanyo and Crestron, spending much of his career working on large projects with end-users, consultants and specifiers. Leader has been brought in to the company in a business development capacity and will be responsible for supporting POLARaudios' existing client base, developing new business and taking new technologies such as Biamp's AVB (Audio Video Bridging) to the AV and integration markets.
POLARaudio's managing director John Midgley commented, "We are delighted to welcome on-board the newest member of the team. Stuart possesses an abundance of experience and industry knowledge and will be a key part of our develo
Following landmark installations in the iconic Paradiso and Melkweg clubs in the past few years, a Martin Audio W8LCi compact line array system has now been installed in latest Amsterdam rock venue (and cultural centre), Duycker.
Owned by the local government, and situated near Schiphol Airport (in the affluent town of Hoofddorp), the complex comprises two live rooms and a café bar, where sound reinforcement is provided by Martin Audio's AQ architectural range.
The Martin Audio W8LCi solution was chosen for installation in the large, 850-capacity room after the line array approach had been compared with modular systems by experienced freelance sound engineer, Gerald Chermin, who was brought in as technical director to
The staging of live Olympics screenings and concerts planned for 2012 were not included in the review and the council agreed that an 18-day series of concerts will be held in the park to celebrate the Games and events related to the Queen's Jubilee.
Councillor Audrey Lewis, Westminster Council's Licensing chairman, said, "We have a duty to balance the needs of local residents with the desire of concert organisers to hold events and the compromise that the committ
Flare Audio provided a 13 box flown Triwave i10 FOH System coupled with their Quadhorn Q218 bass enclosure.
"The sound produced by the system sounded incredible and the entire system was extremely fast to setup and de-rig," comments Arron Smith, project manager for Flare Audio.
The complex stage monitoring system was made up of the entire range of Flare Audio products; Stealth Array was used as side-fills, M15 as stage monitors, the V65 and V12 bass enclosures fitted perfectly into some of the smaller spaces where larger speakers would have restricted the athletes movements.
Davies Roberts from Flare Audio comments, "We were very honoured to have been selected to provide our new British designed an
