Styx marathon tour rolls on with DiGiCo
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And while Styx may be relying on local “racks and stacks” at the various host venues on their latest trek, the band’s audio crew has opted to carry a Solotech-supplied control package built upon twin DiGiCo SD12-96 consoles for FOH and monitor mix consistency.
Chris Hoff, better known as ‘Cookie’ has worked with the band on and off for more than half of its history, originally starting out as a stage patch/monitor tech in 1997. Following eight years as the band’s monitor engineer, plus various stints as systems engineer, Hoff has spent the past six years as Styx’s FOH engineer, and he says that the choice to specify DiGiCo consoles was an easy one.
“I absolutely love the DiGiCo mixing platform; there is so much flexibility and so many extra features that set this platform apart,” he says. “Once I get my ‘propeller-head’ engineering done - routing, groups, macros, and so on - I feel that I’m free to mix creatively and musically. I don’t have to spend all of my time fixing things and I can fully participate in the performance from my end.
“I’ve worked on a variety of DiGiCo surfaces - SD7, SD5, SD10, and Quantum7 - on both sides of the snake since 2015, but the SD12-96 was particularly ideal for this tour in that it helped us resolve some space challenges. Evan [McElhinney, monitor engineer] and I try to do as much as we can with as little as possible. Neither of us have a bunch of outboard gear to make our socials look cool, nor do we really need it.
From my perspective at front-of-house, there are many venues that feel even a four-foot-wide desk is way too big and they don’t seem to budget enough room for what we are bringing in. The SD12-96 is a high-channel count console in a very small yet convenient package that has the same pedigree and amenities of its much larger siblings.”
Solotech’s control package for the current Styx tour comprises the two DiGiCo consoles connected via HMA Optocore and paired with an SD-Rack loaded with two 24-bit AD cards, three 32-bit AD cards, one AES I/O card, and five DA cards on the output side. Hoff has DMI-Waves and DMI-MADI modules loaded into his desk’s rear panel, and he’s using two Waves DiGiGrid MGBs for virtual soundcheck. Audio from a secondary playback computer is additionally brought in on the console’s UB-MADI port.
On the other end of the fibre is monitor engineer Evan McElhinney, who has been with the band since 2010. “Although I spent my first seven years with the Styx family on another brand of console, we finally maxed out that platform’s resources; plus, the band’s newer records were presenting a need for the monitor situation to evolve. In 2017, Cookie and I both agreed that DiGiCo’s SD-Range was the best option for Styx moving forward, and when the SD12 dropped, I was immediately fond of it based on its footprint and features.”
Similar to Hoff, McElhinney’s desk is paired with a Waves DiGiGrid MGB and a DMI-Waves card taking care of his multitrack record and virtual soundcheck.
McElhinney uses his console to supply a dozen wireless IEM mixes for the band and crew, three wired packs at the drum riser, and a small number of transducers onstage, and the response that’s he’s gotten back from the group has been affirming. “I have been told by some of the guys that it’s the most fun they have had playing in their careers,” he says. “Tommy [Shaw, guitar/vocal] often is excited by how good his mix sounds and how inspiring it is to play. One thing that matters most to me is that they can pitch easily, which is crucial for a vocal band like this where all of them sing.”
