Sziget Festival returns with Martin Audio MLA
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This six-day event on the Danube - situated on the remote Hajógyári Island (Óbudai-sziget), north of Budapest - draws between 500,000-600,000 visitors, and always pulls a major list of global superstars across its stages. This year was no exception, with Dua Lipa, Arctic Monkeys, Stromae, Kings of Leon, Lewis Capaldi, Tame Impala, Nina Kravitz and Sam Fender among the many familiar faces.
The technical infrastructure included Martin Audio’s MLA loudspeaker array, which has been a regular and reassuring sight for audiences and visiting sound crews alike on main stage since 2015.
According to Robin Conway, Solotech senior technical advisor, the main stage sound design continues to evolve as the production team strives for increased perfection, once again working alongside Hungarian audio crew chief and system designer, Marci Mezei, and local Martin Audio partners, BG Event.
They were fortunate to be able to benefit once again from the huge experience of Mezei, who has been involved with Sziget since 2001, initially starting on the smallest Pesti Est stage, before working up to main stage since 2004. And he ensured the partnership with Solotech once again produced a slick outcome.
BG Event provided auxiliary support for an inventory which included nearly 200 enclosures deployed on main stage alone, along with rigging, cabling, racks, chain hoists and motor control. BG also provided additional Merlin network management systems (and distro) to support their MLA family boxes.
The main PA comprised 17 MLA per side, with a single MLD Downfill at the base of each hang. Side-fills were an equally symmetrical 15 MLA (plus single MLD Downfill) on each flank - all underpinned by 42 MLX subwoofers (in 14 x 3-high cardioid stacks). Front-fills consisted of six MLA Compact (set on alternative sub stacks) and in-fill wing coverage was provided by 12 MLA Compact, set in 4 x 3 high stacks.
FOH delays comprised four further MLA Compact (left and right) while four additional delay positions were set further down the field, each populated by hangs of either eight or nine MLA (with an MLD Downfill in all cases), and a pair of MLX to handle the low frequencies. This provided an aggregated cabinet count of 182 units servicing main stage.
In addition, Solotech provided all system drive and control, complete stage systems, console and RF.
While Solotech has now perfected the onsite design over the years - and getting inventory on and off the island is a well-drilled procedure - the challenges they faced were mostly logistical in a post-Brexit, post-Covid world, as Robin Conway explained.
“It was always going to be a challenge working in Europe post Brexit and the pandemic, with inflated costs of shipping, carnet etc,” he said. “However, the production team were confident in our ability to deliver the festival audio and to deal with any additionals. We have a great relationship and hope it will continue beyond 2022.”
MLA again found favour with many of the visiting sound engineers. According to Marci Mezei, many commented directly to him about the quality of the PA and the enjoyable experience it gave them - including Sigrid’s FOH sound man Jan Halsvik and Dua Lipa’s Will Nicholson, while techs from Tame Impala and Stromae voiced similar approval.
Sziget is only one of three major Hungarian festivals serviced by Solotech and BG Event, with Volt and Balaton Festivals, managed by the same production team, taking place earlier in the summer.
Solotech personnel supporting Marci Mezei and his team included Mark Cleator (FOH and system) and Kevan Snuggs (monitors and stage). Meanwhile, Marci Mezei commended his own crew, consisting of BG Event’s Gabor Bacskay Mazsi, who looked after system and FOH duties, and Robert Szentesi and Aleksandar Aleksandrovic who were at the stage end.
In addition to main stage, other stages equipped with Martin Audio systems provided by BG Event, included the Samsung Colosseum and TicketSwap Party Arena`.
