The main focus of the stand was Tannoy VNET - a fully active range of networkable sound reinforcement loudspeakers. By integrating its renowned Dual Concentric point source, constant directivity drive unit with leading edge digital signal processing (DSP), network control and class D amplifier technologies into the highly successful V-series line-up, Tannoy say it is providing a fully monitored active speaker system; a turn key solution for the most demanding sound reinforcement applications.
Two 800W power amps are fitted to each VNET cabinet and room EQ is simplified via user accessible signal processing based on the latest third generation SHARC DSP. This can be used in place of an upstream speaker management system and individual speakers can be linked together with Cat 5 cable in a daisy chain, star layout, or a combination of both.
Included software facilitates real-time control as well as diagnostics and monitoring of all vital system parameters such as amplifier temperature, driver status and input / output metering.
The fully integrated system within each speaker negates the need for an amplifier-rack room to be incorporated within the venue. Using VNET with a live band at PLASA demonstrated that the system performs acoustically as well for touring as it will for fixed installations. Tannoy's Event Coordinator, Lee-Anne Finnie, explained the rationale behind the trio of musicians. "Tannoy staff were on hand to provide information on the product, and having the band play at regular intervals throughout the show allowed us to demonstrate VNET to full effect." She further commented, "It was a major coup getting a line up of such prestigious musicians together and visitors to the stand were very enthusiastic about the band and the sound quality of the new loudspeakers."
The band was equally impressed with the power and clarity of the sound too. Jones and Duffin now plan to use VNET within a soon to be completed audio training facility in Motherwell. Duffin and Jones along with Ted Blakeway, previously head lecturer at the Glasgow School of Audio Engineering, have been working on this project since just before Wet Wet Wet reformed a couple of years ago. Due to open before the end of 2005, the facility will provide comprehensive training for musicians in the art of live sound and the complex will include a full professional digital recording studio.
(Sarah Rushton-Read)
