Lighting design for the production was by Trevor Wallace, who turned to White Light for the equipment that could both bring the Martians to life, and survive the rigours of outdoor performances next to the Atlantic Ocean in an English summer. The rig included five of Martin's MAC 700 Spotlights which were installed inside FlightDome protective domes to ensure that they were protected from the elements.
As well as the MAC 700s, White Light supplied High End Dataflash strobes, ETC Source Fours in 10?, 26?, 36?, 50? and 70? varieties, PAR64s, CCT Minuette Fresnels, and a Robert Juliat Foxie 700W followspot. White Light also supplied a Viper smoke machine, and a PowerTiny miniature smoke machine, as well as rigging, mains and DMX distribution and music stands.
(Jim Evans)
