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14 March 2016

SSR's technical director, Tom Aston reports, "Students have been overwhelmingly positive about the Audient ASP8024. They find it well laid out, spacious and logical." This year alone, some 120 students - including those studying for Music Production and Sound Engineering degrees - will get their hands on the console, giving it ample opportunity to prove its reputation for reliability and longevity.

"Having a producer's desk to the left of the master section has allowed us to locate the computer keyboard, mouse and DAW control surface in the centre of the stereo image, producing a much more ergonomic environment than before,

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14 March 2016

"You always like to get good feedback when you design," said Therrien of JDI Productions. "So all of us involved in this show were thrilled when the bands went out of their way to compliment us. Aaron Patrick for ATR and Bryan Campbell for WCAR both commented how happy they were with the package and how the lighting had added an impressive visual impact to their perform

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14 March 2016

School of Rock - Broadway musical School of Rock, written by Downton Abbey's Julian Fellowes with music by Andrew Lloyd Webber, has opened to mixed reviews. The show, which was a hit 2003 film starring Jack Black, is about a wannabe rock star

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14 March 2016

From tussles between prisoners on the gangways, to the clanging of heavy cell doors, to the distinct smell of cannabis drifting down the cell block, the museum has so faithfully recreated the sights, sounds and smells of prison life that visitors feel the closure in 2006 never actually happened.

Central to the multi-sensory experience are the 56 Panasonic projectors, which help create shadows through the halls and the sight of heavy set prisoners in the toilet blocks.

The majority of these are Solid Shine laser projectors, including a total of 46 PT-RW330, 2 PT-RZ470 and PT-RZ475 projectors placed throughout the prison. Solid Shine projectors were chosen due to impressive brightness and contrast

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14 March 2016

It offers recommendations for steps to be taken to prevent falls by anyone (e.g., performers, technicians, politicians) on parade floats, movable stages, and similar moving platforms. Fall protection is needed, but this protection needs to be provided in a way that preserves the artistic intent of the moving float or platform. This document is being written to provide guidance on how to accomplish these two aims.

The draft standard is available now through 1 February 2016. On 2 February the review is over, and the links to the draft standard will disappear from the website.

(Jim Evans)

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14 March 2016

Lighting designer Stevie Hernandez examined how 64 Robe Pointes are integral to the design.

Zedd's much talked-about live show visuals are a collaboration between himself, Stevie as production designer, VJ Gabe Damast and tour manager Ken Floyd who also runs lasers and SFX for the performance. They have all worked with Zedd for three years and are his first production team.

The team enjoys a coherent and fluid visual chemistry and Zedd considers them his 'visual musicians', all bringing their own specific imaginative disciplines into the show.

While Zedd knows exactly the visual vibe he wants for each song, he encourages everyone's input. Different ideas

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14 March 2016

The production spared nothing. Concert directors Travis and Stacyz, having worked with Michael Jackson and Lady Gaga, were brought in to create an unprecedented audio-visual feast, in turn bringing in the best teams from all over the world to give fans their most impressive production experience to date.

MSI Japan was in charge of the sound production and Martin Audio's award-winning MLA system was chosen for the Taipei, Beijing, Shanghai and Guangzhou leg of the tour. With more than 3

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14 March 2016

Having received such a positive response to their initial Yamaha QL1 digital console investment which has successfully served their increasing sub-hire market demands, Joe Haycocks, director at RSH Audio was prompted to consider the suitability of the company's other assets for the demands of busy rental and production companies.

"I am keen to continue developing our sub-hire market work which we supply very effectively. With that in mind I looked to Yamaha CL and QL digital consoles and Shure QLX-D digital wireless systems for the solution", comments Haycocks. "On our own shows, we have found the Yamaha and Shure systems work brilliantly for both the live and corporate shows that we do.

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14 March 2016

The band toured earlier in the year, visiting some of the more off beat venues in the circuit, followed by some gigs over the summer and now this tour, which also plays a couple of arenas and for which Dan created a completely new design.

The new album is a departure from the punky, rocky attitude of the first two, moving into some darker and moodier territories and they wanted the musical evolution and depth of the new material to be reflected in the lighting and visuals.

In response, Dan has gone for multiple options for producing a wide array of strong moody looks with lots of variety and low side lighting that introduces intimacy and the idea of proximity

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14 March 2016

Reflex were approached by designers to provide a sound system solution that would complement the venue by providing high quality music. From a relaxed daytime atmosphere to a more sophisticated, livelier environment for the evenings and weekends, it had to meet a range of demands.

It was also vital that the system sounded great but was also simple to use requiring minimal management. Equally it was critical that the speakers did not detract from the stylish décor of the restaurant and bar.

When it comes to hospitali

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14 March 2016

Billund Airport was originally established in 1961 as a private airstrip by Godtfred Kirk Christiansen, head of The Lego Group, whose company is based in the nearby town of Billund. The current airport opened in 1964 and has been continually expanded and upgraded ever since. Owned by a group of the area's municipalities, today Billund Airport is the main airport for passengers in western Denmark and handles significan

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14 March 2016

This celebration took place on Alba lulia for more than 15000 people with 1200 soldiers on parade, trucks and military equipment. Alba Iulia is a historic town and attracts hundreds of thousands of tourists annually. It is in the top three of the most beautiful and visited cities in Romania.

For this event, the challenge was to cover a distance of 200m, left and right of the main stage. It was basically a street with two lanes where soldiers paraded and sidewalks were located viewers (tourists).

"We like challenges, but in this case we have tried to primarily ensure the safety of the thousands people who attend to this event. We think for the organization was the most important even

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14 March 2016

Gavin Tempany is the monitor engineer on the tour and he has chosen an SSL L500 Plus console, having already used it at Front of House on other high profile events. "I had the choice of a couple of consoles," he explains. "They were the only ones that would do the number of ins and outs I needed. I ended up using 186 wet audio paths, and 32 dry, so it was pretty hectic."

The L500 Plus can handle up to 256 audio paths (208 with full processing, and 48 dry), and up to 1008 inputs and outputs. Tempany's set-up on the Gilmour tou

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14 March 2016

"The experience Jaime brings to this position dovetails very nicely with our vision of Chauvet's future in the Latin American market," said Albert Chauvet, President and CEO of Chauvet. "Jaime has a keen understanding of the lighting industry and of Latin American business culture. His experience in sales, marketing and business development will he

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14 March 2016

Drapes, softs and special effects company S+H Technical supplied 350sq.m of its animation cloth and 50sq.m of its RGB Starcloth product to the event, which were an essential element of the spectacular production design created by Alex Craig.

Alex's studio set evoked fantasy images of both high-tech and retro fairground attractions and was based around multiple LED screens, surfaces and scenic decoration, with an impressive five-layered pros arch and many dramatic curves. It provided dynamic backdrops to the all acti

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14 March 2016

Event co-chair Steven Way of ALPS commented, "We were very pleased with the success of this event in achieving its two primary goals, creating a comfortable networking experience for our industry professionals and supporting Behind the Scenes. We look forward seeing everyone at next year's Happy Hour event prior to LDI."

A big thank you goes out to all of the sponsors of the Behind the Scenes Happy Hour: Executive: Altman Lighting; Platinum: 4Wall Entertainment, IATSE, Nemetschek Vectorworks, Inc., Ultratec

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14 March 2016

It would be a given that the designer of some of the world' best concert halls and a conductor with the stature and experience of Michael Tilson Thomas would make a fantastic design, but no corners have been cut in installing the latest media equipment to cover all requirements. The 756-seat Performance Hall and the smaller Sun Trust Pavilion are fully equipped for live performance and recording and share two multi-track surround capable control rooms. HD video recording and projection is also available for those hiring the spaces.

Originally set up to record 64 tracks at 24bit/48kHz, it became apparent that the majority of the major opera and concert venues had installed Pyramix and Horus/Hapi Networked

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14 March 2016

"The aim was to make this production more personal and special for the fans," said lighting designer Sean Caie who is also head of lighting at the Grand Arena. He programmed on a grandMA2 Light.

There was no specification for the lighting design and Sean made use of the in-house gear in each venue which largely consisted of a Robe lighting rig, to create a warm look on stage.

"No additional gear was needed for the shows as there was great equipment in both venues," he said. "With tight deadlines and turn arounds, I had to programme a large portion of the show off-line. A

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14 March 2016

Laura Kriefman, one of this year's Wired magazine Creative Fellows and a resident at the Pervasive Media Studio, approached Howard Eaton and Emma Chapman of Studio Three Sixty to design the lighting for her inaugural Crane Dance Bristol. With set designer Lucy Osborne the third member of the Studio Three Sixty team, this was their first project and it was an unqualified success.

Faced with sourcing equipment best fit for purpose on a limited budget, theatre lighting specialist Howard Eaton knew from previous experience that a combination of the ultra-energy efficient P-5 and P-2 heads would be the perfect complement to the 1km of LED ropelight that would be used to outline th

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14 March 2016

MJ worked with their client Edith Venter, and the lighting designer for the event was Gary Sam, a freelancer who programmed on a grandMA 2 Light.

"The evening consisted of two parts, a show and an after party," commented MJ's Theo Rood, project manager. "Prior to the show, staff from the MultiChoice Call Centre participated in auditions and a knock out system, something similar to an Idol's type competition. The top eight singers performed at the grand finale, hosted at the Teatro auditorium at the Mosaïek."

Gary Sam needed something that wo