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14 March 2016

Billund Airport was originally established in 1961 as a private airstrip by Godtfred Kirk Christiansen, head of The Lego Group, whose company is based in the nearby town of Billund. The current airport opened in 1964 and has been continually expanded and upgraded ever since. Owned by a group of the area's municipalities, today Billund Airport is the main airport for passengers in western Denmark and handles significan

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14 March 2016

This celebration took place on Alba lulia for more than 15000 people with 1200 soldiers on parade, trucks and military equipment. Alba Iulia is a historic town and attracts hundreds of thousands of tourists annually. It is in the top three of the most beautiful and visited cities in Romania.

For this event, the challenge was to cover a distance of 200m, left and right of the main stage. It was basically a street with two lanes where soldiers paraded and sidewalks were located viewers (tourists).

"We like challenges, but in this case we have tried to primarily ensure the safety of the thousands people who attend to this event. We think for the organization was the most important even

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14 March 2016

Gavin Tempany is the monitor engineer on the tour and he has chosen an SSL L500 Plus console, having already used it at Front of House on other high profile events. "I had the choice of a couple of consoles," he explains. "They were the only ones that would do the number of ins and outs I needed. I ended up using 186 wet audio paths, and 32 dry, so it was pretty hectic."

The L500 Plus can handle up to 256 audio paths (208 with full processing, and 48 dry), and up to 1008 inputs and outputs. Tempany's set-up on the Gilmour tou

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14 March 2016

"The experience Jaime brings to this position dovetails very nicely with our vision of Chauvet's future in the Latin American market," said Albert Chauvet, President and CEO of Chauvet. "Jaime has a keen understanding of the lighting industry and of Latin American business culture. His experience in sales, marketing and business development will he

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14 March 2016

Drapes, softs and special effects company S+H Technical supplied 350sq.m of its animation cloth and 50sq.m of its RGB Starcloth product to the event, which were an essential element of the spectacular production design created by Alex Craig.

Alex's studio set evoked fantasy images of both high-tech and retro fairground attractions and was based around multiple LED screens, surfaces and scenic decoration, with an impressive five-layered pros arch and many dramatic curves. It provided dynamic backdrops to the all acti

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14 March 2016

Event co-chair Steven Way of ALPS commented, "We were very pleased with the success of this event in achieving its two primary goals, creating a comfortable networking experience for our industry professionals and supporting Behind the Scenes. We look forward seeing everyone at next year's Happy Hour event prior to LDI."

A big thank you goes out to all of the sponsors of the Behind the Scenes Happy Hour: Executive: Altman Lighting; Platinum: 4Wall Entertainment, IATSE, Nemetschek Vectorworks, Inc., Ultratec

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14 March 2016

It would be a given that the designer of some of the world' best concert halls and a conductor with the stature and experience of Michael Tilson Thomas would make a fantastic design, but no corners have been cut in installing the latest media equipment to cover all requirements. The 756-seat Performance Hall and the smaller Sun Trust Pavilion are fully equipped for live performance and recording and share two multi-track surround capable control rooms. HD video recording and projection is also available for those hiring the spaces.

Originally set up to record 64 tracks at 24bit/48kHz, it became apparent that the majority of the major opera and concert venues had installed Pyramix and Horus/Hapi Networked

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14 March 2016

"The aim was to make this production more personal and special for the fans," said lighting designer Sean Caie who is also head of lighting at the Grand Arena. He programmed on a grandMA2 Light.

There was no specification for the lighting design and Sean made use of the in-house gear in each venue which largely consisted of a Robe lighting rig, to create a warm look on stage.

"No additional gear was needed for the shows as there was great equipment in both venues," he said. "With tight deadlines and turn arounds, I had to programme a large portion of the show off-line. A

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14 March 2016

Laura Kriefman, one of this year's Wired magazine Creative Fellows and a resident at the Pervasive Media Studio, approached Howard Eaton and Emma Chapman of Studio Three Sixty to design the lighting for her inaugural Crane Dance Bristol. With set designer Lucy Osborne the third member of the Studio Three Sixty team, this was their first project and it was an unqualified success.

Faced with sourcing equipment best fit for purpose on a limited budget, theatre lighting specialist Howard Eaton knew from previous experience that a combination of the ultra-energy efficient P-5 and P-2 heads would be the perfect complement to the 1km of LED ropelight that would be used to outline th

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14 March 2016

MJ worked with their client Edith Venter, and the lighting designer for the event was Gary Sam, a freelancer who programmed on a grandMA 2 Light.

"The evening consisted of two parts, a show and an after party," commented MJ's Theo Rood, project manager. "Prior to the show, staff from the MultiChoice Call Centre participated in auditions and a knock out system, something similar to an Idol's type competition. The top eight singers performed at the grand finale, hosted at the Teatro auditorium at the Mosaïek."

Gary Sam needed something that wo

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14 March 2016

Released on Universal Music, the album was recorded at the duo's Arena di Verona concert in May. The show was also broadcast live on Rai 1, Italy's premier national television channel.

Francesco has worked with Al Bano for many years and has used many digital mixing consoles. His favourite is undoubtedly the CL5. "My job is to keep the artists on stage happy and the CL5 is always my first choice to achieve that," he says.

He continues, "This show was huge. We had a

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14 March 2016

Fallon is a familiar face to many in the industry, having worked in product and sales management at Martin Professional for 12 years before leaving to establish his own business. "Gary comes to us with vast industry knowledge and experience and knows the value of hard work, discipline and supporting customers above and beyond," stated Elation sales director Eric Loader. "Gary will work to support and continue our growth plans on the East Coast, managing our sales reps and supporting our dealers in the region. I am confident he will fit well into our company culture and growth plans."

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14 March 2016

"API is committed to growing our presence throughout the Asia Pacific region. With large format consoles in Japan's largest scoring stages, along with our popular 1608 consoles in use from Jakarta to Seoul and on to Mumbai, Davwinder's experience will give us a bold head start in strengthening our distribution network and establishing new relationships throughout the region," says Dan Zimbelman, API's director of sales.

Sheena explains, "I've made a full circle in my career, from running world-class recording studios to working with some of

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14 March 2016

Mignone positioned 24 Legend 330SR Spot moving fixtures over the audience section of the 135,000 square foot converted ocean liner terminal (officially called Pier 94) for the Kaskade show, which was produced by RPM Presents. All of the fixtures were directed at the crowd of 10,000 fans.

"Audience lighting is critical at any EDM concert because fans want to be engaged with the artist," said Mignone. "However, this is especially true with an artist like Kaskade because of the way h

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14 March 2016

"I've been involved with Give Thanks for the last three years, and each year the design process is entirely dependent upon what the programming material is going to be," began Moore. "I knew I

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14 March 2016

The track's previous sound system, installed in the late 1990s, used four, pole-mounted loudspeaker clusters aimed back at the spectators. However, after a major renovation in 2013 along with a new press box and additional luxury suites, the pole-mounted loudspeaker clusters faced a wide expanse of newly-added glass causing unwanted audio reflections onto the seating and the track.

In 2014, Santa Anita asked AMT Systems of Santa Clarita, California to propose a new system to eliminate the reflections, add audio coverage in some of the newer areas and upgrade the overall sound quality to me

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14 March 2016

The high-profile US rock band have been touring in support of their 2015 album American Beauty / American Psycho, and undertook UK and European Arena shows throughout October, following a series of US dates over the Summer.

A long-time Jands Vista user, Robb took the S3 and D1 combination on the entire tour. The custom setup consisted of the S3 control surface, which was connected to an Apple i7 Mac Mini running the award-winning Vista v2 software, and a Wacom Cintiq Multi Touch pen tablet surface built into a custom case. The system ran with an identical back up and two Vista D1 Playback Processors, which were rack-mounted in a road-

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14 March 2016

"What prompted me to look at the SolaSpot PRO CMY was how brilliant they are for theatre," Nate explained. "So many other fixtures in the same range don't offer nice variable colour correction and don't have a quality frost. The Pro CMYs are stunning in their intensity. They can match to a conventional halogen rig and give us that quality we need in theatre lighting, even with an LED en

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14 March 2016

The production design was based around his dynamic music and the creation of special 'moments', a process that built throughout the show, revealing different elements as the music called for them. For lighting and video control, Formative relied on grandMA2.

Formative ran two media servers and two grandMA2 full-size consoles, with an additional grandMA2 full-size at 'dimmer beach' as well as four MA NPU (Network Processing Unit). "We ran Art-Net from the media servers into grandMA2 for pixel mapping and split timecode between all the systems for full redundancy", Peters explained

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14 March 2016

Andy Hurst was asked to create a visual concept and Blackburn rental company HSL supplied lighting equipment which included an investment in 300 Martin VDO Sceptron 10 LED battens, which were rigged on custom structures to form a giant '88' digital clock face.

The large digital figures were an idea that Andy and Sister Bliss from the band had thought about in the quest to have something different from conventional video with large screens and content onstage. When the dialogue with Andy