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For the Academy shows, GPA ran the
Formula Sound can be found on stand E26.
The idea was initiated by sales director Steve Warren, and organised with the help of Viraf Pocha of LIDE and Atul Sonpal of Jagmag Electric. The workshop was attended by over 35 people from more than 10 companies based in and around Bombay. Lighting designers, rental companies and a host of individuals linked directly to the burgeoning 'Bollywood' film industry (now the second largest film production market in the world) attended. Pear
Blackout Triple E was contacted by Hard Rock Cafe to install black wool Serge drapes over the crowd-control barriers for the VIP guests, plus starcloths to create the desired atmosphere within the Apollo. Additionally, a 6x8ft printed Foamex logo board was rapidly constructed featuring the Hard Rock Cafe logo at the entrance to the venue, presenting an ideal location for taking photographs of the celebrity guests. Accustomed to operating to tight deadlines that also require a high degree of flexibility and quality, the Blackout Triple E team had just two days notice to fulfil this time-sensiti
Considerations to upgrade the cons
Color Kinetics’ co-founder, president and CEO George Mueller commented. "I don't think there is an inventor or technology pioneer alive who hasn't imagined that their work would someday be part of the Smithsonian Institution. It is a great feeling and a landmark achievement for everyone associated with Color Kinetics to have our technology
The show was de
Also on show will be The Battery, The Goblin and The Roama.
The Smoke Company can be found on stand D33
Celestion can be found on stand G34.
Designed by the highly reputed Frank Matcham, the Gaiety Theatre was built in 1899 and opened in 1900. Located at the rear of the auditorium above the balcony, the exhibition houses lighting equipment from the early days of electrical theatre lighting. Most of the old lighting from the theatre has found a new home there, as has the 1960's control system from
Soundcraft can be found on stand G22
If you want to enter your products for a PLASA Award, full details of the nomination process can be found on the PLASA Show website or call us now on +44 (
It’s a multi-site Son et Lumière show - the audience sees the 90-minute spectacular on foot and stroll about 2km during the show, being guided by a blue line of light. At each of six main buildings or sites, they see and hear a show with dramatic lighting and projected images. The show was designed by Philippe Noir and Christine de Vichet. Lighting design by Pierre Boudeau and Vladimir Lyszczynski, sound by Daniel Deshays and images by Serge Fouillet. The main technical contractor for the event was AEB, with Cyclope providing the large format filmstrip projectors. Electrosonic France was responsible for overall show control and slide projection.
With an overwhelmingly positive responses from this, and a follow-up meeting in Melbourne, organisers Andy Ciddor and Cat Strom (Forcer) have decided to press ahead in establishing an Australasian Lighting Industry Association, provisionally entitled ALIA.
Discussions at the meetings were based around a widely-circulated proposal prepared by Cat Strom, Steve Furzey and Andy Ciddor, the text of which can be found on the preliminary ALIA website - www.lighting-association.com.
It was agreed that a broadly-based and inclusive lighting industry association is a worthwhile goal. Members of Australia’s existing lighting association, the Illuminat
The main focus of the stage was a giant Screenco LED screen. This had been rigged to facilitate a C4 broadcast of the Ashes cricket from Edgebaston on the Thursday through Sunday. However, Channel Four then decided it would create a great local buzz of they threw a party on the Friday night, offering an opportunity to groove the summer evening away with the best in contemporary club vibes with local hero - the Fatboy himself! They then decided to broadcast parts of the party a week later on C4’s ‘Fatboy Slim Night’.
The Fatboy Slim event originally started out just as a just live show, with Rainmaker initial
Studiomaster was well known in the industry as a designer and manufacturer of professional audio equipment, a role it had been performing for over two decades, although the current company wasn’t incorporated until 1991.
Its first ever products were power amplifiers followed quickly by mixing consoles for live sound. Around this time the first affordable multitrack machines appeared and Studiomaster designed a studio quality desk to meet the
The facilities comprise 12 separate, fully-equipped on and off-line sound and video editing suites, an orchestral sound recording studio, comprehensive DVD authoring and mastering facilities, plus impressive graphics and web design departments. Barn Studio also boasts a fully licensed exclusive Bistro, as well as meeting and private viewing facilities. The facilities are equipped with the latest technology including Symphony Smoke & Flame, digital editing for complex multi-layering, two Avids, two AMS Neve Logic suites, plus a host of other hardw
Taking her audience through a wide range of moving effects, Julie also used the compact DHA
Laser Studio continues to manufacture, sell, install and hire the latest in laser technology. Re