PSL is the first (and currently the only) rental and staging company to be awarded this accreditation. The process involves an ongoing quality audit by an independent professional body and covers all operating divisions within PSL, who have qualified independently in their own areas of expertise. Gary Davis, managing director of PSL stated: "This accreditation illustrates our ongoing commitment to providing the highest levels of service to our custo
The J-Types will be used in two spaces - in the main 2000-seat theatre and in the 1600-seat concert hall - with each space having a console located in its own dedicated control room, plus another console for the FOH mix position. This is complemented by two floating 24-input extension frames that can be deployed whenever needed. The desks arrive on-site in early June, with Cadac working closely with Esplanade's sound team to provide on-site training sessions to ensure a smooth, fast commissioning process.
Production Manager Kenny Wong explains: "Our mission is to make Esplanade totally accessible. It may sound
The gala evening proved to be a spectacular occasion with performances from the world's best-selling classical artist, Andrea Bocelli who was honoured with the Outstanding Contribution to Music Award, as well as from Britain's Russell Watson, recently knocked from the number one spot by The Planets. Other performers included the OperaBabes, first discovered busking in Covent Garden a year ago, who will be singing for the World Cup
Based in Toronto, the Touring Division is managed by concert sound veterans Jon Erickson and Jeff Berryman, formerly of Jason Sound. Erickson, a seasoned touring professional, brings hands-on experience in operations and skills in account and project management. Berryman, an audio and loudspeaker systems architect and computer expert, brings strategic design and planning skills. The parent company, Sound Art Canada of Winnipeg, Manitoba, is a 21 year old sound reinforcement organization with a strong track record in special events, regional touring, corporate audio, and
Lightfactor also supplied AVR colour-changing down-lighters and special connection cables, surface-mounted UV fittings, chandelier bulbs and several hundred metres of three-circuit tracking. LightProcessor Power Station II d
The first stage of the project involved architectural lighting, comprising clusters of three 500W fresnels, each fitted with an amber filter; these were used to give a soft glow of light to the stage and bar area. The second stage covered the event and effects lighting system; this employs custom internally wired bars, all with switched and dimmed outlets, as well as DMX connections. A Jands Event 24/120 console was also supplied, which provides control over all functions of the system. The audio requirements were the final stage of the installation and AC were handed the brief of providing infra-red hard of hearing systems in both the theatre and cinema complexes
TMB’s CEO Colin Waters comments: "LED lighting is an exciting technology with untold potential. Pulsar, with its ChromaRange, has introduced the first viable LED technology for performance lighting and made architectural LED lighting affordable. TMB is excited to join forces with Pulsar in growing this new market, bringing the artistic and economic possibilities of LED lighting to TMB’s customers."
(Ruth Rossington)
(Ruth Rossington)
Color Stream, the first product from Bright Lighting, looks like a fluorescent tube, but changes colour, generates patterns and moves them along the tube. "It’s just like neon with pixels," says Thorjussen. The intriguing effect is created by a linear array of LEDs housed in an IP66 weatherproof tube suitable for interior and exterior applications. When multiple tubes are linked together, pre-programmed or custom effects
Despite a fiercely fought semi-final between Vari-Lite and White Light, particularly as the scores drew closer, there was an atmosphere of fun and a great day out was had by all. As the final whistle sounded, the scoreboard read Fourth Phase as the winners, with Vari-Lite as runners up, followed by White Light, Creative Stages and DHA. DHA were 'compensated' with wooden spoons that have since taken pride of place on their desks. Louise Tester, UK & Eire sales manager at DHA, also received a plaque for being the only female willing to take part! Sadly, for all his pains, Nigel 'the cat' Sadler only got a pain in his back, having spen
Jim Hepplewhite states: "We’ve seen our business expand rapidly in recent years, and the time came where we had to decide between being equipment suppliers or a design agency. With our projects getting increasingly diverse and needing such a wide spectrum of gear, we decided to make some changes." Paul O’Brien adds: "We’ve used Colourhouse for several recent projects. As part of the White Light Group, they offer t
"Diversification has been an important factor in our success," says FX Group chairman Roger Evan. "The pro audio industry has undergone significant changes in recent years and, as a company, we have always endeavoured to stay relevant to our customer base so that we continue to provide them with the highest possible levels of service. Th
ESS’ US team has just completed a Memorial Day Concert, honouring US soldiers, at Auditorium Shores in Austin, Texas. Grammy Award winners Asleep At The Wheel and Travis Trite headlined the day, performing on an ESS Orbit 15m stage. A second ESS stage hosted five bands billed to provide a backdrop to a traditional Texan barbecue ‘cook-off competition’. In true Texan style, 30 accomplished contestants arrived with their barbecues toed onto the site by trucks and prepared their fayre over 24 hours throughout the course of the event. &
The system comprises six Shure SM58 UHF Premier Series microphones, six Sony Freedom headset systems for the numbers that include a dance routine, and six Shure PSM 700 in-ear monitor systems. The SM58s, apart from being favourites of the engineers, Chris ‘Privet’ Hedge at front-of-house and John ‘Grubby’ Callis on monitors, (who claims he wouldn't leave home without them), were also chosen because the capsules work very well for the band. They decided to go with the Sony headsets because they are both light, compact and comfortable, and the Shure PSM700 in-ear systems have a proven track recor
"I’m really pleased with it" he says, "It’s a very easy-to-adjust, flexible system, I would never return to using loads of boxes when I can now use just one. I’ll definitely be specifying it for other bands I engineer for in the future.” He also comments that many venues they’ve been able to leave the system EQ flat or use it very minimally.
The Gomez system consisted of 16 VerTec High packs - eight per side - and 12 Adlib Audio subs. The optimum
Henderson moved straight from Chitty to another star-studded project, the play Up for Grabs at the Wyndhams Theatre, which features Madonna in the leading
The Mark Thomas Project now features ES933s suspended above the audience, Remotely Funny, a new show scheduled for the summer, employs ES933’s as hidden mics, Channel 4’s Richard & Judy show calls on ES915s in the main host and celebrity chat area, and the third series of Big Brother will see A-T microphones once again occupying every single wired position throughout the house.
France took time out during the build period for Big
The three main broadcasters, KBS (Korean Broadcasting System), MBC (Munhwa Broadcasting Corporation) and SBS (Seoul Broadcasting System) will be using Sennheiser wired/wireless microphones to report on the soccer matches live from 11 stadiums all over Korea. These three broadcasters will share resources by stationing three to four OB vans equipped with Sennheiser systems at each stadium. MBC, the official World Cup broadcaster, will be using Sennheiser 3000 Series systems for the opening show. "We are very pleased that these renowned broadcasters opted for Sennheiser RF wireless. As during the Summer and Winter Olympics, our equipment will ensure thrilli
The screen, whose sale was negotiated by VRS (Vision Reality Systems Ltd), is a fully weatherproof Lighthouse LVP2056 (20mm pixel pitch, 5600 Nits of brightness). Gareth Moores, Bolton Wanderers’ commercial director, comments: "We bought the screen for two reasons. We’re constantly looking to enhance the matchday experience for all our supporters, including live relays of away matches, and the video screen and the content on it is an integral part of that. Secondly, it’s an important revenue generator for the club as a high-impact advertising medium for our partners, sponsors and
Voted Product of the Year by Entertainment Design magazine, the Firefly Projector has the ability to project sharp, full colour images of
All delegates will be given the chance to sample the powerful operating system provided by grandMa lighting consoles from the MA lighting range. As a result of the intensive nature of the training, places on each course are limited and dates will be allocated on a ‘first-come’ basis.
For those involved with entertainment lighting that require a more basic level of training, A.C. Lighting is also organizing a se
Sommerville chose a Sapphire over a Pearl for this Gomez tour because of its additional power and capacity: "Everything you need is right here to hand on the Sapphire," he says. "The page selection is great, and there’s plenty of faders so you don’t have to change pages to select individual lamps - it’s all at your fingertips. It’s also a great desk for improvisational moments!"
Steve’s worked for Gomez since day one - initially when they were supporting Embrace who he also designs for - and has grown with the band. This tour around, he went for a tota
With bases in London, Los Angeles and Belgium, XL Video specialise in supplying complete video support services to the concert touring, music and entertainment industries. Despite being one of the most recent entrants, XL’s rise to prominence in the concert touring industry has been nothing short of meteoric and they are now considered b
Unlike any theatre show since, in 1981 Autograph found themselves purchasing - from new - the entire sound and communications system. The main components included a Midas TR series theatre console, seven Micron radio mics, which were moved from performer to performer throughout the show, an RTS communications system, Amcron amps, four Martin bass bins and ten Meyer Sound UPA-1s, the first in Europe. During the course of the show, the sound system went through several overhauls: in 1990 the Micron VHF unlicensed radio mics were replaced with 18 UHF licensed Sennheiser receiv
