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14 March 2016

Speaking at the London Press Club Awards, where he was named Londoner of the year, Lloyd Webber said, "I believe that London would be a more vibrant place if we allow a more flexible use of theatres and recognise that some of the theatres may no longer really be exactly what we want in the 21st century. There are theatres from which frankly you can't see and that aren't fit for today's purpose."

Fame Academy - Ringo Starr has been inducted into the Rock and Roll Hall of Fame i

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14 March 2016

"With the help of Meyer Sound's new loudspeakers, [the Trustees Theatre is] the best sounding room in town. Enough kudos can't be given; when Taylor Goldsmith hit his first note, it was like the room collectively gasped in wonder at the mix," writes Anna Chandler of Connect Savannah after hearing the concert by Dawes.

The selection of Meyer Sound was driven by Chris Evans, the festival's chief audio engineer, who is responsible for system specification, tuning, and supervision of the audio crew. He also mixed Mavis Staples using a MIna line array loudsp

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14 March 2016

Ahead of the shows - spread out over three months and starting at the Forum in London - Will received a list of bullet points from the band about what they did and didn't want to see in the show.

Coincidentally, this happened to be almost identical to the ideas he was already formulating in his head for the design. The basic premise was to have a dramatic beamy style of lighting that was fundamentally dark and moody, yet punchy and hugely powerful at the same time.

The design featured four upstage 45 degree angled truss

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14 March 2016

As its name suggests, C2C is an international multi-day festival of country music, the result of a collaboration between live music promoters SJM Concerts, entertainment group AEG Europe (developer and operator of London's O2) and the USA's Country Music Association (CMA). From its beginnings in 2012 as a two day-event at London's O2 only, C2C was held in London and Dublin in 2015, featuring appearances by eight artists over the weekend, with the performers swapping between the two venues on the different days. Extra dates were also played this year in Norway and Sweden.

Audio equipment supply and RF manageme

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14 March 2016

Simple Minds live have also been known for their spectacular and audacious lightshows, and this tour features another impressive creation by long term lighting designer Steve Pollard, whose working relationship with Simple Minds dates back to 1981. In fact, along with founder members Jim Kerr (vocals & song writing) and Charlie Burchill (guitars, keyboards and song writing), he's the only remaining member of the original team.

Blackburn based lighting and visual rental specialist HSL has been supplying lighting kit for all Simple Minds touring work for the last three years and a

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14 March 2016

Ably lit by LD Chris Rigby, Aurora shipped a suitably rocking lighting package to the Maidstone Studios for this, the 46th series of the BBC flagship music show.

Show one alone featured a line up worthy of any festival date, including the newly reconvened Blur who were last on the show 15 years ago. Other acts featured on the bill include English singer-songwriter Laura Marling, London foursome the Vaccines and Mali punk blues outfit Songhoy Blues. Singer/songwriter Marc Almond also joined Jools for the customary chat at the piano.

All eight episodes promise an equally classically eclectic line up of leading purveyors of quality music from the past, the present and the future.

Recorded in front of a live audience, Later is

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14 March 2016

Chosen by monitor engineer, AJ Sutherland, and supplied by Patchwork London for the European leg, the system comprised a Dante-enabled GLD-112 mixer with an AR2412 and two AR84 remote IO racks to manage five pairs of wedges and four stereo IEMs plus the engineer's listen wedge and cue mix.

Promoting Enter Shikari's fourth studio album, the tour included 25 dates across Europe, including two nights at London's Roundhouse on a sold out UK run, and 30 dates in 23 States in America, which included two festival appearances.

"I bought a GLD-80 when it first came out and have used it on various projects over the past three years. I think it nails the midscale console market. The IO, functionality and audio quality are

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14 March 2016

The ceremony was held at London's O2 Brixton Academy, and featured live performances by The Vaccines, Run the Jewels, award-winners Royal Blood and Charli XCX, and the recipients of the 'Godlike Genius' award, Suede.

XL Video project manager Paul Wood worked with Reality's Paul Corrick and vision director Matt Askem to specify the multi-camera, multi screen set-up. This is the eighth consecutive year XL Video has supplied the awards.

Upstage centre, a 35sq.m 16:9 screen formed from XL's ROE MC-7T LED Screen was flown, and 25m2 of XL's ROE MC-18 Hybrid LED Screen was used for an additional square LED surface flown to the left of the stage and 6 portrait banner screens arranged around the main screen.

The LED

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14 March 2016

Placing an exclamation point on the salute was the lighting design of Bob Dickinson, Jon Kusner and the rest of the Full Flood team, which utilized Syncrolite SXL 7K fixtures on stage and upstage to backlight Brooks and his band during this especially emotional moment of the broadcast. This year's ACM Awards set a world record for the most attended award show.

Syncrolite fixtures were also used throughout the stadium adding excitement and drama to the entire evening. Twenty-four SXL fixtures provided big beams of light making dramatic backgrounds throughout the show. Programming the dynamic stage system was Andy O'Reilly a

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14 March 2016

Introduced by local constituency MP Alec Shelbrooke, the Prime Minister spoke on the topics of the day to local supporters, guests and JHS staff, then toured the JHS facility, showing great interest in the company's story, which was started in 1965, from humble beginnings in the home of the eponymous John Hornby Skewes and his wife Madge.

The company now offers a portfolio of over 4500 products, which are sold to over 2000 customers throughout the UK and Eire, contributes to the local economy with employment, and to the wider UK economy with its exports to over 85 overseas markets including the USA, Canada, Australasia,

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14 March 2016

CEG's director Ben Bowles says: "In 2014 we took the decision to make a significant investment in the Robe Robin range, and we felt that in 2015 it was time to take this to the next level with the BMFL Spot. In line with our current growth plan, the BMFL allows us to be involved with new exciting projects, as well as supply to a growing sub-rental market within the UK and Europe.

"The BMFL is not only a complete workhorse of a fixture, but it also provides unique features not available in any competing product available on the market today. It has enabled us to provide a versatile range of fixtures that any of our LD clients and production customers would have a hard time resisting the temptation not to specify them on their next project."

The invest

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14 March 2016

"I've enjoyed a good relationship with the team at XS," said Lieberman. "When XS managing partner Jesse Waits announced that they were ready to take the next step at the club in terms of lighting, we put our heads together to come up with a state-of-the-art concept. They wanted to incorporate newer technology into

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14 March 2016

Colour Sound provided both lighting and LED screen for H's lighting and visual design. His relationship with the band dates back 22 years, with this tour a continuing 20th anniversary celebration of their seminal first album, dubnobasswithmyheadman, a special expanded edition of which was released in late 2014.

H received a loose brief for the lighting, which was that it should be 'minimal', so he kept things restrained, raw and relatively monochromatic for the first half of the show, which was a powerful and complete rendition of dubnobasswithmyheadman - performed live in its entirety for the first time ever.

After this, he morphed the lightshow into a different style which became funkier and more colour

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14 March 2016

Due to the special milestone year, this year's production expanded into a much larger scope and scale in the Las Vegas Orleans Arena. With more than a decade of working with the Stellar Awards, Carver knows how to create looks that thrill the crowds in their seats, and translate well on to television.

Carver's design consisted of Martin Vipers for graphic air effects and hard edge back light, Vl3500

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14 March 2016

Following the success with its Leo Family products in high-profile projects such as the Nobel Peace Prize Concert and the FIS Cross-Country World Cup skiing competition, Bright Norway says the new Leopard and 900-LFC will help simplify its rental operations.

"In a perfect world, audio companies would love to rely on one single model to bring consistency to all its projects, but that's not possible," says Asle Nilsen, head of audio at Bright Norway. "Now with Leopard adding

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14 March 2016

Back in 2008 Burton had called on his many years of experience to commission a custom 21in sub from Martin Audio's R&D director Jason Baird specifically to cover that summer's V Festivals.

But now he was at Berlin's 12,000-capacity Velodrom - a circular building with a low ceiling, designed for indoor track cycling - and mixing through Martin Audio's premier system with which he was already familiar, having already used MLA several times and attended training courses last year. "As an engineer I try and stay on top of all the current systems and think that the MLA concept is extremely interesting," he stated.

For t

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14 March 2016

Using High End Hog4 control products with Lightconverse v56 for visualization, the competition amongst entrants was extremely high due to the calibre of videos submitted. At the final count, the following creative people took the top prizes:

First Place went to George Jackson, who won Lightconverse Unlimited and a High End HedgeHog4 N console.

Second Place was captured by George Ivanenko, who won Lightconverse Trace.

Third Place was awarded to Angelina Vyushkova and Alan Hanson, with Lightconverse Media being their prize.

The Popular Choice Award went to Cycloid, who won Lightconverse Media.

(Jim Evans)

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14 March 2016

The new venue has the capacity to hold just over 2,000 people with a host of artists planned to perform in 2015.

The main PA system used for all the weekender events and the major events in the five star park's own calendar is a d&b audiotechnik system from Reboss Services comprising of 24 C7s and 8 B2 Subs. Dedicated solely to Vauxhall Holiday Park, the system uses exclusively Van Damme cabling from UK cable specialist VDC Trading.

Also installed by Reboss Services in the V Arena at Vauxhall Holiday Park are two independent Van Damme multicore systems. The first comprises a 48 way analogue multicore with a separate 8-way return, all on VDM multi-pin connectors at both ends with a comprehensive VDC splitter system total

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14 March 2016

Dedicated techno house heads and dance music fans had no trouble finding their way through this musical forest at the 2015 version of the festival. They headed straight for the Yuma Tent, where house bumping heavyweights chugged away for hours on end in an eye-popping DJ Booth set off by a swarm of pixel-mapped Nexus Aw 7x7 LED panels from Chauvet Professional.

Lighting designer Steve Lieberman of SJ Lighting arranged 47 of the Nexus Aw 7x7 panels in front of the DJ booth to create a video surface that lent a club look to the performance area. The LD also deployed over 100 other high output fixtures throughout the tent, positioning moving beams in the upper sections of the ceiling

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14 March 2016

The company is a design and rental - sound, lighting and video - specialist fast gaining recognition for the imagination, creative flair and energy they bring to a variety of events - from product launches, corporates and industrials to weddings, parties and socials.

The company was started six years ago by Manuel Macouzet Hierro and Gerardo Boue who had initially met a couple of years earlier whilst working on assorted events - for different companies at the time. Matatena is a new and recent investor in Robe products with the purchase of 32 Pointes.

They are also a 'preferred' technical production supplier for events at the

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14 March 2016

One of the main features of the centre is The Queen's Hall, a 600-seat auditorium used for a variety of events ranging from classical and jazz concerts to literary events and conferences. The hall's cutting-edge acoustic modelling allows for sound reinforcement that can be adjusted to the specific requirements of the type of music being played. This, in theory, made the venue ideal for the recording of classical music, but the noise generated by the existing lighting system rendered this impossible. In fact, the hall's authorities had, with little success, sought a

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14 March 2016

"We've been doing the Ultra festival for a long time and have become very familiar with what a system needs to be able to do this kind of show right," observes Andre Serafini, founder and president of Beach Sound, the Miami Gardens-based sound reinforcement provider for Ultra over the past decade. "Bayfront Park can be a challenging venue for this kind of music, but the L-Acoustics systems handled it without a problem, and even overcame some of the venue's special challenges."

Those challenges included keeping the sound for each stage contained within its area and avoiding overspill into nearby stages. For the Live Stage, Beach Sound assembled an L-Acoustics K2 sound system w

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14 March 2016

Entec's project manager Noreen O'Riordan comments, "It's great to see the popularity of this tour grow together with the investment in production values. It really proves that there is a huge demand for live shows and that a diverse selection of people want to appreciate legendary and influential music first hand. Apart from that, we're very proud to be part of an absolute top production team and crew."

Entec's working relationship with TAPFS dates back to 2004, when they decided to seriously up the ante in terms of production.

That same year, current TAPFS Production Manager Chris Gadd - universally known as Gaddie - also undertook his first gig for Ente

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14 March 2016

Central to his lighting and set design was the specification of 24 x Robe BMFL Spots moving lights. Gavin's re- imagining of the show in a new and contemporary context involved a 30m long black high-gloss central runway emanating from the stage, traversing to the centre of the venue.

Sic Productions produced the event for Sun International. The traditional gala dinner set up was ditched in favour of tiered VIP seating - fashion show style - flanking the catwalk.

Broadcast live on TV channels MNET and Mzanzi, this redefinition of traditional beauty pageant presentation was hailed as a major success by the media and received with