ESS (Edwin Shirley Staging), the staging and structure specialist, has created a new joint venture with Pure Group, called ‘ESS Superstructure’ to invest in and service the growing market for small and medium-sized events. This venture is the latest in a series of strategic partnerships that enhances the range of services ESS can offer corporate clients. By combining ESS’ experience in producing highly-specified structures, with the Pure Group’s reputation for managing corporate events, the new venture will be able to provide a highly competitive offer for clients in the corporate hospitality and corporate event market. The new company will be responsible for developing and marketing arch-shaped structures up to 30m in width. Products will include the unique Superstructure mobile venue, as well as Orbit buildings. The Superstructure is ideal for a variety of uses

Expo 2000, the first World Expo in Germany, closed its gates on 31st October after running for 153 days. During its brief lifespan, 18.1million visitors attended what was almost certainly the biggest event of 2000 and the country’s first really major showpiece since the 1972 Munich Olympics.

Expos are massive political, logistical, financial and creative undertakings: the host country needs nerves of steel, deep pockets (the Hanover Expo cost $1.65 billion), wealthy friends and a pretty extensive run at it (six years in this case). Still, the Germans were fortunate enough to have a head start, this being the first Expo ever to take advantage of existing trade fair facilities which contributed nearly 100 out of the 160 hectares of exhibition space.

The Hanover Expo took on the theme of ‘Humankind, Nature, Technology’, with over 170 participating countries and organi

Cause & Effect, the organisers of the 2001 Birmingham Fringe theatre festival, are looking at the possibility of holding collaborative projects with entertainment technology companies during the 2001 festival, in order to demonstrate the contribution made by them to technical theatre. Project director Derrick G Knight told us: "My motivation is to enhance Birmingham as a host city for performing arts. This will be achieved through the development of a network of performance venues in partnership with the performers, venue owners and production companies associated with performing arts." An initial idea is to include a sound and lighting exhibition alongside the festival, which takes place in July and August 2001, and Knight is currently exploring the availability of no-cost exhibition space at a number of venues adjacent to the reserved performance spaces. For further informati

Creative Technology crews and communications systems were out in force at the British International Motor Show 2000 - working alongside leading design companies Imagination and Jack Morton Worldwide (formerly Caribiner).

The highlight was the spectacular Ford Motors stand, dedicated to the launch of the new Mondeo, which dominated Hall 4 of Birmingham’s NEC. The centrepiece of their display was CT’s fully-integrated audio-visual installation, designed and programmed by Chris Slingsby, head of Imagination’s Special Projects dept, working alongside CT’s Dave Herd. The presentation combined multiples of 6K PIGI scenic projectors, using double scrollers and rotating double scrollers through 360 degrees, supplemented by eight Christie 7K Roadie projectors. These were mounted onto the circular lighting grid in the centre of the drum, firing out into the 30m diameter

Palazzo Grassi is among the most imposing buildings on Venice’s Grand Canal. It was built in the 1700s for a rich merchant family before being purchased by Fiat in 1984, who restored it to its original splendour and equipped it with all the facilities necessary for a large modern exhibition centre.

Currently running until July 1 is a new exhibition covering ‘The Etruscans’. Occupying 36 exhibition rooms with 700-plus exhibits, the exhibition uses cutting-edge multimedia technology to ensure visitors high-impact immersion in the history of this mysterious race of people. The company responsible for these aspects of the exhibition was specialist Turin firm Medialogos/WDM, whose expertise in this area has been gained on other high profile events, including ‘The Future of the Longobards’, the Italian Design Process show in Seoul and the ‘Sinestesia&rsquo

Following two years of concentrated improvements to its company training programme and the development of individual employees, Star Hire (Event Services) Ltd has just received recognition as an Investor In People. The Investors In People award signifies that Star Hire know where they are going as a company, have imparted this focus to all their staff, and have trained them to move forward in line with that vision. Maddy Sheals, responsible for steering the company towards the standard said: "In the feedback session at the end of the two days, the assessor said how much he was impressed with the calibre of people he interviewed - their honesty, commitment, and individual skills, plus an awareness of what Star Hire is trying to do." Maddy hopes to build on this achievement through a programme of continuous innovation and improvement in the training and development of all Star Hi

The UK Events industry has received an important accolade on a world-wide scale, with four companies from the ISES (International Special Event Society) UK Chapter nominated for awards at the ‘Special Event’ to be held this January. Nominees include The Moving Venue (Best Off-Premise Catered Event), The Special Event Company (Best Multi-Day Event), Vok Dams Gruppe (Best Achievement in Technical Support), and The Full Effect has received nominations in an impressive three categories (Best Corporate Picnic, Best Entertainment Concept over $50k, and Best Theatrical Production). The final judging takes place in New Orleans during the Special Event Show, with the Awards and Gala Dinner being held on 13th January. "It’s a tremendous achievement for the Brits to get so many nominations from the 375 entries submitted," said ISES UK Chapter president, Sally Webb. "

PLASA Publishing has learned of the death from cancer of Playlight founder, Mike McMullan, who died peacefully at home on Tuesday 3rd January, surrounded by his family. A statement from the directors and staff of the Playlight Group said: "Mike was one of life's great characters, and will be greatly missed by all who knew him."

The funeral will take place next Wednesday 10 January at 1.00pm at the Altrincham Crematorium, Whitehouse Lane, Dunham Massey, Altrincham, Cheshire. The family has requested that instead of flowers being sent, donations be made to the following charities: St Ann's Hospice, St Ann's Road North, Heald Green, Cheshire; the Cystic Fibrosis Trust, 11 London Road, Bromley, Kent; or the Lymphoma Association, PO Box 386 Aylesbury.

Glastonbury Festival organiser Michael Eavis has cancelled this year's event because of fears about crowd safety. The festival, which was first staged in 1970, had been under fire from his local authority after thousands of fans sneaked into last year’s Festival. The 2000 event has left Eavis facing prosecution over alleged breaches of the festival licence, and he says he hopes his decision will send out a message that organisers are taking the issue seriously. In a statement he said: "After much deliberation and consultation I have now decided not to run the festival this year." He added, however, that he has every intention running the Festival in 2002. Eavis’s decision follows the deaths of nine crowd members at the Roskilde Festival in Denmark last year. Eavis has commented that the Roskilde tragedy has made organisers and authorities more concerned about crowd

The Institute of Acoustics (IoA) held its 16th conference on Reproduced Sound in November - and much of the varied content was relevant to the theatre and live music industries.

Multi-channel sound reinforcement was a topic that generated a large amount of interest, with presentations from David Malham (University of York), Fred Ample (Technology Visions), Robin Whittaker (Out Board Electronics) and Steve Ellison (Level Control Systems). It was clear that the demand for higher-quality audio environments is growing rapidly.

Robin Whittaker explained the theory of source-oriented reinforcement and illustrated its applications from the wealth of theatre, industrial and music productions that Out Board has undertaken. Whittaker concluded by stating that the concept of source-oriented reinforcement has several key benefits; namely, the minimisation of room effects, even distribution of SP

A new application for the company’s Optiscreen technology was given its official launch on Friday by AV company Gearhouse. The company is using its modular video screen system to create a new style of advertising hoarding which allows for advertising to change throughout the day. Newly-appointed Gearhouse director John Hemming unveiled the new system at the company’s Birmingham premises.

Show Presentation Services (SPS), the audio-visual equipment rental and technical staging specialist, has announced the launch of its new e-commerce website, along with a brand new on-line ‘Budget Estimator’. Robin Coles, SPS managing director, says: "A UK event manager for a multi-national brand with a requirement to take a product road-show to six European cities, should provide the Budget Estimator with details such as audience size, type of event/presentation and location, and they will be provided with immediate on-line staging information specific to their requirements with accompanying pricing."

Stockholm's Globe Arena played host to November's MTV Europe Music Awards, which aired live to over two billion viewers worldwide. To repeat the audio success achieved in the previous four years, Britannia Row Productions were once again approached to supply the sound reinforcement. Brit Row's Bob Lopez specified a complete Turbosound Flashlight rig, the characteristics of which perfectly complemented the complex environment.

The FOH system comprised 24 TFS-780H, flown eight wide and four deep as a stereo left and right configuration with TFL-760HMs and TFL-760 LMs as downfills. 24 TFS-780L low frequency cabinets provided the low end - due to the space restrictions of the televisation, the cabinets were arrayed within the flown system rather than being groundstacked. The delay system comprised a four wide hang left and right of eight TFS-780H, with four groundstacked TFS-780L per sid

Further to our report on the 2000 Hanover Expo in the last issue, we return as promised to the Smoke Factory’s extensive role in the Planet of Visions . . .

The vast Planet of Visions exhibit - the largest at the Expo - suffered a setback shortly after the Expo opened, when the original smoke effects contractor was removed from the project. In a major dilemma, someone at this point remembered that Hanover was home to a smoke effects specialist - The Smoke Factory.

The Smoke Factory’s Florian von Hofen told us: "This was probably the most complex smoke effects project ever undertaken - not the biggest, but the most complex. It is a vast exhibit, visited by 30,000 people each day. The budgets would not allow for permanent technical personnel, so everything had to be automated."

By the time The Smoke Factory was called in, the set had been built, and there was no

On New Year’s Eve, the largest indoor special effects show ever staged in the UK was fired at the Millennium Dome, Greenwich. It took seven technicians seven full nights to wire and rig the pyrotechnics, manufactured by Le Maitre at their Peterborough factory, across the 400m span of the Dome. A total of eight firing stations were used to ignite the effects, some of which have never been seen before by the British public. The effects included airburst effects under the walkways which encircle the roof, while glitter, confetti and streamers dropped from the ceiling for the finale, engulfing the entire central arena of the Dome. The show was the culmination of Le Maitre’s involvement with the Dome, which started with the high-profile opening ceremony in front of Her Majesty the Queen, and continued with three pyro shows per day throughout 2000.

Dubai-based Production Technology LLC (Protec) recently staged a spectacular, integrated sound, light and pyrotechnics show to launch Dubai Media City to an invited audience of 2000 VIPs. Guests were granted stunning views of the production from a grass amphitheatre in front of the three state-of-the-art buildings, during which a 24m x 9m backdrop of the stage was lowered, opening up sightlines to the glass edifices which became the focus of the show. The buildings were then lit in yellow, red and blue, virtually creating a large scale replica of the Dubai Media City logo. The entire six minute sequence was choreographed to a specially-commissioned musical composition which flooded the site through a 50,000W sound installation, culminating in a vivid pyrotechnical display that boasted over 6500 effects. Over 1500 lights were installed inside the buildings to illuminate them and a further

Westsun International Inc. has announced the creation of Westsun’s first regional ‘super hub’ in Las Vegas, Nevada. When making the announcement on behalf of the company’s executive Board, Rob Davidson, CFO and acting CEO of Westsun, stated: "This is a natural step in our development strategy, one that will allow us to provide our customers with even greater access to our comprehensive equipment pool. It will also shorten lead times, thereby further improving our market-leading service to all of our clients." This new facility will operate under the Westsun Las Vegas banner. Dick Wright, vice-president of West Coast operations, will lead the operation. Anticipated to house in excess of $15 million worth of stock, the new expansion will be complete by May 1, 2001. During the transition, Dick Wright will work closely with Scott Jevons of Westsun Los Angele

For the third consecutive year ESS Australia was chosen by Accolade Events to provide structures for the Australian Day Celebrations on 26th January. The 30-minute performance was watched by an estimated audience of 240,000 people. This continues to build on ESS' success. Last year ESS Australia was appointed to provide staging for the opening and closing ceremonies at the Sydney Olympics and Paralympics. This year's Australia Day concept involved four 12m x 8m screens positioned on a barge in the centre of Darling Harbour. In addition, Accolade Events asked ESS to come up with a solution that enabled them to place the PA system on the outside of the structure, rather than hanging it from a central position. The versatility of the ESS Lite truss meant that ESS were able to provide a solution. After running an engineering check, the ESS team was able to bolt on some more LT tower truss so

Over 20,000 people celebrated the New Year in Nottingham’s market square. The centre of attention was the Nottingham Council House, an imposing town hall, which provided the canvas for a stunning lightshow by NJD. Images of Robin Hood (Nottingham’s millennium symbol) were projected onto the building using NJD’s Predator HX scanners, whilst eight Datamoons were positioned on columns down the centre of the town square, providing sound activated light beams whose movement and colour was synchronised to the music played through NJD’s 20,000W sound system.

A 15-year old girl has died in Sydney’s Concorde Hospital, following a crush at the Big Day Out festival in Sydney, Australia, last Friday. The girl is reported to have suffered a cardiac arrest at the time of the crush, and died peacefully in hospital on Wednesday. Friday’s crush occurred when the crowd surged forward during a performance by Limp Bizkit. The band’s lead singer Fred Durst pleaded for calm, and wanted to stop the show altogether, but was later persuaded to continue with the set in the light of police fears of a riot if the show were stopped. Limp Bizkit later pulled out of the touring festival, saying they had no confidence in its organisers. Other acts on the bill included Coldplay, PJ Harvey, At The Drive In and Queens of The Stone Age.

The venue for the Professional Lighting and Sound Association’s 2001 AGM and Industry Dinner has been confirmed as Coombe Abbey, near Birmingham. This beautiful 12th century Cistercian Abbey, set in 500 acres of parkland, is now a stunning hotel and conference venue which promises to provide ‘no ordinary experience’.

The AGM and Industry Dinner will both take place on Thursday 14th June - allowing members to attend both events without taking two days out of the office - and offer the ideal opportunity to discover more about the Association and to meet with other members. Details of the guest speaker for the dinner will be revealed nearer the time.

This will be the fifth annual Industry Dinner, and the evening has always proved highly popular in the past, with guest speakers including Sir Ranulph Fiennes, Richard Noble and Frances Edmonds. We would like to urge all P

On 1st February 2001, PLASA went online with its brand new website at www.plasa.org. The new site is the latest development in the six-year history of PLASA’s online presence, and continues the organisation’s aim to provide the premier online resource for the entertainment, presentation and event technology industry worldwide.

The new site further develops the extensive and freely-available information resources offered to the industry by PLASA. Now available are fully-searchable databases allowing fast, easy and flexible access to the full listing of 450+ PLASA members; 1,500 industry news items in the online news archive; a comprehensive calendar of industry events, and over 100 titles in PLASA’s Technical Book Service.

PLASA’s Managing Director Matthew Griffiths comments: "Aside from the great new look of the site, I’m especially pleased with the

Hollywood recently celebrated its biggest party - the Golden Globes - held in the International Ballroom at the Beverly Hilton. Production Resource Group companies Fourth Phase, ProMix and LSD/Fourth Phase were on hand to help. ProMix Burbank provided all of the audio equipment for the event, which included the press audio and video feeds to the worldwide press audience. All presenters and award recipients were heard through the propriety ProMix ‘pop-up mic’, a robotic system. Front-of-house console was a Yamaha PM4000, driving Apogee speakers and Crest amplifiers. Sound designer for the event was Gary Hardesty with his team consisting of audio supervisor Bruce Burns, system engineer Andrew Fletcher, press liaison engineer Steve Cohen, with Mark King on broadcast audio mix and Randy Faustino on house audio mix.

The interior lighting was designed by Lee Rose of Design Partne

Following ever increasing attendances over its four year history, the dates for John Hornby Skewes’ Event 2001 have been confirmed as June 17-19. One major new feature of Event 2001, which takes place at JHS’s premises in Garforth, Leeds, will be the provision of a dedicated pro audio demo theatre on-site. This will feature the HK Audio range of pro audio, including the HX active systems, LUCAS, ELIAS and ACTOR, and the most recent addition to the range, the powerful 3.6kW PROJECTOR. Other pro audio products on show include The Scanner radio system, the Get Yourself Connected series of cabling, JHS pro audio components and Kustom PA systems and cabinets.

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