ILMC Conference Addresses Safety Issues
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The idea is to demonstrate the contribution made by our industry to technical theatre. Project director Derrick G Knight told L&SI: "My motivation is to enhance Birmingham as a host city for performing arts. This will be achieved through the development of a network of performance venues in partnership with the performers, venue owners and production companies associated with performing arts."
The initial idea is to include a sound and lighting exhibition alongside the festival, which takes place in July and August, and Derrick Knight is exploring the availability of no-cost exhibition space at a number of venues near the performance spaces. If you are interested in participating call +4
Midas introduced the new Venice console, bringing the high-quality Midas brand to smaller applications such as conferences or live band applications, for effects returns or additional inputs in large multi-console applications, in installation/contracting work, or as part of a small mobile system. It also provides an ideal feature set for live acts who need to mix their own FOH and monitor sound from on-stage. Three versions are available, and will be available in the UK from Shuttlesound. Midas also made it two wins in a row by again picking up the Live! Best Audio Console award for the Heritage 3000. Allen & Heath, meanwhile, were delighted to pick up the Silver award for the ML5000 mixing desk.
Fuzion has recently taken on distribution of Camco amplifiers, and the impressive new Camco Vortex units were shown for the
Its widening appeal as an industry showcase is underlined by the fact that just about every major manufacturer from the audio, AV, lighting and staging worlds, had a presence at the Show, despite its proximity to both Namm and Live. Since most have appointed local distributors, the profile of the show remains distinctly French, and the visitor figures underline the fact that it still plays predominantly to its home market (of the 23,497 who attended, less than 6% were from overseas).
That said, even 6% constitutes a fairly considerable amount of international visitors, and Paris i
James Brooks-Ward is now Group Exhibition Director at Clarion, responsible for eight trade shows and 30 staff. Part of his new responsibility will be the development of new business areas for Clarion.Sue Silsby now takes on the role of PLASA Show Director. She has worked at Clarion Events for the past eight years. most recently as Show Director for The Royal Smithfield Show. Stephen Ingram comes in as the new senior sales manager for the Show. He too has a great deal of experience, having worked on events including The Royal Smithfield Show and The Sunday Times Environment Show.
Julie Haddow joins the team as marketing manager, and will take responsibility for marketing all of Clarion’s trade shows, including PLASA
The ‘Scouser’ Going Live, which will run in Liverpool at the end of April, will feature a panel of engineers who all started their careers in the city.
The formula of Going Live is a simple and proven one. Soundcraft provides comprehensive and professional PA equipment for the students to work on, including a wide variety of mixing consoles for front-of-house and monitoring. All the course tutors are working engineers who tour with the biggest acts in music today. All the usual topics from how to operate front-of-house and monitor consoles, to microphone placement and outboard electronics, will be covered in the three-day agenda. There will also be a special class on digital mixing in a live situation. PA systems and tech support for the seminar will be provided by Liverpool’s Adli
Paula J. Dinkel, principal lighting designer for Walt Disney Imagineering, is currently leading the lighting design teams at Walt Disney Studios in Paris. Her paper ‘Theatre to Theme Parks’ owes much to her 20 years’ experience with Disney theme parks and retail projects, amongst them DisneyQuest in both Orlando and Chicago, the Port Discovery Children’s Museum in Baltimore and Club Disney.
John Rayment, the man responsible for the exciting lighting design of the opening and closing ceremonies of the Sydney 2000 Olympic Games, will discuss this experience in his paper ‘Olympics’. Beginning his career in seventies London, Rayment went on to become associated with the Sydney Dance Company, and was also
Situated within the Prince Pierre Theatre, the event provided the opportunity to introduce enabling technologies and methodology in a unique fashion. The organisation briefed production company Project Worldwide to design an adventurous set on a grand scale. They conceived a massive, rear-projected 17-metre screen as the entire backdrop, with the aim of turning the theatre into a giant internet site.
To help them, they asked Creative Technology to devise a projection system based on the new Dataton Watchout soft-edge system. The keynote room and stage thus became the website page, with the proscenium arch as the web page header, enabling them to present streaming video alongside flash animation and basic Powerpoint and video
The show consolidated its core theatre roots, firstly by changing its name to the ABTT Theatre Show 2001, and secondly by widening its appeal to complementary sectors and actively targeting architects, consultants and specifiers of front-of-house services. This inevitably led to a broader range of products on the show floor and alongside the lighting, audio, AV and staging equipment, came front of house goods and services - principally seating, but also training, recruitment and licensing. This, in turn, led to more visitors and first indications are that the visitor figure was up a massive 72% over last year’s registered numbers . . .
The talk on the AC stand was of the company’s new HQ, the finishing touches to which, are being
While Westlife are a well-voiced, but ultimately plastic facsimile of pop stardom (see feature this issue), Craig David has it all. Last time I made such an assertion was for Baby Bird, who promptly migrated South, so I’ll temper my predictions for David. He is a skilled songwriter - consecutive hits have established that - and he has a rich, round voice, but it was seeing him live that convinced me. He prowls the stage with the leonine grace of a caged animal. He’s compelling, urging the crowd like a Gladiator holding his sword to the neck of his vanquished foe: Thumbs up? Thumbs down? Who cares, this man is dangerous. He may not be playing as many arena shows as Westlife, but they’re sell-outs, and get this
With over 89% of the available stand space already sold and all the leading manufacturers booked into the show, PLASA 2001 promises to live up to its reputation as the showcase event that launches the entertainment technology year. Venue improvements have continued, with over £500,000 invested in the last 12 months to improve comfort cooling at the Show. Furthermore, an overall investment of £6million will ensure that Earls Court is a fully air-conditioned exhibition centre by 2002.
Over 400 exhibitors and 14,000 UK and international visitors are expected to attend. Manufacturers, suppliers and distributors of professional lighting, sound and AV equipment will descend upon Earls Court to unveil their lates
Although the established end of Creative Technology, based in Wandsworth, has