General

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14 March 2016

Control Protocols Working Group

BSR E1.31 - 20xx, Entertainment Technology - Lightweight streaming protocol for transport of DMX512 using ACN

This standard describes a mechanism to transfer DMX512-A packets over a TCP/IP network using a subset of the ACN protocol suite. It covers data format, data protocol, data addressing, and network management It also outlines a synchronization method to help ensure that multiple sinks can process this data concurrently w

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14 March 2016

HFL:CDM was established in July 2015 as a direct response to customer demand for CDM consultancy for event and festival projects but has already been selected to provide these for major events sectors such as steam rally events and corporate parties.

HFL:CDM's director, Barry Hird, commented, "Following the changes to the CDM regulations in 2015, and the resultant increasing demand for CDM advice and services within the event sector, HFL-CDM was set up not only for general construction and process engineering clients but also for those organising medium and large scale events - a niche field requiring construction, engineering, H&S, exp

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14 March 2016

While Protec's core business is corporate events it also provides production for rock and roll events, and the year kicked off with #DBXNYE, Dubai's biggest New Year's Eve party, which featured Pharrell Williams, Busta Rhymes, Paul Oakenfold and others. Protec supplied the audio, an L-Acoustics K2 system with a DiGiCo SD5 desk; lighting which included many Clay Paky and Vari-Lite fixtures ran on a GrandMA2 Full desk; video, which was displayed on 150sq.m of Protec's Mambo 9mm LED screen; plus staging, rigging and the company's EHD Mark 2 concert roof system.

Another spectacular event was the opening ceremony for IDEX 2015, which won the 2015 Middle East Event Award for Best Tempor

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14 March 2016

In light of the above and after 17 years as PLASA's chief executive officer, Matthew Griffiths has decided that now is the right time to step aside which would help kick start and facilitate a fresh set of ideas and approaches needed for the next chapter in PLASA's dev

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14 March 2016

Paul Allott, commercial director of AMP Events commented, "We're delighted to confirm that the Festival Supplier Awards will return in January 2016 and that they will be held in London. The feedback from the inaugural awards was tremendous, everyone had a great evening and really enjoyed being part of the event. We want to build on that success and we firmly believe that bringing the industry together at the beginning of the year is a great way to achieve this.

"The festival industry in the UK continues to develop and has a much broader remit than music alone - food, sport, hobbies and culture all pl

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14 March 2016

Posthumous Hit - Cilla Black landed her first ever number one album, with her Very Best Of comp

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14 March 2016

The UK Government has committed to delivering three million apprenticeships by 2020, and is giving employers a greater say in designing high quality apprenticeships which meet the needs of their respective industries.

Trailblazer groups create the Standards which become the blueprints for apprenticeships.

PRG has taken the lead on the Standard for the new Live Event Technician apprenticeship, and has been supported by AdLib Solutions, Britannia Row Productions, Entec Sound & Light, Fineline Lighting, Hawthorn, HSL Group, LS Live, Neg Earth Lighting, Nitelites, Skan PA, SSE Audio, XL Video, Wigwam Acoustics, and White Light in creating the Standards for this n

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14 March 2016

The report, Creativity and Constraint, leadership and management in the creative industrie paints a picture of unstructured learning environments, little time for training and development and a fairly widespread lack of understanding of the strategic goals of companies, especially in smaller enterprises and amongst freelance staff less able to access training.

It highlights the need for support on leadership, strategy, innovation, financial and people management - and mentoring is cited as the preferred means of developing management skills.

Dr Amy Armstrong, of Ashridge

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14 March 2016

While at Arup, Jim worked on a number of performance spaces including the Sydney Opera House and the Metropolitan Opera House. Now, back where he began, Jim is looking forward to the collaborative environment at Theatre Projects and having a part in the extraordinary performance spaces that they design.

"I came back for the opportunity to work in a smaller, more focused firm," Jim said. "When you're working in a firm with 300 people, you're not all going to be moving in the same direction. Each person has a different approach,

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14 March 2016

PLASA Show 2015 takes place at London's ExCel from 4th - 6th October. From 1st September to 3rd October visitors can pre-register for £10, meaning doing so before the end of the free period can make a significant saving. On site entry will cost £25.

"The show will feature over 300 brands, covering all production di

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14 March 2016

Josh joins Brandon in the work shop as the second apprentice currently being trained in the LTM workshop. Brandon and Joshua are studying for an apprenticeship in Mechanical Manufacturing which will involve one and a half days of tuition at a local college to learn essential theory and 3 and a half days a week working in the hoist assembly area to develop their practical skills. They will both spend time in the warehouse receiving product training, dispatching goods and observing the other engineers at work.

Liam is joining as a sales office trainee. Liam will be studying for an apprenticeship in

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14 March 2016

The first is a new standard, one that will help performers and performance venue designers; the second is a programme to extend the benefits of the TSP to other organizations in the entertainment and special events industry.

The first is the publication of a new standard, ANSI E1.55 - 2015, Standard for Theatrical Makeup Mirror Lighting, which was developed at the request of Actors' Equity Association to help their members. The standard was approved by ANSI's Board of Standards Review on 25 August and published two days later, on 27 August.

The lighting market's move away from incandescent lamps has complicated the job of providing good makeup mirror lighting. ANSI E1.55 helps clarify what good makeup mirror lighting is by describing the topo

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14 March 2016

Three card ordering options are offered: personalized cards with a company logo and custom message, card packs of 10 with a standard greeting, and electronic versions for delivery by email. All proceeds benefit the Behind the Scenes charity which provides financial assistance to entertainment technology professionals who are seriously ill or injured. View and order cards at www.behindthescenescharity.org/holidaycards.

For m

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14 March 2016

The piano was made by Swedish musical instrument designer Georg Bolin for the US jazz pianist Bill Evans. It was bought by Stockholm's Metronome Studios in 1967 and appeared on nearly all of ABBA's recordings between 1973 and 1977.The group's pianist Benny Andersson said, "The Bolin Grand is one of a kind and was a great source of inspiration while working in the recordin

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14 March 2016

The company was launched in 1997 by MD Ian Coull as an AV equipment rental company - initially supplying small projectors, screens and PowerPoint presentation kits.

It's now grown into a highly successful full high-end technical production supplier offering the latest audio, lighting and video hardware and technology, plus a comprehensive range of associated services including complete show and event design, video content creation, graphics, artwork and set design / building. In short, everything to cover all aspects of any types of live event or brand activation, together with a full logistics department and transport fleet.

"Live - and larger scale - producti

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14 March 2016

The producers said that strong sales on more expensive seats allowed them to offer a limited number of £30 tickets throughout the run. "The producers acknowledge the show and the West End itself should not exclude families or anyone who cannot afford the higher priced seats, and have therefore used the incredible sales on the higher prices tickets to offset the cost of the new lower priced seats being introduced at all performances," a statement said.

Under Pressure - Foo F

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14 March 2016

PRG will continue to use its brand name in all other countries across Europe and North America. XL Video teams in those territories will be immediately transitioned into the PRG family.

"Part of our decision to acquire XL Video was the premier value of its brand in many of our markets," said Jeremiah J. Harris, PRG's Chairman and CEO. "We recognize that the XL Video name and logo are synonymous with outstanding quality, customer service, and technical expertise in some of our territories, equal to that o

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14 March 2016

"We have set ourselves ten challenging goals for the decade ahead. Only by working together will we be able to solve our biggest issues. These goals set the pace for the live production industry and reflect our shared aspirations and needs," says SiPA's Craig Bennett.

SiPA has been created by the industry to provide a central hub for collaboration and culture change. Its initiative encompasses issues around equality, well-being, education and development, waste, procurement, renewable energy, transparent reporting of environmental and social impacts, fair pay and resilient industry economics. The SiPA goals create an aspirational, active and practical framework that is common to all. www.si

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14 March 2016

Featuring over 300 brands, with many showing new products and services, a major new initiative for this year sees PLASA Show adopting the successful 'Focus' model of a sector-specific, zoned layout, which will facilitate easier networking and make navigation around the show much easier than in previous years.

By the beginning of September, pre-registration data for PLASA Show 2015 was tracking at 10% up year on year over the past two shows, with 62% of those registered being either final decision makers or equipment specifiers. In addition visitors from 94 countries have pre-registered, against those from 74 countries who attended in 2014.

"When PLASA Show move

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14 March 2016

Main Attraction - Cast members are the biggest draw for a

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14 March 2016

Susie has worked in a sales management, development and training role for several major UK companies.

"My main areas of expertise include motivation, training and sales psychology," says Susie, "So, even though the company has super levels of after sales service, my efforts will be aimed at working on improvements which relate to the sales message and the morale of the team. My objective is to raise the energy levels of the team and to provide a better service from the first contact."

"I welcome any comments or questions from customers and aim to try and be available as much as possible for customer liaison."

(Jim Evans)

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14 March 2016

"They had their first day at Neets on 1 September and they all bring great expertise to our team. The goal for us is to have even more focus on how we can grow our business together and continue to develop and improve Neets Control Systems with new solutions and features," says Neets.

(Jim Evans)

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14 March 2016

With nearly 600 candidates having completed the course to date, the feedback is continually proving positive: visit bit.ly/scites to read more and find out about dates and venues. Some courses are being organised by BECTU so members may be eligible for a discount. Currently the major broadcasters plan to enforce Creative Skillset Certificate in Temporary Power systems on their productions by April 2016, so time is slowly running out to beat the de

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14 March 2016

Leading the Australian business is Eric Lawrence, Melbourne resident and long-term Charcoalblue associate, who has worked with the team on the RSC Courtyard, Chicago Shakespeare Theatre and the forthcoming Astana Expo 2016. He extends a warm welcome to anyone visiting or passing through Melbourne to the Design Studio, which is based at 104 Johnston Street, Suite 4A, Fitzroy.

"We share our building with a film co-operative in Fitzroy," says Eric. "There's great coffee, decent wifi and our local bar is the wonderfully named Naked for Satan! Pop in for a pint if you dare!"

Supporting this global growth is Gary Sparkes in Charcoalblue's London studio, who